Illustrations by Katie Pope, published by Go Faster Stripe.
The new poetry collection by John Osborne about supermarkets and the people who use them. We meet two paramedics in the crisps aisle, a butcher on the meat counter who is considering vegetarianism, love blooms as two people on their own with baskets say hi to each other. We join staff with untucked shirts sitting on kick stools stacking shelves and find that every aisle really does tell a different story.
John Osborne writes poems, books and stories. His first theatre show John Peel’s Shed received five-star reviews from The Independent and The Scotsman. He has written and performed six half-hour storytelling shows for Radio 4 and his poems have been broadcast on Radio 1, Radio 3, Radio 4, XFM and BBC 6Music. In 2015 After Hours, the sitcom he created with Molly Naylor was broadcast on Sky 1, directed by Craig Cash and starring Jaime Winstone and Ardal O’Hanlon.
'A lovely, engaging writer finding the joyous in the everyday.' - Stuart Maconie
'His work has a winning gentleness, a seductive voice that draws you in, ensnares you and captivates you.' - Ian McMillan
People best know British playwright John James Osborne, member of the Angry Young Men, for his play Look Back in Anger (1956); vigorous social protest characterizes works of this group of English writers of the 1950s.
This screenwriter acted and criticized the Establishment. The stunning success of Look Back in Anger transformed English theatre. In a productive life of more than four decades, Osborne explored many themes and genres, writing for stage, film and television. His extravagant and iconoclastic personal life flourished. He notoriously used language of the ornate violence on behalf of the political causes that he supported and against his own family, including his wives and children, who nevertheless often gave as good as they got.
He came onto the theatrical scene at a time when British acting enjoyed a golden age, but most great plays came from the United States and France. The complexities of the postwar period blinded British plays. In the post-imperial age, Osborne of the writers first addressed purpose of Britain. He first questioned the point of the monarchy on a prominent public stage. During his peak from 1956 to 1966, he helped to make contempt an acceptable and then even cliched onstage emotion, argued for the cleansing wisdom of bad behavior and bad taste, and combined unsparing truthfulness with devastating wit.
Has a really interesting overarching theme but unfortunately I found the poetry quite generalised and mawkish. I’ve always enjoyed character-led stories about the beauty in mundanity, but a lot of the poems felt like they were trying to draw emotional reactions from you without providing any of the detail to elicit that. There are are a few good lines but alot kind of just read like very simple storytelling mixed in with mushy Pinterest quotes. Osborne definitely has the imagination to come up with the ideas for these stories, if the poems with the most interesting characters or concepts (e.g. I think the butcher and the vicar is a really good one) were developed into short stories under the umbrella of ‘people in supermarkets’ I think that could be really interesting.
Also the illustrations were stunning. Gotta love a poetry collection with beautiful pictures.
Not so taken by the illustrations, if I'm honest (sorry) - but that's a personal taste thing, no reflection on their quality. The poems are delightful though, encapsulates the beauty of the everyday.