Readers and fans of Janet Evanovich know what you get with a Janet Evanovich “Stephanie Plum” book. An independent, pretty girl, a couple of hunky guys – Moretti and Ranger - to team up with, and an adventure full of mystery and silly zaniness. Solving the mystery usually involves visiting different locations, lots of overwhelmingly crazy characters (especially Grandma Mazur), and comical situations throughout the quest. There is lots of teasing and innuendo between the Stephanie and the hunky guys as they work together, but in the end the mystery will be resolved whether on purpose or by accident within 300 pages or so of reading.
This describes her Stephanie Plum bounty hunter series and pretty much everything else she’s written. You may think it sounds fairly formula-matic, and that’s true. The formula is the same, tried and true. However, in all honesty, nobody else has been better at writing this type of sarcastic humor and risqué laden banter than anyone else. Evanovich gets you to chuckle at least once every other page and laugh out loud at least once a chapter. At least that was the case with the first 15 – 18 books in the series, and unfortunately, less the case in the last 4 -6 outings which seem to be wearing the formula out.
However, with books 26 and 27, Evanovich changed it up a bit by with a two-book arc marketing new covers and changed title approaches. Book 28 “Game On: Tempting Twenty-Eight” continues this attempt at refreshing the series by bringing back Stephanie’s third now-you-see-him-and-now you-don’t hunky Diesel character for an appearance and change-up to the usual Moretti/Ranger triangle.
“Game On” begins with Stephanie waking up in the middle of the night to find Diesel moving around in her living room and soon trying to join her in her bed. Diesel, who has made appearances in 3 or 4 previous Plum books is back again. This time he on the hunt for a genius hacker named Oswald Wednesday. His trail crosses with Stephanie because Oswald is also a fugitive that Stephanie is trying to find and collect on his bond.
Of course, this makes Stephanie and Diesel partners, working together to find the crazy hacker, which also takes time away from seeing Morelli and Ranger. For those of you who love Ranger, sorry, he doesn’t even make an appearance until page 126. And he is just talking to Stephanie on the phone. Ugh!
Anyway, Stephanie spends her time between (1) hunting down Oswald, who is on killing spree, eliminating another group of hackers called the Baked Potatoes, one by one and cutting their tongues out, and (2) trying to apprehend miscellaneous bond breakers, including a professional mooner and a frustrated mother with kids who shot up a bakery just to get an éclair.
Other key moments in this outing include Stephanie blowing up not just one car, but two cars, in one day, which still isn’t a record for her; and, Lulu losing her juju and suffering several bad experiences, including getting shot twice in the leg by crazy Oswald. Still, that’s not enough to keep our Lulu down. She needs her bucket of fried chicken.
And by the end, bad guys are vanquished in time for Stephanie to enjoy date night with her steady, Morelli. Maybe this time, Stephanie will do some real cooking in the kitchen…
Another fall Season. Another annual visit with Stephanie Plum, her family, and the rest of the gang. The question I find myself with after finishing this book is simple. Has Stephanie and her chaotic world in the Burg peaked? Has Evanovich reached the end of her creation’s life cycle? I hate to say it, but in a way, the answer is yes, and let me explain.
First of all, this wasn’t a bad read. it was pretty good in some ways and enjoyable overall.
However, here is the problem that has been growing over the last 4 – 6 books (or more) in the series. Evanovich has unfortunately written herself into a corner from a creative standpoint. She has purposely frozen Stephanie and the Burg int time, and therefore no real change can take place - no growth, no character development, no changing plotlines or surprises in the structure and format of the stories.
Evanovich made a great success of creating charming characters with unique idiosyncrasies like Lulu trying to fit into clothes way too small for her and needing to eat comfort food 24 hours a day, and Stephanie flirting back and forth between Morelli one moment and the mysterious testosterone-filled, Ranger, who need only gently whisper “Babe...” to cause most women to shake in their lower extremities. And of course, it wasn’t a Stephanie Plum book without at least one car or truck being destroyed with her somehow involved in the outcome. Evanovich’s greatest strength was her ability to keep these unique and crazy characters bumbling along and the reader chuckling at every couple of minutes or more.
However, after 28 outings with the same script, it cannot but eventually get old. There’s only so many times that Lulu can fire a gun and miss the target… Stephanie loses her bounty and gets Ranger to help her… Stephanie chases a weird dysfunctional bond breaker… Stephanie gets a vehicle blown up… The black-clad Ranger saying, “Babe…” and comes to her rescue.
The reality is that what made Stephanie Plum and her gang so enjoyable has just grown repetitive and old. Stephanie spends several books with Morelli and then about every three or four books she has hubba-hubba moments with Ranger. Stephanie will never choose between Morelli and Ranger (and it looks like she will never have to). Nothing changes. Lulu, Connie, Grandma Mazur, Morelli, Ranger, and Stephanie’s parents never change. And I absolutely hate to say this – what was once creative, unique, and funny, has unfortunately become casual and old.
Truth be told, there are only so many creative ways to tell the same type of story over and over again. It’s gotten to the point that as long as the overall story structure rules remain locked in place, I am not sure how Evanovich can make Stephanie Plum fresh again. It seems like a rather large challenge at this moment.
The result is that reading Stephanie Plum is a double-edged sword. The good news is you get what you expect. The bad news is you get what you expect. However, I just don’t know how many times can you tell the same story over and over again without losing interest. I know I am really starting to lose mine.
I can’t help but wonder with Evanovich’s other Fox and Hare series, along with the introduction of a new Gabriela Rose, recovery agent series, if she is also not getting tired too and looking for new characters and other series to focus her time and energy on…