ME, THEN is masterful. Author Mia Kim, tells the story brilliantly, like a singer who knows timing; a painter, who shows restraint, Kim does it effortlessly making us laugh, cry, and wait.
ME, THEN is economical with words, but the words, powerful like Hemmingway or Toni Morrison, often become poetry and beautifully dovetail to the very last word… on the very last page.
The experience feels visual, cinematic; a kind of magical realism, a merging of the film, Beasts of the Southern Wild, meets the classic Dicken’s, Oliver Twist.
We feel empathy for the child Su-Young, seemingly betrayed by everyone. Yet, Kim makes us love the characters, back to back with good and bad, revealing the irony and duality of existence, of truth.
Su-Young throws herself into a mosh pit of rebellious humanity and emerges from it magically unharmed, a virtual shapeshifter. She’s her own supernatural guide, a superhero put through tests, a female Odysseus succeeding at a series of trials that challenge and build her strength.
Ultimately, Su-Young descends into darkness, an underworld of sorts, to experience a wound that cannot be healed, yet she digs herself out, completes all her trials to achieve her ultimate goal of the journey -freedom and the promise of love… In the process she becomes her own personal Jesus and makes you a believer.
This magnificent story, a powerful and universal immigrant journey on both the personal and societal levels, is important to be told. Now more than ever, her victory becomes our own.