The clandestine, tactical obfuscation of truth and information by traditionally dominant controlling power structures has been a mechanism of interest of the elite for over a hundred and fifty years.
The potentially nefarious authoritarian coding of American intelligence systems has, in some sense, drawn the locus of our imagination toward the possible existence of the construction of an impenetrable, cryptanalytic infrastructure in which, as if centered at its core, nested in some superencipherment labyrinth, lost like Genevieve Grotjan Feinstein within the seemingly impossible-to- pattern computational code Purple output from a System 97 Printing Machine, we, as a civilization as well as a species, routinely hope that there exists some meaning to be discovered not only about the operational ontology of our modern empire, but also we hope that if we could just tidily unravel the complexity of the historically obscured power systems which intrusively occupy us, we may uncover some hidden tether to a Rosetta Stone of high-resonant human truth and meaning.
From this, we hypothesize simply that there is an argument to be made that those who methodologically control the symbolic classification of our information systems also hold the power over controlling the objective order of our world, and it is founded somewhere within this curious proposition that the artfully written, brilliantly constructed world of Project Sleepless Dream emerges, in which author C.G. Jones deliberately and skillfully lures the curious reader into a methodically byzantine science-fiction-drenched dystopia in which we not only face the horrifying post-structural apocalyptic hysteria of the weaponization of the very fabric of what makes us human, but we also, as readers, under the watch of the divinely Kafkaesque Divided States Department of Unspecified Services, as we chase the quixotic narrative thread of Dr. Pernal Norlin deep into oblivion, we kaleidoscopically explore a beautifully written novel through its use of an intoxicating, literary multimodal form of creative experimentation, in which Jones progressively dares to push the boundaries of what the novel—as both art and form—is capable of achieving into new and previously unexplored terrain with his extraordinary debut novel.
Highly recommended.
Phillip Freedenberg
10/16/21
Buffalo, NY