Joan Collins tells a good story. She is honest about her "past imperfect", but also a reflection of her upbringing that included thoughts like "men only want one thing." She tells of losing her virginity while she was unconscious from a drug that had been slipped into her drink by a person that was then a star. It was one of a few introductions to the corruption within that system where she was working. But she doesn't write to blame.
Her relationship with Warren Beatty included being engaged when he first began to be known. Not surprisingly, he was not able to stay faithful when they were apart working on different projects.
While there are many famous names in her life, and while she became a star before her 20's in England and then "across the pond", she was still a young girl in a profession where people took advantage of people.
One especially riveting story was that when Elizabeth Taylor became hospitalized and assumed to be dying while making Cleopatra, the studio which had tested her for the role asked her to get on a plane and come take over the role, despite many scenes having been shot. She refused because it would not be fair to Elizabeth, who she considered a friend, and because she was not about to take action while she was hovering between life and death.
The stories of times with great attention and income are followed by times near her 40s where work became scarce, and she needed to be the breadwinner because her husband had lost his job. She always went back to work taking roles that might not be great scripts, but kept her name out there. She managed to get a film funded for her sister Jackie Collins' bestseller The Stud, where she would star in it, after taking it to many producers who turned it down. When it was finally done, the press once again had to grudgingly admit she could act.
There were seasons of mostly TV guest roles. One of those, of course, led to an episode of Star Trek known as City on the Edge of Forever, which was certainly one of the reasons I wanted to know more about her life. It is generally agreed to be the best of all the Original Series. She doesn't talk about it long, but does acknowledge the attention the role got, and enjoying working with Bill Shatner (which most of his friends call him).
This is not a book where you feel she always made good choices. But she did manage a career that has spanned six decades and a half, when most actresses knew that they would be very fortunate to work past their early 30's. Finally, when roles were still scarce and there was a definite need, she took the role of Alexis Carrington because Aaron Spelling fought for her to get the part, having worked with her when she was younger. When she came on Dynasty it was #45 in the ratings. The addition of Alexis helped the show take off, and it was #1 by the next year. She doesn't dwell on it, but certainly acknowledges the privileges it gave her to return to and surpass her previous fame, and to always have work after it. She was the J.R. Ewing (Dallas had been the show that revitalized the nighttime soaps) of Dynasty, and certainly the show took off when people saw her play this ex-wife of the patriarch on the show, as a very adversarial character.
Joan was often labeled "bad girl" from her earliest roles, even when she was a very conservative young woman just trying to find her feet. That image was created largely by studios that decided she could help them best in those roles. Perhaps as time went by, she took on some of those characteristics. But she seems to have been an honorable member of each production she was part of, and took notice of not just stars but of crews that worked on these projects.
An interesting book and life.