The Screen American Culture/American Cinema series is now available as an eleven-volume American Cinema from the 1890 to the 2010s . Each volume presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema on society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the nation. The integration of historical and cultural events with the sprawling progression of American cinema illuminates the pervasive themes and essential movies that define an era. The series represents one among many possible ways of confronting the past and understanding the connections between American culture and film history.
Murray Pomerance is a Canadian film scholar, author, and professor who teaches in the Department of Sociology at Ryerson University and in the joint program in communication and culture at Ryerson University and York University. He has written extensively on film, cinematic experience, and performance. Most recently he authored The Eyes Have It: Cinema and the Reality Effect, Tomorrow, Alfred Hitchcock's America, Michelangelo Red Antonioni Blue: Eight Reflections on Cinema and Edith Valmaine and is a co-editor of Hollywood's Chosen People: The Jewish Experience in American Cinema (Wayne State University Press, 2012). Pomerance is the editor and co-editor of more than a dozen books and the editor of several book series on film at Rutgers University Press and at the State University of New York Press.