You know, when you or I get into a car, we get into a car. And about 999 out of a 1000 authors would just write 'they/he/she got into a car'. Good enough, lets move on to the action.
Not good enough for Brad Thor. Characters don't get into cars. They 'transition' into cars. They also never 'resume' an interrupted activity, like you or I would. They 'transition back' to what they were doing. A chicken never crosses the road--it transitions. Considering the amount of time characters spend in this book blowing each others heads off, I'm surprised Brad Thor just didn't write 'then BLAM! Horvath transitioned his skull into a million pulpy--etc.' That happens all the time in this book, and is an endless source of joy and contentment for Brad, positively gushing over one head shot after another, when not obsessed with the thrill of slitting throats, which are always described in a useful, how-to kind of way. Here using 'transition' for 'shot' 'kill' 'murder' 'slit' 'blood' etc...would have saved him a lot of time he could have better spent trying to master basic prose, or developing character out of cliches, or walking his dog, or writing one-liners for Glen Beck.
Transition is clearly his favourite word, and the entertainment the reader derives from the endless variety of uses he puts it to almost compensates for the fact that Brad Thor is another of those total hacks that somehow have lucked into the magic formula to make the big time. When his characters are not transitioning, and sometimes when they are, they live life (until they're blown away) in an endless series of acronyms. When agents or ne'erdowells look around to see if the coast is clear, they don't just look, like you or I would, they 'perform a PDQ' or 'XYZ' or 'Toys'r'Us' or what the hell--(pardon me, since I listened to this in audio format I can't fetch up any specific passage, but will try to give the flavour) and, after transitioning the ocular sockets to and fro, will then CRS the street, WLK up to the front door and RNG the bell. Since virtually all the characters in this book are either military or intelligence personnel, this kind of stuff is absolutely inescapable, and if that isn't bad enough, our friend Brad is more than happy to bring the narrative to an absolute halt to explain what the latest mystery letters stand for. Example:
Horvath: "Are you transitioning to the restaurant?"
Cramer: "Only if it's a BYOB."
Thor: A BYOB means bring your own bottle, which is the procedure agents use when trying to get smashed in a small or cheap eating establishment where the wine list, if any, consists of paltry and unappealing choices that....yada, yada, yada, yada...
A real author would just let his characters get on with their lives and the story and cut out this kind of BS.
Thor: BS is the popular designation for--
Sorry, see what I mean. Where were we?