Honestly, where do I even start?
This book begins with an interesting premise. Young woman in the middle of a quarter-life crisis receives a weird package completely in Italian telling her she is - SURPRISE- actually an Italian noble and the last surviving heir to the house of Montebianco. She gets whisked off by a family lawyer to visit her new estate, and according to the book jacket summary, there are lots of dark family secrets to uncover. WHOO. FUN MYSTERY TIMES.
***There are spoilers after this point.***
I WISH this book went where you think it's gonna go. But... It doesn't.
Let's start out with Bert's situation at the beginning of the novel. After suffering a tragic series of miscarriages and eventually coming to the conclusion that she will never have a child, she decides to separate from her husband because grief, I guess. Bert as a character is beyond annoying. Listen, I know that tragedy puts a strain on people and their relationships, but the fact that she decides to leave Luca starts to give you the impression that she's never committed herself to anything other than trying to have a child. We don't have any parents to tether her to, she's divorcing Luca, and hell, I don't even remember if we ever find out what she did for work before galivanting off to Italy. As a character, the only things I know about her are that she wants a kid and that she thinks absolutely nothing through. To evidence this, Bert invites Luca to Italy with him to see the estate even though they're getting a divorce, they have a whirlwind reconciliation, and then they get in a fight that's supposed to be bad but isn't actually and Luca packs his backs to head back to the U.S.
Let's talk about the premise of the book for a second. While I'm all about a sad backstory and dark family secrets in the Italian Alps, I am not about the idea that a noble household would seek out the American descendent just to bring them to the estate and then literally hold them hostage. That's right, Bert is apparently held hostage at her Italian castle in some remote location to the point that when she tries to run away, she is shot in the leg by one of the staff members.
Also, while she is being held hostage, someone is poisoned right in front of her, she realizes they're dying, and she literally does nothing???
Let's circle back to Luca for a second. When Bert is unable to escape the castle on her own, she sneaks her way to the one functioning phone in the whole place to call the one number she has memorized: Luca's bar. Then we completely forget that she ever called him for help. What feels like eons later, the groundskeeper apparently finds Luca and his dad frozen in the mountainside. Just poof. Dead. Surprise? Is Bert sad about it? Sure. For about two seconds. Why did this character even exist, honestly? We see so little of him, and the fact that the only way we know him is as Bert's soon-to-be-ex-husband makes you invest virtually no emotional energy in him. He only seems to exist to deal with things that Bert is too incapable of managing on her own, and he literally dies for it.
A large part of the story also hinges on these journal entries written by a woman named Eleanor, who is a few generations back in Bert's family tree. The focus of these entries is her daughter, Vita, whom she describes as an irredeemable, disfigured, feral monster. How motherly! Anyway, these journals are SUCH A WASTE OF TIME. Because guess what. We meet Vita. And she is relatively normal, can hold conversations just fine, and is even a master manipulator. So we get these exaggerated journal entries that just creates confusion, and then we get pretty much no resolution or reasoning for why they even exist.
Now time for the twisty twist (I told you there were spoilers, and I meant it)! This book went from sorta interesting gothic horror to mind-numbingly stupid pseudoscience shit show in about two seconds flat when we learn that Bert is actually a descendant of the secret yeti/Neanderthal tribe living in the mountains. Oh yeah, you read that right. The best part? She goes to live with this tribe for a while, learns their language, tries to get them to trust her, and then one of the women in the tribe dies giving birth but the baby lives, so apparently this is Bert's destiny and she just... takes the child. Like... Negotiates with the baby's father for her to just take it and go live in Paris, where the baby never gets to leave the house except at night because she looks weird and never gets to go to school or the store or the playground or have any quality of life.
Anyway. Here are a list of questions I have that never got answered.
• Why does this book sell itself as a spooky gothic book when it is literally just about a secret yeti tribe?
• Why does the plot make such a big fuss about hiding Vita away and how that was traumatic for her only for Bert to finally be given a child that’s from this tribe of deformed yeti people and do the exact same thing to her?
• Why is Bert so obsessed with having a child at the expense of literally everything and everyone else?
• Why was the idea of the tribe whole-ass kidnapping children just like… glossed over?
• If the purpose of the estate is to protect the tribe/its lineage at this point, why isn’t anyone else in the estate’s household brought in to help this be successful? Why import a clueless American?
• Again, why was Bert more concerned with having a child than with her ability to provide that child with a normal life? Seems selfish, I don’t know.
• Why does Bert feel she has any right to dictate how the tribe lives, especially when she skips right off to the estates Paris property to live with her stolen daughter? Shit is bananas. “You must commit no crimes or else I’ll deny you medical supplies.” For real? Could it be any more tone-deaf?
• How could Danielle Trussoni put in so much work to write a critical but historically accurate account of how white men took advantage and influenced indigenous tribes only to make her protagonist literally do exactly that?
Overall, this book is filled with paper-thin characters, plot holes galore, white savior complexes, ableist bullshit, and precisely zero purpose. No one grows. No one changes. No one experiences radical development. Bert gets a baby just so she can fulfill her motherly purpose in life even if it just perpetuates trauma on the child for no apparent reason. Oh, and she has a weird toe and saw ancestor ghosts once, I guess.
Digital ARC provided by NetGalley in exchange for an honest review.