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408 pages, Kindle Edition
Published January 5, 2022
1. Family. Protagonists in Janu’s world fiercely protect loved-ones to the point they will happily play the fall-guy, the scapegoat or even the bad-guy – to the detriment of their burgeoning relationship with the leading men. While “Clouds on the Horizon” is another fine example, this story deviates interestingly where the power-dynamics shift. In Janu’s other works the romantic interest shoe-horns themselves into the main-character’s lives, wreaking chaos, anxiety and imposition. But this time the shoe’s on the other foot as Phoebe attempts to blackmail Sinn into bringing her into his work and life. Although Sinn would prefer to separate church and state, things don’t exactly follow his plan. While there’s still plenty of tension–and denial–and avoidance–and attraction–, without the devastating spectre of losing a home or other extreme-high-stakes vulnerabilities, Phoebe and Sinn’s dynamic is less volatile than other pairings. Readers who expressed moral outrage at Per or Tor’s ‘boy-said-what-now? arrogance and control-methods in their stories should feel more comfortable with this softer, gentler storyline (Confession your honour: after the emotional rollercoaster of the last five books, I never, ever thought I’d say this but I kinda missed feeling righteously indignant on the MC’s behalf. I guess I'd better own I'm now *that* petty drama-loving-queen). Which brings us to:
2. Romance. The words I’d use to describe any of Janu’s romances would always be: intelligently unconventional. For example, a male who follows predictable stereotypes like bringing roses and chocolates? Blah. Bland. Boring. Ya basic. A man who turns the task of building a tiny lamb’s temporary enclosure into a bespoke ovine mansion? Who obviously loves animals, holds the same values as Phoebe, is generous with his time and builds things to last? Girl, go get your manses, stat! As far as romantic gestures go, it’s meaningful, thoughtful, individualised and of course, unconventional, and it works. (Especially when you compare this to Robbie who effectively commissioned a whole house for Phoebe without any consideration towards, you know, Phoebe.) This one-two-three serve that delivers characterisation and romance while furthering the plot encapsulates the clever writing found in all of Janu’s works.
3. Animals. Always a staple in any Janu story, the animals are characters in their own right and I love them all. I especially stan an unconventional sheepdog called Wickham that decides stock handling is not in his purview. And bonus-points to Phoebe for accepting what her animals are and not what they could have been. Only the truly compassionately-natured could see Austen’s Wickham for his faults and still find some good there.
4. Secondary characters. There's a beautiful sense of community you get in small towns and “Clouds on the Horizon” captures that essence of connectedness. It reminds me of the quirky locals of Pearl Bay in the classic Aussie TV show SeaChange (the original 90’s series, please). Every character in Janu’s works – not matter how minor – is a fully-realised person, and it’s lovely to spend time with each and every one of them (cf point 6). Shout out to stupid Benjamin who sucks and I absolutely adore him! I know this kid. I’ve taught this kid. I’ve been friends with kids like this in school. This rolls into my next point –
5. The kids. Every protagonist supports kids’ learning in some sphere and it’s just. So. Fricken. Wholesome. Especially kids who experience and interact with the world in neurodiverse ways. Those little snippets of insight let the reader see the world in an entirely new perspective. And the patience, empathy and encouragement that is shown to these kids by everyone around them – it’s a soothing balm in a world the news would tell us is horrible and soul-destroying. It’s these little details that elevate the story beyond a romance centred around two people, and into a whole world that lives beyond the pages.
6. Patience. Everyone talks about Nate getting his own book (fair point) but also a snappy, short, mutinous young woman named Patience? *makes grabby hands impatiently* Gimme.
In summary: a compassionate, considerate (in both senses of the word), and unconventional tale. As an addendum: cumulus ☁️☁ I always enjoy learning about each character’s quirks and interests 😊