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Todesmarsch
Staatschef "Major" organisiert zur allgemeinen Belustigung einen "Todesmarsch", einen Marathon auf Leben und Tod. 100 Jugendliche, zwischen 14 und 17 Jahren, nehmen teil unter der Bewachung des Militärs. Die Regeln sind tödlich: erschossen wird, wer langsamer als 4 Meilen pro Stunde wird, gegessen wird nur zu bestimmten Zeiten und geschlafen wird gar nicht. Nur einer kann siegen, und die Überlebenschancen stehen 1:100. Dem Gewinner winkt unermesslicher Reichtum und den Verlierern der Tod...
Audiobook
First published December 1, 1978
13700 people are currently reading
196776 people want to read
About the author
Richard Bachman
24 books5,250 followersThis is a Stephen King pseudonym.
At the beginning of Stephen King's career, the general view among publishers was that an author was limited to one book per year, since publishing more would be unacceptable to the public. King therefore wanted to write under another name, in order to increase his publication without over-saturating the market for the King "brand". He convinced his publisher, Signet Books, to print these novels under a pseudonym.
In his introduction to The Bachman Books, King states that adopting the nom de plume Bachman was also an attempt to make sense out of his career and try to answer the question of whether his success was due to talent or luck. He says he deliberately released the Bachman novels with as little marketing presence as possible and did his best to "load the dice against" Bachman. King concludes that he has yet to find an answer to the "talent versus luck" question, as he felt he was outed as Bachman too early to know. The Bachman book Thinner (1984) sold 28,000 copies during its initial run—and then ten times as many when it was revealed that Bachman was, in fact, King.
The pseudonym King originally selected (Gus Pillsbury) is King's maternal grandfather's name, but at the last moment King changed it to Richard Bachman. Richard is a tribute to crime author Donald E. Westlake's long-running pseudonym Richard Stark. (The surname Stark was later used in King's novel The Dark Half, in which an author's malevolent pseudonym, "George Stark", comes to life.) Bachman was inspired by Bachman–Turner Overdrive, a rock and roll band King was listening to at the time his publisher asked him to choose a pseudonym on the spot.
King provided biographical details for Bachman, initially in the "about the author" blurbs in the early novels. Known "facts" about Bachman were that he was born in New York, served a four-year stint in the Coast Guard, which he then followed with ten years in the merchant marine. Bachman finally settled down in rural central New Hampshire, where he ran a medium-sized dairy farm, writing at night. His fifth novel was dedicated to his wife, Claudia Inez Bachman, who also received credit for the bogus author photo on the book jacket. Other "facts" about the author were revealed in publicity dispatches from Bachman's publishers: the Bachmans had one child, a boy, who died in an unfortunate, Stephen King-ish type accident at the age of six, when he fell through a well and drowned. In 1982, a brain tumour was discovered near the base of Bachman's brain; tricky surgery removed it. After Bachman's true identity was revealed, later publicity dispatches (and about the author blurbs) revealed that Bachman died suddenly in late 1985 of "cancer of the pseudonym, a rare form of schizonomia".
King dedicated Bachman's early books—Rage (1977), The Long Walk (1979), Roadwork (1981), and The Running Man (1982)—to people close to him. The link between King and his shadow writer was exposed after a Washington, D.C. bookstore clerk, Steve Brown, noted similarities between the writing styles of King and Bachman. Brown located publisher's records at the Library of Congress which included a document naming King as the author of one of Bachman's novels. Brown wrote to King's publishers with a copy of the documents he had uncovered, and asked them what to do. Two weeks later, King telephoned Brown personally and suggested he write an article about how he discovered the truth, allowing himself to be interviewed. King has taken full ownership of the Bachman name on numerous occasions, as with the republication of the first four Bachman titles as The Bachman Books: Four Early Novels by Stephen King in 1985. The introduction, titled "Why I Was Bachman," details the whole Bachman/King story.
Source: https://en.wikipedia.org/wiki/Richard...
At the beginning of Stephen King's career, the general view among publishers was that an author was limited to one book per year, since publishing more would be unacceptable to the public. King therefore wanted to write under another name, in order to increase his publication without over-saturating the market for the King "brand". He convinced his publisher, Signet Books, to print these novels under a pseudonym.
In his introduction to The Bachman Books, King states that adopting the nom de plume Bachman was also an attempt to make sense out of his career and try to answer the question of whether his success was due to talent or luck. He says he deliberately released the Bachman novels with as little marketing presence as possible and did his best to "load the dice against" Bachman. King concludes that he has yet to find an answer to the "talent versus luck" question, as he felt he was outed as Bachman too early to know. The Bachman book Thinner (1984) sold 28,000 copies during its initial run—and then ten times as many when it was revealed that Bachman was, in fact, King.
