A young girl and her baby brother are amongst the denizens of Prison City, a quasi-futuristic gulag. Yearning for escape, a desperate plan presents itself, but things go awry and that’s why, years later, she’s breaking back into the hell she freed herself from.
Depravity is hard to get right. It just is. You’re in a lawless prison city and obviously the worst of humanity is going to be present, but conveying that without marinating in it is a tricky proposition.
Or, as happens, going a little indulgent. This story believes it should be taken seriously despite a prominent side character wearing a polar bear head for their whole time there. And the gang leader who just chugs pills from a bottle at the end and the very goofy drug paraphernalia shot towards the end? Phew.
Try-hard, achieve-some, is my rough estimation of this story. It starts off feeling like a derivative version of Promised Neverland, with its weird prison location and bizarre sci-fi trappings. The second the Yes-Men robots were introduced I could feel my stomach sink.
The escape attempt ends up leading things to swap to a whole other plot, as I mentioned, and it goes so fast that I have to wonder whether that actually was the intended plan or a complete story pivot. It’s Shonen Jump, so I have my suspicions.
Chloe, our lead, is an okay character and I like the way she turns cold with the change to her purpose. Her upbringing is survivalist as all get out and that gives her the chance to survive on her rescue mission, but it has compromised her humanity.
It’s too bad that there isn’t an original bone in this story’s body. You can see every single character beat (sorry, Mr. Bunny) and relationship coming from a mile off. The functioning of this prison should be fascinating, but it boils down to ‘let’s threaten the women’ and excuses for Chloe to get stabby.
The allegedly major hook is that Chloe kills things in a way that looks like she’s dancing, which doesn’t give much of an actual hook because it isn’t dynamic enough. There’s no point where you’ll go ‘slay, girl, slay’, that’s for sure.
I wouldn’t say this is bad, but this clearly thinks it’s way better than it actually is and by the time the (spoiler, I guess, so hold tight) wall of child skulls shows up from the ‘really bad part of the bad place’ courtesy of a child-worshiping cult (which is absolutely incongruous with them having a wall of child skulls to dissuade intruders - plus it’s like me hanging a doily up to ward off rabid badgers) I was pretty much done here.
Maybe if this is your first book of this type, you’ll be wowed by Chloe winning over a guy who appears primed to ignore her appeals until she, again, steel yourself, wins over his last shred of humanity. Or the bad guy in this volume being so wildly evil he shoots somebody at random. Never seen that before… yes, wait, I have.
It’s not the worst thing, really, and the art has a nice style for the type of story that it’s trying to deliver. It just offers so little to make it stand out that its few little novelties are lost amongst the gloom. And if shonen is not your typical thing, as it is not mine, then there isn’t anything compelling here.
3 stars - I wouldn’t say it’s awful, but I won’t be back. It’s 25% engaging and 75% eye-rolling and that isn’t a ratio I can throw my limited budget at.