An underwhelming disappointment
SPOILERS for Silverborn (and the previous Nevermoor books)
I love the Nevermoor books, they're one of my favourite series. I do think there's a tendency with folk nowadays to five star everything to such an extent that five stars no longer holds any useful meaning, but despite that I still gave the first three books five stars each, and I think they deserve them. So why not the same for book 4?
If this book had come out before Hollowpox, and if it hadn't been delayed to the point where it took five years to be released, I might have been fine with this one and rated it a four out of five. But it came after the huge crescendo high stakes wham episode that was book 3, and it did take five years to release, and no, I don't think it was worth the wait.
Book 3 had a magical plague/monster threatening to destabilize the free state, all a prelude to President Wintersea (a frightening mystery of a villain who terrifies Ezra Squall, a mass-murdering godlike Wundersmith!) invading and conquering Nevermoor in the name of the Republic.
Book 4 is a cosy murder mystery about a bunch of rich snobs, in which not even Morrigan is in any real danger, save from her own stupidity.
What, you wanted to know what President Wintersea's deal was? Waited five years to find out how bland politician Maud Lowry can terrify and control Ezra Squall? Hard luck, she's not in this book, you get no answers or even hints. Morrigan doesn't even think to ask Squall how she has control over him, or why she is worse than him, or if she is the enemy he warned her about back in book 2 that was a bigger threat than him. Nope, you gotta wait (another five years?) to maybe possibly get any answers there. Oh, you wanted to get a hint or even an answer about the safeguard pact? That thing established back in book 1?! Nah, not mentioned. Keep waiting another five years. We have rich snobs to waste hundreds of pages about instead! Excitement!
I'm poor. I frequently go hungry because I can't afford to eat. I'm not alone in this, it's an increasingly common story these days. Reading hundreds of pages of lavish descriptions about Morrigan's rich relatives and their neighbours was not fun, or interesting, and left me feeling mostly cold. At one point Morrigan – the same Morrigan who went to school early and stayed late and shunned her friends to learn the Wundrous Arts in Sub 9 – skips school for two weeks and even skips her lessons from living Wundersmith Ezra Squall, to … attend social events, and dinners, and balls, and parties, and such. Yeah she gets mocked for this, but it still seems wildly at odds with her established character, and she had to be dragged out of her rich high-life haze by Rook and Squall.
Speaking of being out of character! At one point Jupiter behaves so at odds with his normal personality, grounding Morrigan and generally talking/acting as if he owned her, that I actually thought that Squall was mind controlling him in order to manipulate Morrigan. Nope! It turns out he was just worried for her safety, and didn't want her investigating a murder mystery because she might get hurt. By this point however, Morrigan has stood up to a mass murdering psycho with godlike magic, defeated a magical sentient monster plague, crashed two Ghastly Markets, and signed up as a scholar of Wunsoc where she is expected to risk her life on the regular to prove her usefulness to society (where getting mauled by a bear is just another Tuesday). Jupiter trying to ground her for fear of her investigating a murder seems so bizarrely quaint in comparison I cant help but wonder if he has amnesia. But then I realised it was just a trope from cosy murder mystery novels with kid detectives, shoehorned into this series despite it not making any sense.
Don't even get me started on Ezra Squall, who has gone from frightening mass murdering master manipulator to … Morrigan's magical butler, who swoops in to clean up her messes and grant her wishes. Oh, but he says he ISN'T that, so that's all right then. And does everyone remember Sofia? Morrigan's foxwun friend from book 3 that she cared about so much she was in tears over losing her to the pox, and was willing to basically sell her soul to Squall to save? Yeah, not mentioned at all, doesn't appear in this book, screw Sofia. I suppose she's grateful that Morrigan saved her from a fate worse than death, but Morrigan seems to have memory holed her. Then again, book 4 seems to go out of its way to avoid mentioning book 3 – I could count on one hand the callbacks to Hollowpox in this one. It almost feels as if Hollowpox has been disavowed by the publisher *cough* I mean author. Maybe Holliday Wu forced a rewrite on this one for PR reasons.
