Almost more police procedural than simple mystery or fiction. I had not even known there was such a thing as "social justice fiction" before I read this, and I chafed throughout at the preachiness. At times I felt I was in a contemporary history text or social justice textbook rather than a novel. Not that the topics aren't important - and important to this story - but they do rather overwhelm the human feelings, motivations, and actions of it.
This is the second book I've read in recent weeks where I felt the author had done so much research into the background that s/he couldn't let it go, and that the facts overpower the story.
The mystery is set against the undercurrents of The Troubles in Ireland, and the fragility of the "peace" that followed. If Ireland isn't the genesis of restorative justice, it certainly is an area ripe for the concept, so the backdrop isn't irrelevant at all; it's just heavy-handed. And restorative justice is a concept that can be hard for some to swallow, for an individual has difficulty seeing himself as part of a larger society when it comes to accepting blame, and there's enough blame to go around for all sides. It's a topic that simply begs people to jump into denial at first, then, perhaps, to acceptance before full enthusiasm.
Alice Fox has an intriguing role, with her academic work in restorative justice and her background in detective work (and, one presumes, patrol work, as detectives come from the ranks of the patrol officers in most cases), and Caroline Paton a unique approach to detective work in the morass that is political intrigue in Ireland. One gets the sense these two will work exceptionally well together, but I'm not certain I'm intrigued enough to follow with Book 2.