This is the first in a new series by Harlan Coben featuring billionaire Windsor Horne Lockwood III, in his forties, a good friend and sidekick to Myron Bolitar, providing him with help by accessing information that would otherwise be unavailable. There is much to dislike about 'Win', he reeks of white privilege, an exclusive lifestyle out of reach of almost everyone else, he has a narcissistic streak, exudes arrogance, acts with impunity, safe in the knowledge he is never going to be accountable for his actions or behaviour because of his class and wealth. He is generally not interested in other people, their lives or their opinions, and at the heart of him, there is a love of violence that he revels in unleashing. If he loves anyone at all, it is Myron, a friendship that means everything to him, the only others who have any claim on his affections are his family, upholding its honour and reputation is integral to who he is, protecting them, and he not keen for any concept of justice applying to him or his family. His inability to connect with others on a emotional level suggests he is on the spectrum.
There are antiheroes I have connected with but Win is not one of them, although there are occasions when I felt a little more ambivalent, such as the development of his relationship and feelings towards his biological daughter, Ema, which appears to signal the beginnings of the cracks in the walls around his heart. However, you do not need to like the protagonist to enjoy a novel, and it is Coben after all, a man with a reputation for conjuring complex and twisted fast paced thrillers where nothing is as it appears. Win finds himself at the scene of the murder of a recluse and hoarder at the Beresford apartment building where there are items that connect the victim to the Lockwood family. The first is a stolen family Vermeer, part of a long ago art heist, and a case with his initials, connected to the murder of his Uncle Aldrich, and the abduction, rape and torture of his cousin, Patricia, kept at the notorious Hut of Horrors where other young women were murdered.
Win investigates the murder of the victim, aided by his able assistant Kabir, who turns out to be Ry Strauss, a key figure in a 1970s case of domestic terrorism, as connections emerge with the art heist and the Hut of Horrors. This has all the thrills, twists and surprises you would expect from Coben, along with the nail biting tension and suspense that his multitude of avid fans would enjoy. There are numerous mentions of Myron and other familiar figures such as Hester Crimstein, helping to embed Win in his new central role. A entertaining and engaging thriller that leaves me wanting to read the next in the series as soon as it becomes available. Many thanks to Random House Cornerstone for an ARC.