The pseudonym King originally selected (Gus Pillsbury) is King's maternal grandfather's name, but at the last moment King changed it to Richard Bachman. Richard is a tribute to crime author Donald E. Westlake's long-running pseudonym Richard Stark. (The surname Stark was later used in King's novel The Dark Half, in which an author's malevolent pseudonym, "George Stark", comes to life.) Bachman was inspired by Bachman–Turner Overdrive, a rock and roll band King was listening to at the time his publisher asked him to choose a pseudonym on the spot.
King provided biographical details for Bachman, initially in the "about the author" blurbs in the early novels. Known "facts" about Bachman were that he was born in New York, served a four-year stint in the Coast Guard, which he then followed with ten years in the merchant marine. Bachman finally settled down in rural central New Hampshire, where he ran a medium-sized dairy farm, writing at night. His fifth novel was dedicated to his wife, Claudia Inez Bachman, who also received credit for the bogus author photo on the book jacket. Other "facts" about the author were revealed in publicity dispatches from Bachman's publishers: the Bachmans had one child, a boy, who died in an unfortunate, Stephen King-ish type accident at the age of six, when he fell through a well and drowned. In 1982, a brain tumour was discovered near the base of Bachman's brain; tricky surgery removed it. After Bachman's true identity was revealed, later publicity dispatches (and about the author blurbs) revealed that Bachman died suddenly in late 1985 of "cancer of the pseudonym, a rare form of schizonomia".
King dedicated Bachman's early books—Rage (1977), The Long Walk (1979), Roadwork (1981), and The Running Man (1982)—to people close to him. The link between King and his shadow writer was exposed after a Washington, D.C. bookstore clerk, Steve Brown, noted similarities between the writing styles of King and Bachman. Brown located publisher's records at the Library of Congress which included a document naming King as the author of one of Bachman's novels. Brown wrote to King's publishers with a copy of the documents he had uncovered, and asked them what to do. Two weeks later, King telephoned Brown personally and suggested he write an article about how he discovered the truth, allowing himself to be interviewed. King has taken full ownership of the Bachman name on numerous occasions, as with the republication of the first four Bachman titles as The Bachman Books: Four Early Novels by Stephen King in 1985. The introduction, titled "Why I Was Bachman," details the whole Bachman/King story.
Source: https://en.wikipedia.org/wiki/Richard...
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Displaying 1 - 30 of 23,817 reviews
February 28, 2012
If this book does not make you feel physical pain, I don't know what will.
This isn't a book about killer clowns or haunted hotels. It's not a Hunger Games type of book, despite the "game show" element of the Long Walk, nor is it a world attached to any tower, Dark or not. This book is in-your-face and physical, while simultaneously never losing that dreamy, philosophic quality of existenstial fiction.
The premise of the book is very simple: Every year, 100 boys enter a contest called the Long Walk, and the winner gets all his heart desires. Each contestant has to maintain a pace of 4 miles per hour or more, or else he gets a warning. If the boy who gets the warning can keep walking 4 miles per hour or faster for the next hour, the warning is revoked. However, if the boy collects three warnings, the next time he slows down, he's shot in the head and out of the game.
I love this book, but it's really hard to communicate what I think it's trying to relate. As I'm writing this review, I'm desperately trying to organize my jumbled thoughts. The best I could do is to divide the book into two sections that broadly describe which parts of this book stood out to me the most: The Deeper Meaning (as I see it) & How it's Done and The People.
The Deeper Meaning (as I see it) & How It's Done
The physical aspect of the journey immediately comes to the spotlight. You think you can outwalk 99 boys? Well, despite the 100% chance of someone actually doing it, you're 99% going to be the one to die either from exhaustion or carelessness.
The story's downward spiral from the optimism of the first 10 hours to the torturous hell that is the last 10 hours is slow, relentless, and ultimately certain. Some of the boys' death were incredibly cringe worthy, not because their death was bizarre or fantastic, but because it's so damn relatable. I can't relate to a woman running away from her ghost-possessed husband as much as I can imagine my legs giving out after hours of walking in my own blood and pus.
But what's extraordinary about this novel is despite its physicality and its real grit, it's very spiritual and contemplative. Ultimately, this book questions what it means to live through the eyes of one boy (and 99 others) who are walking right into the arms of death.
