Was provided an ARC for an honest review!
This was my most highly anticipated read of the year, and I still found myself moved beyond my expectations. In the way it takes measure of our current political reality, and in how it assesses our political future, this book absolutely executes on the author’s commitment to tell a more complicated story than the ones usually afforded to the politics of Black people.
Those in power who name-check Black people without being accountable to the communities they tokenize are in for a rude awakening, and this book charts the relevant omens. It indicts the failures or shortcomings of the left and provides insight into the insidious ongoing victories of the right. But beyond that, it celebrates (and critiques!) how Black artists, workers, and community members have carved social, cultural, and political spaces both within and independent of those that would exclude them to define possible futures on their own terms. Whether readers agree or disagree with any of the viewpoints in this book (and absolutely, despite the persistent myth that Black voters are a monolith, there WILL be disagreement), we are compelled to acknowledge the truth in them and update our perceptions of the present to include them. Across the right-left spectrum, any agenda seeking to build towards a truly just vision must at its core speak to the needs of Black people, full stop. And online and offline, Black leaders, organizations, and communities, both those in mainstream political formations as well as the titular Black skinheads, are grappling with the messiness that kind of visioning entails.
I appreciated that at the moments I felt most put off by the views shared on the page, there were proxies in the text for that disagreement, anecdotes or interludes in the writer’s voice or in conversation with her loved ones that either narrowed or expanded beyond the initial ideas. The book had the rigor of academic research with the heart of a campaigner and someone with a lot of joy to share (interludes on gothic influences aside) in music and art. Across all the chapters and interludes, there is a staggering amount of data, interviews, music recommendations (duly added to my playlists), history, framing, pop culture insight, and deeply moving personal storytelling. The choice to place stories as told by Black loved ones, acquaintances, and interviewees at the center of the analysis makes for rewarding narrative and an intentional departure from the third-person false objectivity that often presides over political nonfiction writing.
Black Skinhead is challenging, and more than superficially so. If you are complacent, there are testimonials that will disturb you. If you are in despair, there are chapters that will call you to action. And if you are numb, you will find a gentle invitation back to feeling again.
“This is what I think we need to get to: the real work of healing ourselves in the midst of pushing back against all the systems that seek to destroy us. And there are many systems seeking to destroy us. But how do we get the twenty-second century in our vision while also accounting for the fights that envelop us right now?”