[Content warning - LOTS of suicide talk]
The shojo have invaded and in this case that term refers to an infectious space virus that wants to do more than get senpai to notice them. No, this shojo infects and mutates humans and one man, the titular Blackja… sorry… Blackguard, dares to fight them with a sword instead of a gun and if that sounds like a guy with a death wish, well, you might be onto something there…
What in the sweet mercy was that? I will give this manga this much - for something that crams in a lot of ideas and exposition in its first volume, it is all very clearly presented and easy to follow. At no point did I utter a ‘wha?’ or a ‘huh?’ when it came to what was being conveyed (the content is a whole other matter).
And when your story is about a Blackjack-looking dude (no, seriously, that has to be an homage!) who wants to die but can’t kill himself fighting against a bunch of white monkeys who keep evolving that were caused by a virus from an alien planet, you kind of want that clarity.
The art is… not to my own tastes, which is my polite voice calling it a touch ugly. It gets the job done surprisingly well at times - the moulded suits the guys wear for combat is pretty neatly applied and the initial appearance of Minami, our titular hero, is a series of action flashes that look for all the world like a set of freeze frames. Nice effect.
Because he’s too damn good yet too damn suicidal, Minami gets a partner, the rather brash Miyaji. The dynamic between the two is some of the strongest stuff in the book, as Miyaji quickly turns into Minami’s caretaker. When Miyaji introduces the concept of food to Minami over what essentially amounts to a date (these two have definite chemistry), it’s a lot of fun.
The other characters aren’t quite so great, with one psychopath bearing a very odd grudge that leads to him maintaining plausible deniability while being a complete nutter. He’s all too good at messing with Minami’s head, but ludicrously over the top.
There’s also a very young graduate who wants to join Minami’s one-man show that is swiftly growing far beyond that definition. She has the best answer to Minami’s tortured issues surrounding death, although the choice to have these two hold hands given their ages is a whole other thing (I’m hoping for a mentor/student thing but it’s manga, so who the heck knows).
The action is serviceable, if bland, not helped by some wonky guns. For something where limbs and heads are flying, Gantz and Battle Royale have nothing nothing to fear in the gore department.
There’s a definite war of viewpoints between Miyaji’s attempt to find what’s still good in this ruined world versus Minami’s suicidal tendencies, which you can see propped up by the fact that this world is clearly hanging on by a thread and the humans are essentially outclassed. It’s a decent enough idea.
Frankly, this is a pretty basic shonen story and not much else. It gets its points across and establishes a credible threat and some boo-hiss villains and a talking cat. There doesn’t seem to be an overarching plot per se, mind, and constant talk of suicide isn’t going to be fun for most people.
3 stars - not the high end kind of 3 stars, more the ‘this is good enough’ sort of thing. It didn’t bore me and it was certainly told very well, but I don’t know if I care enough about the actual content to read another volume.