As the boys break down physically, their minds deconstruct past the point of madness until they become lifeless, soulless automatons. I think it's at this point, when the boys are broken beyond exhaustion, that King really questions the value of life in the midst of such suffering, and how we push beyond sanity to sustain life. King doesn't point at authority or paternal figures to place blame on how extraordinary and torturous this desire to live can be. It's the walker who chooses to go on the Long Walk that, in the end, leads to death, no matter what we do.
And life isn't nice. It won't slow down for you. Got blisters on your feet? Tough. Can't climb that hill after walking +24 hours? You'd better. Got to take a shit? If it takes longer than three warnings, you're going to die with your pants around your ankles.
It seems, in this light, that life is much crueler than death.
The People
Ah, the other great part about this book--and what makes this book so amazing!
Unlike many of King's works, this book is not atmospheric. With the exception of comments about the weather and the terrain (obvious factors to consider when walking quite literally until death), the entire narrative is solely focused on the Long Walk itself and the people who are a part of it. I was hesitant to shelf this book under "dystopian" because I don't really know if it's a dystopia. All I know is that the Major, whoever he is, seems to be in charge (how much, I don't know) and the Long Walk is something celebrated by everyone who doesn't partake in it.
All we get to know is Garraty, the main character in the story, and the other boys he meets in the Long Walk. None of these characters are forgettable. Garraty, McVries, and even Barkovitch are some of the most developed, fleshed out characters that I've had the pleasure of reading. The boys' interactions, teetering between the desire for the other to die and genuine camaraderie, were incredibly complex and touching. Whenever I read about a gunshot, I desperately hoped that it wasn't one of the boys that I knew because they were so real and likeable.
Amid the hardship and torture, something about this book was very sincere, and despite what King may have intended, characters like McVries and Garraty made the journey extraordinarily...enjoyable, if not more emotionally painful.
This book is something that will always remain in my mind. Not only was the writing engaging and visceral, but it struck a chord deep within me. Some people may not enjoy the book. It's raw, painful, and depressing. But on the other hand, it challenges, breaks, and strips bare the human soul, and ultimately the sympathy such an act invokes is an intense experience.
5.0 stars and highly recommended!
This isn't a book about killer clowns or haunted hotels. It's not a Hunger Games type of book, despite the "game show" element of the Long Walk, nor is it a world attached to any tower, Dark or not. This book is in-your-face and physical, while simultaneously never losing that dreamy, philosophic quality of existenstial fiction.
The premise of the book is very simple: Every year, 100 boys enter a contest called the Long Walk, and the winner gets all his heart desires. Each contestant has to maintain a pace of 4 miles per hour or more, or else he gets a warning. If the boy who gets the warning can keep walking 4 miles per hour or faster for the next hour, the warning is revoked. However, if the boy collects three warnings, the next time he slows down, he's shot in the head and out of the game.
I love this book, but it's really hard to communicate what I think it's trying to relate. As I'm writing this review, I'm desperately trying to organize my jumbled thoughts. The best I could do is to divide the book into two sections that broadly describe which parts of this book stood out to me the most: The Deeper Meaning (as I see it) & How it's Done and The People.
The Deeper Meaning (as I see it) & How It's Done
The physical aspect of the journey immediately comes to the spotlight. You think you can outwalk 99 boys? Well, despite the 100% chance of someone actually doing it, you're 99% going to be the one to die either from exhaustion or carelessness.
The story's downward spiral from the optimism of the first 10 hours to the torturous hell that is the last 10 hours is slow, relentless, and ultimately certain. Some of the boys' death were incredibly cringe worthy, not because their death was bizarre or fantastic, but because it's so damn relatable. I can't relate to a woman running away from her ghost-possessed husband as much as I can imagine my legs giving out after hours of walking in my own blood and pus.
But what's extraordinary about this novel is despite its physicality and its real grit, it's very spiritual and contemplative. Ultimately, this book questions what it means to live through the eyes of one boy (and 99 others) who are walking right into the arms of death.
As the boys break down physically, their minds deconstruct past the point of madness until they become lifeless, soulless automatons. I think it's at this point, when the boys are broken beyond exhaustion, that King really questions the value of life in the midst of such suffering, and how we push beyond sanity to sustain life. King doesn't point at authority or paternal figures to place blame on how extraordinary and torturous this desire to live can be. It's the walker who chooses to go on the Long Walk that, in the end, leads to death, no matter what we do.
And life isn't nice. It won't slow down for you. Got blisters on your feet? Tough. Can't climb that hill after walking +24 hours? You'd better. Got to take a shit? If it takes longer than three warnings, you're going to die with your pants around your ankles.
