Every book Kacen Callender writes has a purpose, a message that gets mulled over during the story. The moment when it all comes together and you can see with clarity the intentions the book was written with, that is the moment that is the sweetest in their books. It’s because they have something important to say, and that isn’t true for every author.
Moon is burdened by their life in the living world. Quite literally on one hand, since every night when they travel to the spirit realm, they can only stay for an hour because of a pesky chain that keeps them tethered to their dimension. In a more figurative sense, they are depressed. Weighed down by their existence and only wanting to run away. But running away only delays problems. In this case, their avoidance leads them to unconsciously aid an enemy and lay waste to the spirit world in the process.
I think this book is special. I have a few things that I wish were different but to explore them thoroughly would undermine how this book–with a lead character who is Black, nonbinary, and depressed–is published in a system where we have barely enough books in general with all these intersectionalities and none yet portrayed in a middle-grade novel.
Oftentimes when I read middle grade–or even YA in some cases–it comes off as patronizing or condescending clearly made by an adult infantilizing younger children. Yes, middle grade is a genre for kids, but that should be reflected in the writing or the depth that the characters can relate to a topic. It should surely not be a question if said: “content” (also known as diversity or discussion of non-superficial real-world issues) is included at all. Kids can understand a lot and empathize but also be the vectors of change we need.
Moonflower doesn’t stray away from hard topics–much like King and the Dragonflies–but instead answers them honestly. The main character Moon is a bit of a deep thinker, they ponder and talk with their friend Wolf. I think a lot of kids can understand this, can understand being different, being bullied, living in a world that used to be built for you, and having that cultural knowledge erased. I think a lot of kids will value being taken seriously and will value this book. Calling all philosophical, depressed enbys, this one’s for us!
Callender’s writing is always luscious and the chapter headings were fun. Each one was either a fruit, flower, or spice, and then sometimes completely random. I liked this somewhat, with a chapter headed “lemon” I could think about the tart bitter flavor and the smell. I was frustrated by the randomness at times, and could only really appreciate this element until I read an article by the author that explains that some were healing plants, and others were easter eggs. This needed to be further integrated into the story to be effective.
Also near the end, abruptly Moon’s depression severely lessened. Things changed to help them get better–their mom has a lot of things she unpacks, and I liked where it was going with Moon finding the will to work on it, but that’s the expectation, isn’t it? Headlines read: Magically, Depressed Challenging Child is Cured! They Just Needed To Find it Within Themself. It goes on. I just wanted this to defy the boundaries a little more than it already had.
An entirely satisfying read, Moonflower is wonderful. It brings the representation, the writing, and the emotional nuance a book about mental illness needs, did I mention it does all of this while supporting a well-built fantasy world on the side? Add a tantalizing touch of creepy and you end up with this ravishing creation. These are the narratives we need, and I can’t get enough.
---Thank You High Five Books for Providing This ARC---