I received a copy of this book from Orion Publishing Group via Netgalley in exchange for an honest review.
This book is the fiction debut from Mother Pukka & her husband, writing as Anna Whitehouse. I was attracted to the book due to the striking pink cover & the description of … “parallel lives, worlds apart” – and how these parallel lives are introduced in first few chapters is really clever.
“Lo is the ultimate middle-class mother, all perfectly polished Instagram posts and armchair activism.
Dylan is just about surviving on a zero-hours telemarketing job from her flat, trying to keep food on the table.
But when they meet at the school gates, they are catapulted into each other's homes and lives - with devastating consequences . . .”
I really like the play on words that “Underbelly” evokes too, because within the book there are descriptions of caesarean scars and soft bellies of mothers that fall to the bed when laying on your side, but Underbelly here also means “A dark, hidden part of society”, apparently chosen due to the dark, anonymous side of the internet where faceless avatars judge & comment - and this book seeks to expose the damaging effects this can have.
It was obvious that I was going to imagine Lo as the picture of Mother Pukka herself that I have seen online; and Dyl conjured up visions of Jack Monroe for me, possibly because of the cropped hair & wonderful cheap filling “pommes de terre de toms” meal she makes for her little boy Noah, with little money.
I enjoyed reading the book – it was eye-opening & thought provoking (#bekind) and both main characters were well developed enough to be believable. Its not a comfortable book, and that’s deliberate. It makes you question your own beliefs & (online) behaviours whilst shining an unflattering mirror up to a society that judges (mainly other women) via a square box on a social media feed. The book deals with self-harm, baby loss & domestic violence and I wanted to raise this to ensure anyone potentially affected goes in with their eyes wide open. They’re brave topics that are handled sensitively & not gratuitously through the book.
There are some “loose ends” & open questions that aren’t quite tied up by the end of the book – I don’t know if this is deliberate to leave it open for a sequel, or deliberate because life doesn’t have neat endings.
I’ve heard that the book has already been picked up by a production company to be developed as a TV series and I can absolute envisage this as a CH4 program – modern, dark, sometimes funny, grittily realistic, with a strong female empowerment message. Fans of Motherland would appreciate it I’m sure, but really there’s nothing else I can think of to compare this book to and that in itself means you should take a read of this unique insight into 21st Century western women’s struggles.