It seems, in this light, that life is much crueler than death.
The People
Ah, the other great part about this book--and what makes this book so amazing!
Unlike many of King's works, this book is not atmospheric. With the exception of comments about the weather and the terrain (obvious factors to consider when walking quite literally until death), the entire narrative is solely focused on the Long Walk itself and the people who are a part of it. I was hesitant to shelf this book under "dystopian" because I don't really know if it's a dystopia. All I know is that the Major, whoever he is, seems to be in charge (how much, I don't know) and the Long Walk is something celebrated by everyone who doesn't partake in it.
All we get to know is Garraty, the main character in the story, and the other boys he meets in the Long Walk. None of these characters are forgettable. Garraty, McVries, and even Barkovitch are some of the most developed, fleshed out characters that I've had the pleasure of reading. The boys' interactions, teetering between the desire for the other to die and genuine camaraderie, were incredibly complex and touching. Whenever I read about a gunshot, I desperately hoped that it wasn't one of the boys that I knew because they were so real and likeable.
Amid the hardship and torture, something about this book was very sincere, and despite what King may have intended, characters like McVries and Garraty made the journey extraordinarily...enjoyable, if not more emotionally painful.
This book is something that will always remain in my mind. Not only was the writing engaging and visceral, but it struck a chord deep within me. Some people may not enjoy the book. It's raw, painful, and depressing. But on the other hand, it challenges, breaks, and strips bare the human soul, and ultimately the sympathy such an act invokes is an intense experience.
5.0 stars and highly recommended!
July 10, 2018
Jesus Christ. A long walk indeed, Steve. A long walk in-fucking-deed.
February 8, 2019
(4.5) Every time someone asks me which Stephen King book I would recommend, I mention this one. After reading quite a few of his books, it's still my favorite!
The downward spiral into madness and overall despair were very well written. Reading this book literally made my body ache.
I do wish there were a few more details about the world, how the long walk came about, etc.
The ending wasn't fully satisfying, as seem to be most endings for SK, but I enjoyed the book anyway.
The downward spiral into madness and overall despair were very well written. Reading this book literally made my body ache.
I do wish there were a few more details about the world, how the long walk came about, etc.
The ending wasn't fully satisfying, as seem to be most endings for SK, but I enjoyed the book anyway.
May 5, 2021
I am ONCE AGAIN asking Stephen King to be LESS HORNY.
That man will find a way to bring sex into ANYTHING.
This is a story about 100 boys signing up to go on The Long Walk, a gruesome competition which can have only one survivor.
You would think that there is no time for sex when the stakes are that high but no, Stephen always finds a way.
I am not surprised that people found out that he was Richard Bachman. They looked at all those descriptions of boobs and and unnecessary sex scenes that don't fit in with anything else going on and were like "haha, classic Stephen!!!".
This book had an introduction about the "Importance of being Bachman", where Stephen explained that he used Bachman to write books that he couldn't write as King.
Excuse me??? This is like 100% a classic King, what are you talking about?
It's alright, Stephen, just go write erotica, it's fine, you don't have to construct this entire horror plot just to write your sex scenes, just write those, write a pornscript or something, just do it.
The worst thing is that the plot and general idea of this was interesting as fuck.
100 boys, having to keep up a steady pace and walk and walk or else they get shot? All the psychological torture and those boys just slowly crumbling under the pressure of the walk? The gruesomeness of it? This whole thing being a piece of entertainment for the rest of the population? The boys actually WILLINGLY signing up to this whole thing, and why? The temporary friendships and the animosity they have going on with each other because on the one hand they're all in this together but on the other the faster everyone else dies the better for the individual? So fucking interesting!!
But Stephen has to go and ruin it with all the unnecessary sex scenes.
What's his problem? Every time I read a King book summary it's like the most interesting thing ever and then I go and actually read the book and it's like: BOOBS BOOBS BOOBS BOOOOOOOOBS child orgy BOOBS BOOBS BOOBS.
????
TL;DR: I hate it here.
That man will find a way to bring sex into ANYTHING.
This is a story about 100 boys signing up to go on The Long Walk, a gruesome competition which can have only one survivor.
You would think that there is no time for sex when the stakes are that high but no, Stephen always finds a way.
I am not surprised that people found out that he was Richard Bachman. They looked at all those descriptions of boobs and and unnecessary sex scenes that don't fit in with anything else going on and were like "haha, classic Stephen!!!".
