Sordaneon is a shockingly brilliant and unique Novel, a blend of the great politicking I found in the original Game of Thrones book, the in-depth character thought processes found in Realm of the Elderlings, and a fascinating world that feels ephemeral and ancient.
Basic Pitch (I honestly can't make a better pitch than LL Stephens, so I'll just paste her synopsis here in case you haven't seen it)
Dorilian is blood bound to the Rill, a quasi-living artifact that spans continents and empowers a privileged few to reap the riches of an entire civilization. The problem is, decades after seizing control of the remaining god-machines, those privileged few aren’t willing to give up their power—even if that means imprisoning and destroying the human bloodline to which the Rill is tethered.
To reawaken the Rill and save their world, its ruler Marc Frederick must find a way to win over Dorilian Sordaneon, the last scion of the divine house that once controlled the Rill. Unfortunately, Dorilian hates him. And his family. And… everything.
Politics/Plot
This book's political system is incredibly well thought out and blends brilliantly with the characters' motivations, ideals, and status while seamlessly incorporating aspects of the worldbuilding to help create a new caste structure and portray how different factions control this economy, deeply influenced by the fantastical elements of this world. The relationship and history between each of these nations is rich and well thought out to where, as we meet them through the eyes of Dorillian, we get a better understanding of HIS political acumen. LL Stephens is another one of those authors, like Janny Wurts, Brandon Sanderson, and Christopher Ruocchio, who set things up throughout the novel, some of those being for a ways down the road and others being paid off at the end of this book, allowing for a grand avalanche of setup and payoff right at the end. She is also able to demonstrate a great understanding of subtlety in the interactions between characters. As is inherent within politics, we as the readers must read between the lines, and L.L. Stephens trusts us to pick up on what a character is indirectly saying or hiding through their actions or words.
Characters
This leads me to her character work. To put it simply, this is likely her strongest point. Every character FEELS incredibly human. Dorillian is a perfect example of this; though he may be Godborn and a genuine political genius, he can also be incredibly stupid. His greatest flaw tends to be his impulsivity, a trait I share and love and hate him for. No character in this book is perfect, and every one of them has flaws, but they are, each and every one of them, formed by their pasts. It feels like these characters live outside their page time and that they each have rich histories with each other. Stephens also has a deep understanding of the complexity of our emotions. Dorillian's relationship with his father is a difficult and harsh thing to pin down, as, even though Dorillian and his brother are scorned by their father, they do not ONLY feel hatred towards the old man, a thing I feel is a very real and well-done aspect of this book. You can also find this deep nuance of emotion in Dorillian's relationship with Marc Frederick, the complete and absolute highlight of this book, and something you can only really experience for yourself, but suffice it to say it is brilliantly done.
Worldbuilding
LL Stephens' worldbuilding is another absolutely outstanding aspect of this novel. There are three heavily important factors added to this world which make it different from our own: the Rill, a GOD MACHINE which looms over the continent and facilitates nigh instantaneous trade and transport to certain areas: the Wall, another GOD MACHINE which allows for a very complicated prescience that is too detailed to talk about here: and the Godborn/Highborn, the descendants of the Gods who made, for all intents and purposes, these God machines and can "control" these God machines.
Both the machines and the people add such depth on their own to the political system of this world that it is insane. The Wall and the Rill aren't just places- they are symbols of worship, so too are the Godborn. They embody the worship of the common people and thus are centers of trade, but they also CONTROL a heavy amount because things like the Rill are so important FOR merchants to move goods. All this was thought out, like how, of course, nobility will claim to own slots of a GOD MACHINE (The Rill in this case) and these slots would be incredibly valuable as this helps improve their trade immensely. These God Machines also give incredible wealth and status to the nations that have formed around them, meaning that the ones with said machines are the Superpowers of this world. It is all so incredibly well thought out that I shudder in awe at the detail and complexity of the push and pull between these nations and the caste systems created by the Highborn, who are always princes or princesses due to their nature as essentially having the Divine Right of Kings.
This book is easily one of the best books I have read this year, and that is saying something, but since this is early on in a longer series, I am also having a tough time nailing down the overall themes of this story. But I think they will click somewhere along the way when the endgame is revealed. The ending to this book was immaculate, and if LL Stephens can keep up this level of quality, then I believe she will deserve to have her name up there with the Greats of the Fantasy genre because this is something special in how unique and well done it is. Also, I think I actually just convinced myself to give this book a higher rating, that being 4.75/5 Stars, so if I haven't convinced you already- go read the fucking book ya lazy lout