Dear Reader,
This novel arose from a question: Just how involved was the CIA in censoring artists, spreading anti-Communist propaganda, and spying on writers in the early years of the Cold War?
It only made sense to go about answering that question from the point of view of a young female writer. Louise Leithauser, the protagonist of The Lunar Housewife, is very much a tribute to the real-life women who exposed the shadowy connections between powerful men of letters and the CIA: women like Frances Stonor Saunders and Immy Humes, daughter of Paris Review cofounder Doc Humes.
I wrote most of this novel in the spring of 2020, just after we all went into lockdown, a period when many parents had no childcare and felt completely isolated and alone. The novel within this novel, also titled The Lunar Housewife, is about two people sequestered in a lunar colony. They are both in love with and suffocated by each other's company, which I think a lot of us can now relate to—thus The Lunar Housewife is just as much a 2020s novel as it is a 1950s one.
As I wrote late into the night, after my children were asleep, The Lunar Housewife grew into a David-and-Goliath type of story, about a woman going up against giant forces outside her control: rampant sexism and a powerful government conspiracy. Somehow, through scrappy ingenuity and the force of her determination, she finds a way to save not only her own skin but also the integrity of her art.
I hope that you enjoy your foray into the glamorous, scandalous world of postwar New York City publishing, even if you may find, as Louise does, that the glamour fades a bit as you pull back the curtain, revealing something a little darker, a bit more sinister.
Thank you for reading!
Caroline Woods