This book had an introduction about the "Importance of being Bachman", where Stephen explained that he used Bachman to write books that he couldn't write as King.
Excuse me??? This is like 100% a classic King, what are you talking about?
It's alright, Stephen, just go write erotica, it's fine, you don't have to construct this entire horror plot just to write your sex scenes, just write those, write a pornscript or something, just do it.
The worst thing is that the plot and general idea of this was interesting as fuck.
100 boys, having to keep up a steady pace and walk and walk or else they get shot? All the psychological torture and those boys just slowly crumbling under the pressure of the walk? The gruesomeness of it? This whole thing being a piece of entertainment for the rest of the population? The boys actually WILLINGLY signing up to this whole thing, and why? The temporary friendships and the animosity they have going on with each other because on the one hand they're all in this together but on the other the faster everyone else dies the better for the individual? So fucking interesting!!
But Stephen has to go and ruin it with all the unnecessary sex scenes.
What's his problem? Every time I read a King book summary it's like the most interesting thing ever and then I go and actually read the book and it's like: BOOBS BOOBS BOOBS BOOOOOOOOBS child orgy BOOBS BOOBS BOOBS.
????
TL;DR: I hate it here.
October 15, 2025
I wanna take a long walk… off a cliff after finishing this
May 31, 2019
Updated Review - Re-read May 2019
Have you ever been watching a movie in the middle of summer that takes place in the middle of a very cold winter? Even though it is 90 degrees outside you start to feel like you need to bundle up under a blanket. That happened to me with the movie The Day After Tomorrow. I had a similar response to The Long Walk. As I read, I could feel the exhaustion and I was waiting for my legs to cramp. When you can truly feel a book deep in your muscles and bones, you know it is a good one!
My audio re-read of The Long Walk in May of 2019 marks the 3rd or 4th time I have read it. It has always been one of my favorite dystopian novels and I have enjoyed it every single time. Long before the dystopian government in America (Panem) made Katniss battle it out in the Hunger Games, Ray Garraty was dragging his feet across the hot macadam of the backroads and turnpikes of Maine. All for what you ask? The honor of participating the the oppressive government's premier event, the entertainment of the people, and the always elusive fulfilment of all your heart's desires.
A few people that I recommended this to before didn't care for it, but it is definitely one of my top five favorite of King's - and my favorite of his Bachman books. Such great storytelling, character building, suspense, and dark narrative. I have just always been so awed by this book and how much it has pulled me in over and over again and won't let go!
Read this! But, you may want to avoid it if you are getting ready for a marathon or a big hike!
ORIGINAL REVIEW
This is one of my favorite King books; Suspenseful, unique, and all too possible. It is one of the few books that I have read more than once. Highly recommended for someone looking for a good place to start with King.
Have you ever been watching a movie in the middle of summer that takes place in the middle of a very cold winter? Even though it is 90 degrees outside you start to feel like you need to bundle up under a blanket. That happened to me with the movie The Day After Tomorrow. I had a similar response to The Long Walk. As I read, I could feel the exhaustion and I was waiting for my legs to cramp. When you can truly feel a book deep in your muscles and bones, you know it is a good one!
My audio re-read of The Long Walk in May of 2019 marks the 3rd or 4th time I have read it. It has always been one of my favorite dystopian novels and I have enjoyed it every single time. Long before the dystopian government in America (Panem) made Katniss battle it out in the Hunger Games, Ray Garraty was dragging his feet across the hot macadam of the backroads and turnpikes of Maine. All for what you ask? The honor of participating the the oppressive government's premier event, the entertainment of the people, and the always elusive fulfilment of all your heart's desires.
A few people that I recommended this to before didn't care for it, but it is definitely one of my top five favorite of King's - and my favorite of his Bachman books. Such great storytelling, character building, suspense, and dark narrative. I have just always been so awed by this book and how much it has pulled me in over and over again and won't let go!
Read this! But, you may want to avoid it if you are getting ready for a marathon or a big hike!
ORIGINAL REVIEW
This is one of my favorite King books; Suspenseful, unique, and all too possible. It is one of the few books that I have read more than once. Highly recommended for someone looking for a good place to start with King.
August 30, 2020
These shoes are made for death walks and that´s where the characters go just one of these pairs of shoes is gonna walk home living too.
The true darkness comes with the historic real life examples that come to mind while and after reading this work, as it was, is, and will be a trend to kill people with death marches as special kind of psychological torture, as the victims have to watch their friends and family being killed one after another by the guards or sport fans next to the death race track.