I could go on for a while about my issues with this book, but there's a word limit on reviews. TLDR; it's not a terrible or even bad book, but it is inferior to the books that came before, particularly book 3, the stakes are non-existent, we waited five years for answers to many questions and mysteries, and we're still waiting for most of them (yeah, we learn about Morrigan and Jack's family, but that was about it). The story is anticlimactic in the extreme, particularly compared to the previous books. And for a book series that had no problem with calling out bigotry and hatred in previous volumes, this story about rich families doesn't really do a whole lot to address wealth disparity, despite that being a pretty massive issue in our world right now. If you enjoy this series for Wunsoc, the Deucalion, adventure, and Fenestra, you'll be disappointed, because all of those are just cameos in this kid-detective cosy murder mystery, and the Nevermoor characters and setting feel more like a thin coat of paint applied to someone else's cosy mystery novel. Have I said cosy enough for you yet?
Here's hoping we don't have to wait another five years for book 5.
EDIT 06/05/25
On reflection I'm bumping my rating down to 2 out 5 stars. I simply do not believe that Jessica Townsend wrote this book. Not all of it. I think she wrote the start and the end, because the characters actually sound like themselves there, and the writing is on par with the previous books at those bits. But the rest? Someone else. Ghost writer. The style is different, the characters are OOC (particularly Morrigan, Jupiter, and Squall), there are contradictions with previously established mechanics (that whole thing with Morrigan using her 'reach' in Weaving contradicts all details given about Weaving in Book 3), and the overall quality is just worse. I don't know why, but I'm sure it has something to do with this book being delayed FOUR TIMES. My guess is the publisher had no choice but to hire a ghost writer to do the bulk of it, or else give up on the series altogether (with a movie deal in the works? Not likely).
The thing that really makes me knock a star off though, is the treatment of wealth and money in this story. A book about a rich gated community, and the ghost writer somehow managed to avoid having ANY POOR PEOPLE as a contrast? Like Squall takes Morrigan to Eldritch, the poorest most run-down part of Nevermoor, and there are no poor people there! No homeless folk, no one quietly starving to death or freezing or huddled around a burning bin. No, the only people she meets in the poorest part of the city are her future friend rich kids teleporting into the area. Yes, I know they try to justify it by saying folk steer clear because of the creature living there, but what about the entire rest of the book? HOW do you write an entire book about wealth and money and privilege and NOT contrast it to the huge numbers of poor, destitute and homeless people that MUST exist when you have people that obscenely rich??!! The closest the book comes to someone poor is Bertie the Vulture (in that he was formerly poor and had to EARN his wealth), and the visceral disgust Morrigan and the narrative has towards him makes me want to punch the ghost writer.
Last year I read through the Murder Most Unladylike books by Robin Stevens, and I'd swear the publisher got her to write this book, because Silverborn reads much more like one of those than an actual Nevermoor novel. Bottom line, if I had any money I would wager it that Jessica Townsend wrote maybe 5-10% of Silverborn, and someone else wrote the rest. Can't prove it, but I know I'm right. And I'm not the only person to notice that this book doesn't feel like the other books. Not sure what this means for the future of the series either, because if they get the same ghost writer back for book 5, then I am done following these books.
EDIT 2 – PS
The LGBT+ representation in this book is like the textbook definition of token representation. A tiny handful of lines sprinkled into the text, most likely after the book was finished. Blink and you'll miss it. You could very easily edit these lines out and you would barely notice a drop in the book's wordcount, to say nothing of it having zero impact on the story. Just an absolute laughably small effort that, IMO, was probably grudgingly done by the ghost writer at the behest of an editor or PR rep. Not that I expect anyone to care, but y'know, this is my first book review, so I felt I should mention it.