Superb YA sequel for streetwise Greer & the elite students at archaic S.T.A.G.S. school. Suitable for adults too!
D.O.G.S is a marvellous sequel to M.A. Bennett’s YA thriller, S.T.A.G.S, and is as entertaining and engaging as the first and although reading the first novel is not essential, it certainly benefits the reader. This time around the plotting is, if anything, smoother and more comprehensive, the scathing humour of first-person narrator, Greer MacDonald, as riotously amusing and sees her and her two best-friends, Shafeen and Chanel, returning to Longcross Hall where it all kicked off as the first book came to a dramatic close. With heroine Greer wise beyond her years and all too aware of the social conventions that dictate whether someone fits in, D.O.G.S is a perceptive take on everything from the entitlement culture to the advantages of a silver-spoon upbringing. And with Greer still not convinced that the murky mystery of the Order of the Stag is well and truly over and her exams upcoming, she has plenty to keep her occupied.
D.O.G.S begins where S.T.A.G.S left off and the second half of the autumn term with seventeen-year-old working class northerner and film buff, Greer MacDonald, and her fellow outsider friend, Shafeen and Chanel (Nel), preparing to face their final exams (Probitiones). And with Greer aiming for Oxford and two-thirds of her overall drama mark dependent on directing a play written prior to 1660, for once her encyclopaedic knowledge of films is no help. Short on ideas and with charismatic Henry de Warlencourt of the first novel still intruding on her thoughts, the convenient arrival of a handwritten manuscript for Act One of a tragedy entitled The Isle of Dogs under her dormitory door provides the answer. As Greer reads the first act she is drawn into a dark yet accessible Elizabethan allegory that seems to provide an incisive commentary on Tudor history and Queen Elizabeth I’s reign.
When Greer starts investigating, not least who delivered the first act, she learns that the play was written by poet Ben Jonson in 1597, and was suppressed for referencing the “full house of Elizabethan sins” - blasphemy, sedition, treason, demonic practices and black magic, and ended with the playwright thrown in jail. But with no surviving copies, the play not having been performed for four-hundred years, and the play narrated by a sardonic character believed to represent the author, and Greer and Ben Jonson both “low-born scholarship kids”, it seems rather fitting that Greer decides to stage it. Whilst the first act might seem rather tame but the play considered political dynamite, it is only as the following acts are slipped under the bottom of Greer’s door that it becomes clear just why it was suppressed..
Several new additions to the cast and deepening the characterisation of Greer add an extra dimension with the dry humour of handsome drama teacher and non S.T.A.G.S alumni, Friar Ridley, the first black scholar in spunky Tyeesha (Ty) Morgan from Tower Hamlets and the slightly strange de Warlencourt twins coming to the fore, meaning the supporting cast in pleasingly diverse. With casting complete, consecutive acts arriving weekly and time running out to rehearse it all points to a long weekend of dress rehearsals at the none too welcoming country estate of the de Warlencourts and the scene of the ominous ‘blood sports’ weekend of S.T.A.G.S. But will the fifth and final act ever be found? Just what is the dynamic between the twins and behind their dissimilar feelings about the ghost of their cousin, Henry? And will Greer get the guy, stage the play without losing her life, and make it to Oxford?
With a host of twists, the staggering discovery that an ancestor of the de Warlencourt’s performed in the original production and fresh questions to answer throughout, D.O.G.S is difficult to put down with some excellent foreshadowing and certainly clever enough to keep an adult caught up in the chaos. The story cracks along at a fast-pace, the banter between characters is punchy and free-flowing and Greer proves herself a relatable and spirited protagonist with a genuinely well-intentioned attitude to inclusivity for all.
This second book in the planned trilogy comes with a few natty additions to the first with a brief note on the history of S.T.A.G.S, a map and a glossary for the exclusive terminology of a prestigious school. And with a third book in the works, a set piece and cliffhanger ending bodes well for one last meeting with Greer MacDonald.
With thanks to Readers First who provided me with a free copy of this novel in exchange for my honest and unbiased opinion.