Following the sick rules of war and human mentality, it´s a perfect method to show both the enemy and the own population who is boss, as the immense suffering and agony of the moribund are the easiest and cheapest marketing for ones´ dictatorship. Citizens will shiver and don´t dare to protest, enemy soldiers will be demotivated before even entering the country, just perfect.
With future medicine or even just normal, good medical support for the victims it could become an endless circle of pain to show who owns the country, continent, and finally the world, not to forget the irony of giving the best cures and drugs to people who are determined to die, wasting it that way, and very probably not giving free general health insurance to the own population adds another layer of perversion and a very real innuendo to the mix.
It could be used for the marketing of different products, sponsors for the victims, and a huge tourism and entertainment industry around it too, with different routes all through the evil world dominating empire, with different topics, logos, single sponsors, including all kind of Hunger Games elements, varying difficulty levels, terrains, climate zones, rules how victims can or can´t kill another or the audience and guards, if the audience can freely or for high fees take part in the fun, different groups of victims selected by age, gender, or race, for instance just young white men for groups who are into that, etc. The options, both for propaganda and deterrent, are manifold.
Did I mention casting shows or the good old fashioned random selection with stylish, music video like, bada bing, reality TV satirizing elements? Not sure how much of it is already out there in the newer fantasy and young adult genre, as I am sticking on the classic Sci-Fi and fantasy authors ( I am old) I am used to read, like the blood on the festering soles of the feet of the road runners, beep, beep.
King said about one of his novels, I am not sure if it´s this one or The running man he wrote under the pseudonym Richard Bachmann too, that he wrote it in 2 or 3 weeks (if it was already part of the dawn process of his cocaine multi drug use phase that would explain it) and the astonishing thing is that one doesn´t notice that fact, as it´s perfect, easy going entertainment others may need years to write or even never be able to write it. And he is just like „Hold my beer“, coming back soon later, „There´s your novel.“ style.
I am a bit missing the metaplot, big scene, worldbuilding element in many of Kings´ new works, where there is paranormal activity always spooking around, but nothing compared to his older novels or the Dark towers series, which is a shame, as he was brilliant at creating big pictures in combination with the amazing characters too.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
https://tvtropes.org/pmwiki/pmwiki.ph...
The true darkness comes with the historic real life examples that come to mind while and after reading this work, as it was, is, and will be a trend to kill people with death marches as special kind of psychological torture, as the victims have to watch their friends and family being killed one after another by the guards or sport fans next to the death race track.
Following the sick rules of war and human mentality, it´s a perfect method to show both the enemy and the own population who is boss, as the immense suffering and agony of the moribund are the easiest and cheapest marketing for ones´ dictatorship. Citizens will shiver and don´t dare to protest, enemy soldiers will be demotivated before even entering the country, just perfect.
With future medicine or even just normal, good medical support for the victims it could become an endless circle of pain to show who owns the country, continent, and finally the world, not to forget the irony of giving the best cures and drugs to people who are determined to die, wasting it that way, and very probably not giving free general health insurance to the own population adds another layer of perversion and a very real innuendo to the mix.
It could be used for the marketing of different products, sponsors for the victims, and a huge tourism and entertainment industry around it too, with different routes all through the evil world dominating empire, with different topics, logos, single sponsors, including all kind of Hunger Games elements, varying difficulty levels, terrains, climate zones, rules how victims can or can´t kill another or the audience and guards, if the audience can freely or for high fees take part in the fun, different groups of victims selected by age, gender, or race, for instance just young white men for groups who are into that, etc. The options, both for propaganda and deterrent, are manifold.
Did I mention casting shows or the good old fashioned random selection with stylish, music video like, bada bing, reality TV satirizing elements? Not sure how much of it is already out there in the newer fantasy and young adult genre, as I am sticking on the classic Sci-Fi and fantasy authors ( I am old) I am used to read, like the blood on the festering soles of the feet of the road runners, beep, beep.
King said about one of his novels, I am not sure if it´s this one or The running man he wrote under the pseudonym Richard Bachmann too, that he wrote it in 2 or 3 weeks (if it was already part of the dawn process of his cocaine multi drug use phase that would explain it) and the astonishing thing is that one doesn´t notice that fact, as it´s perfect, easy going entertainment others may need years to write or even never be able to write it. And he is just like „Hold my beer“, coming back soon later, „There´s your novel.“ style.
I am a bit missing the metaplot, big scene, worldbuilding element in many of Kings´ new works, where there is paranormal activity always spooking around, but nothing compared to his older novels or the Dark towers series, which is a shame, as he was brilliant at creating big pictures in combination with the amazing characters too.
