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280 pages, Hardcover
First published April 11, 2023
‘Orcas breathe air like us, they love, they mourn—How we—humans choose to live with the natural world’s apex predators will define who we are to future generations. Were we hunters who merely wanted to subjugate them & lead them to ultimate extinction or were we seeking a way to coexist in peace? Ultimately, what we decide will not only shape the world the orcas live in but the world we ourselves will be living in.’
‘The whalers’ loathing of killer whales may have been prompted by competition for the whale meat but underneath that ran fear and horror. As the killer whales started eating from the whaler’s carcasses, Robertson heard the sharp crack of a rifle and seconds later, he saw one of the killer whales sinking in a whirl of spray and blood. For some crew members on the whaling ships, shooting killer whales was more than a leisure sport; it was morally justified in the same way as the Danish hunter’s shooting of the corvids. As is often the case in such conflicts, they are more governed by preconceived ideas than facts, and in both cases the competition over the resource may be exaggerated.’
“When there is big money at stake, problems are always hard to solve.”
‘My fascination with them left me unprepared for the strong emotions of fear & hatred they elicit in people. How are they perceived as a threat & a competitor in some places while revered & admired in others? Orcas are unconcerned with our attitudes. They don’t need our love or our hatred. How we understand & interact with them is instead a reflection of ourselves & how we want to live with the complexity of others.’
‘We are so used to—a world that has been systematically hunted, fished, burned, logged, & harvested that we have little idea how abundant wildlife was before so many of us humans came along—Sometimes I wonder if that is precisely what is attractive about zoos & aquaria: wild animals bereft of anything that makes them wild. Do we like nature better when it is toothless & benign, rather than when it is wild & untamed?’
‘It’s a horrific story of how killer whales were systematically persecuted and eradicated in Iceland in the 1950s, and I have never understood what the background for the conflict was or why the situation escalated so badly.’
‘There's a growing understanding about the value of wilderness, not just in terms of what it means for tourism but also the value it has for people—But the thing that bewildered him the most was that nobody hunted—fat pigeons—near the central station in Copenhagen. They think of nature as a backdrop—food as something bought in supermarkets. To Greenlandic people—on the other hand—nature & food are intimately linked.’
‘The Kingdom of Denmark colonised Greenland and its Inuit people in the late 1700s. Bound together by the centuries-long history of colonialism, the two peoples are so widely different in their ways of life that, at times, it can be difficult to find common ground. This is increasingly true as many Greenlandic people today desire greater autonomy or complete independence from Denmark. Most Danes have ties to Greenland. Either they had an uncle who worked there for a couple of years, or a schoolmate who was from Greenland, or a cousin who married a Greenlandic man or woman. Often these Danes’ connections to Greenland are characterized by a deep love of the country and its people. But the love is not always reciprocated. Like many other Danes, I also have a relationship with Greenland.’
‘All over the world, killer whales have been characterized by having cultures, which are the behaviors they learn from each other that are distinct from others of their species. If all the members of a social group with a unique culture disappear, so does that culture.’
‘Surrounding the town with a raw wilderness, the Arctic tundra embraces Tasiilaq from all sides. From the northern rim of the town, I follow a footpath leading into the wilds through the Valley of Flowers. I don’t know if the valley is named after the Arctic flowers that bloom there in the spring and summertime—but not in September while I’m there—or if it is named after the eternal flowers, of which there are thousands, in the churchyard that stretches along a creek in the bottom of the valley. In the simple burial ground, row after row of plain wooden crosses line up humbly in the yellowing grass, but the graves are demonstratively decorated with plastic flowers in screaming red, orange, pink, and yellow, as if the bright colors can defy the reality of loss and grief.’
‘Places where you are close to ancient history have a way of getting to you. The feeling of connection to whomever was here so many thousands of years ago—The animals—they were so obviously made by someone who shared our sense of aesthetics and love of wildlife. It was a humbling and overwhelming insight to feel how much we and the ancient artists were alike.’