authors from around the globe; out-of-this-world writing
From a steampunk Victorian tea shop owner, a sentient AI kitten, and a sixth-senser, to a virologist balancing upon the razor’s edge between science, ambition and ethics, fourteen talented emerging authors present world views, or out-of-this-world views to pique the interest and stretch the realms of the possible. Paired with three stories from established authors including L. Ron Hubbard himself, the Writers of the Future Volume 37 whisks us from magical kingdoms and paranormal lands to humble households where to identity is more than skin deep. With illustrations created for the tales they grace, essays on writing and illustration, and one ekphrastic story based upon “Phoenix Passage,” the cover illustration, this anthology is a wonderful collection of short stories and visual highlights.
As expected, the stories range from sci-fi to genre-blending fiction. The Tiger and the Waif, by John M. Campbell (illustration by André Mata), presents a somewhat dystopian future of loss and want following a catastrophic earthquake – lightened by the presence of one small toy kitten, powered by sunlight, and programmed with AI based upon paradigms enabling it to learn, adapt, and choose.
Among the more paranormal selections, Half-Breed (author Brittnay Rainsdon, illustrator Daniel Britton) follows a teen who must decide whether she will remain on a pre-determined path between the ancient and the new, between humans and dryads – or grapple with growing tensions head-on, and branch off in a new direction. In How to Steal the Plot Armor (author Luke Wildman, illustrator Dan Watson), a wizard tires of leading yet another “chosen one” to self-realization and fulfillment, calling in the chits he’d amassed through the years to arrive at a catharsis of his own. And The Redemption of Brother Adalum (author K.D. Julicher, illustrator Isabel Gibney) follows a man keeping his inner warrior-bear spirit at bay until he passes from the relative safety of monastic penance to a crucible of true testing.
Spicing the gumbo of emerging writers, The Dangerous Dimension by L. Ron Hubbard (illustrator Anh Le) depicts the personality changes experienced by a mild-mannered professor who postulates, and solves, a mathematical equation enabling immediate transposition to any conceivable time or place. Among the sci-fi compositions of emerging authors, The Argentum (author Anj Dockrey, illustrator Rupam Grimoeuvre) presents the intersection of a god-like entity and one particular voyager among the miner/colonists arriving from Earth who introduces the temptation to learn what it is like to be human. The Enfield Report (author Christopher Bowthorpe, illustrator Stephen Spinas) explores the Occam’s Razor upon which a scientist’s decisions to succumb or thrive are hewn. A grandmotherly woman at sixes and sevens with her son, carrying a special pass defining her as “not special,” helps a trio of orphans to cross a war-torn city – learning, along the way, that neither the orphans, nor her own son, are what they seem, in Sixers (author Barbara Lund, illustrator Will Knight).
With art as varied in style and tone as the writing, the illustrations of the WOTF anthology provide a glimpse at the possibilities of genre illustration. The Illustrators of the Future Contest winners come from many nations, many backgrounds, many styles. As illustrator and Essayist Echo Chernic states, “[w]hen the entrants are narrowed down to a few pieces – some really good portraits and drawings versus one that tells a story – I’ll go with the piece that tells the story.” Inspired by the stories presented here in Volume 37, by observation, imagination and emotion, the illustrators in the anthology weave bridges of line, space and color between the text and each reader’s own imaginative realizations. These are illustrations for people who want to read challenging stories, explore new vistas, and possibly meet fellow-travelers along the way, in the pages of the Writers of the Future series of anthologies.