Tropes show how literature is conceptualized and created and which mixture of elements makes works and genres unique:
https://tvtropes.org/pmwiki/pmwiki.ph...
August 21, 2018
"They walked through the rainy dark like gaunt ghosts, and Garraty didn't like to look at them. They were the walking dead."
On the first day of May each year, one hundred boys will take part in "The Long Walk". Breaking the rules results in warnings. More than three warnings and you'll get your ticket and you're out of the race.
I've felt for quite a while now that my top 10 Kings are pretty solid - before reading this I had about 13 or 14 left to read and none of them really seem like possible contenders (apart from maybe The Green Mile). In particular, I never thought a goddamn Bachman book would break the top 10 (we have a rocky relationship me and Bachman). And yet here we are! The Long Walk didn't just break into the top 10, but the top 5!
From the outset I thought The Long Walk would just be another dystopian novel (I say "another" quite loosely as surely this was one of the first?), but boy was I wrong. Below the surface, this book touches upon so many different themes and topics, like mortality, identity, friendship, and countless others. If you've followed my King journey you'll know that I'm a huge fan of the books in which King tackles death, grief, loss and mortality. That's kinda my wheelhouse. All of these rank in my top 10: Pet Sematary, Duma Key, Lisey's Story, Bag of Bones… and stories like The Woman in the Room and The Last Rung on the Ladder (both of these appear in Night Shift, which is also on the list). The Long Walk is heavy on both mortality and death.
King started writing this when he was eighteen. EIGHTEEN. And yet this will surpass many of the books I read in my lifetime. I'm not sure how much editing was done between his first draft and when it was actually released, but either way, this is a fascinating idea for a book. Only King could make the story of one hundred boys walking down a road so fucking nail-biting and engrossing. It is dripping with tension and dread. My heart would be racing in my chest - when some of those boys stumbled I would be screaming "GET UP" in my head!
So many King books have had an impact on me, but this has been one of the most impressive. When I wasn't reading it, I was thinking about it or talking about it. I almost wanted to stop strangers in the street and tell them all about the amazing book I was reading. I had to settle for telling my boyfriend all about it instead - but even then he was kinda like "So?" *shrugs*… and that's the thing. The plot sounds interesting, yes, but it's the immersive experience you have when reading this one that really sticks with you. It's the characters you get to know. It's the looming black cloud of death that hangs over these boys. I cried on countless occasions during this read - death is a very real fear for me, and when I think of what these boys must have been going through, it got to be too much at times.
As for the characters themselves, King has written them all in such a way that they're very individual, with their own personalities and traits. McVries in particular stands out for me. You get the impression he may not have been the best person in the world before this experience, but he becomes a really decent guy throughout the walk, he becomes someone for our main protagonist, Garraty, to lean on. I love McVries <3 and Stebbins too!
It's a brutal read, it's heartbreaking, there are certain scenes you'll simply never forget - but ultimately, it's worth it. It also gave me one of the worst book hangovers I've ever had, I'm so thankful for podcasts and people online who will allow me to dwell in this story that King created for a little while longer. It's emotionally exhausting and physically draining, but its monumental impact will stay with me forever.
5 stars.
On the first day of May each year, one hundred boys will take part in "The Long Walk". Breaking the rules results in warnings. More than three warnings and you'll get your ticket and you're out of the race.
I've felt for quite a while now that my top 10 Kings are pretty solid - before reading this I had about 13 or 14 left to read and none of them really seem like possible contenders (apart from maybe The Green Mile). In particular, I never thought a goddamn Bachman book would break the top 10 (we have a rocky relationship me and Bachman). And yet here we are! The Long Walk didn't just break into the top 10, but the top 5!
From the outset I thought The Long Walk would just be another dystopian novel (I say "another" quite loosely as surely this was one of the first?), but boy was I wrong. Below the surface, this book touches upon so many different themes and topics, like mortality, identity, friendship, and countless others. If you've followed my King journey you'll know that I'm a huge fan of the books in which King tackles death, grief, loss and mortality. That's kinda my wheelhouse. All of these rank in my top 10: Pet Sematary, Duma Key, Lisey's Story, Bag of Bones… and stories like The Woman in the Room and The Last Rung on the Ladder (both of these appear in Night Shift, which is also on the list). The Long Walk is heavy on both mortality and death.
