So often when people write about the early 1970s, they conveniently airbrush out the remarkable political convulsions of the time, such as
* The miners’ strikes
* Opposition to the Industrial Relations Act which sought to curb trade union rights
* Opposition to the war in Vietnam
* Continued student unrest
* Boycotting and demonstrating against South African apartheid
* The new Women’s Liberation Movement
* Brutal repression of those demanding civil rights in the north of Ireland,
* The 1972 intimidation and jailing of unionised building workers such as Ricky Tomlinson
* Fleet Street print workers walking out in support of jailed dockers
* Police and political corruption.
Therefore, I found it refreshing to read Dave Haslam’s booklet where the focus is explicitly on remembering the exciting politics of those years. And how some young people were so desperately overwhelmed by the power of the State, they felt the need to express their anger in a more forceful way than demos, posters and leaflets. How the police terrorised many innocent campaigners and activists, making up the evidence when they didn’t have any, and even when they did.
Dave Haslam also reminds us of one revolutionary social development of the time, long forgotten, yet so influential back in the day: the Claimants’ Union. They existed all over the country, made up of those claiming benefit - unemployed, single parents, disabled, etc. Some even suggested that people had the right not to work! And that there should be a guaranteed minimum income for all.
I appreciated his emphasis on the importance of music. I think it was the general renaissance in the arts and music which was fundamental to framing the nature of the political movements of the late 60s and early 70s. As Emma Goldman said, “If there's no dancing at the revolution I’m not coming.”
Thanks Dave Haslam for helping to keep these memories alive. As you say right at the end of the book,
we
are responsible for what we choose to remember and what we choose to forget.