King started writing this when he was eighteen. EIGHTEEN. And yet this will surpass many of the books I read in my lifetime. I'm not sure how much editing was done between his first draft and when it was actually released, but either way, this is a fascinating idea for a book. Only King could make the story of one hundred boys walking down a road so fucking nail-biting and engrossing. It is dripping with tension and dread. My heart would be racing in my chest - when some of those boys stumbled I would be screaming "GET UP" in my head!
So many King books have had an impact on me, but this has been one of the most impressive. When I wasn't reading it, I was thinking about it or talking about it. I almost wanted to stop strangers in the street and tell them all about the amazing book I was reading. I had to settle for telling my boyfriend all about it instead - but even then he was kinda like "So?" *shrugs*… and that's the thing. The plot sounds interesting, yes, but it's the immersive experience you have when reading this one that really sticks with you. It's the characters you get to know. It's the looming black cloud of death that hangs over these boys. I cried on countless occasions during this read - death is a very real fear for me, and when I think of what these boys must have been going through, it got to be too much at times.
As for the characters themselves, King has written them all in such a way that they're very individual, with their own personalities and traits. McVries in particular stands out for me. You get the impression he may not have been the best person in the world before this experience, but he becomes a really decent guy throughout the walk, he becomes someone for our main protagonist, Garraty, to lean on. I love McVries <3 and Stebbins too!
It's a brutal read, it's heartbreaking, there are certain scenes you'll simply never forget - but ultimately, it's worth it. It also gave me one of the worst book hangovers I've ever had, I'm so thankful for podcasts and people online who will allow me to dwell in this story that King created for a little while longer. It's emotionally exhausting and physically draining, but its monumental impact will stay with me forever.
5 stars.
March 24, 2018
To think something so dark and depressing could come out of a premise so simple.
I'll keep this brief, Richard Bachman (a pseudonym of Stephen King) has made something short and great here. The premise of the book is annually, 100 teenagers entered a competition called "The Long Walk" where they have to walk literally non-stop until only one person remaining. The winner gets to have anything they want. It's a very simple premise and it somehow made Hunger Games looks like Disneyland. The slow descent into madness and insanity are clearly shown step by step, the changes in the characters from when they began were shown gradually.
This is truly a dark tale, sometimes even depressing. The author's prose was great and descriptive. The fatigue, the pain, and the gradual changes in the characters can be felt from the writing. Not gonna lie, at one point, I felt my feet get tired from reading. It's a very compelling story, I finished reading this in one day.
The minor cons I had on the book was even though this is a really short book, there are still some parts that I felt goes on a bit longer than necessary during the first half of the book. Also, the ending was too abrupt and a bit too ambiguous. There are a lot of great fan theories on the ending though, so if you feel disappointed by it, I think one of this theory can put more closure on the reader.
Overall, I highly recommend this for anyone who's looking for a short, dark, engrossing, and a bit philosophical book.
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at BookNest
I'll keep this brief, Richard Bachman (a pseudonym of Stephen King) has made something short and great here. The premise of the book is annually, 100 teenagers entered a competition called "The Long Walk" where they have to walk literally non-stop until only one person remaining. The winner gets to have anything they want. It's a very simple premise and it somehow made Hunger Games looks like Disneyland. The slow descent into madness and insanity are clearly shown step by step, the changes in the characters from when they began were shown gradually.
This is truly a dark tale, sometimes even depressing. The author's prose was great and descriptive. The fatigue, the pain, and the gradual changes in the characters can be felt from the writing. Not gonna lie, at one point, I felt my feet get tired from reading. It's a very compelling story, I finished reading this in one day.
The minor cons I had on the book was even though this is a really short book, there are still some parts that I felt goes on a bit longer than necessary during the first half of the book. Also, the ending was too abrupt and a bit too ambiguous. There are a lot of great fan theories on the ending though, so if you feel disappointed by it, I think one of this theory can put more closure on the reader.
Overall, I highly recommend this for anyone who's looking for a short, dark, engrossing, and a bit philosophical book.
You can find this and the rest of my Adult Epic/High Fantasy & Sci-Fi reviews at BookNest
December 30, 2016
I kind of blame Stephen King for reality television.
That’s not fair because he certainly wasn't the first person to do stories about murderous games done as entertainment, and it’s not like he produced Survivor or Big Brother. However, two of the books he did under the Richard Bachman pen name before being outed are about death contests done to distract the masses in dystopian societies. So whenever I see an ad for those kinds of shows I can’t help but think that the people who make that trash read those books but saw them as great TV concepts rather than horrifying visions of the future.
The scenario here is that 100 teenage boys volunteer to be part of an annual event called The Long Walk. The rules are simple. You start walking and keep up a speed of 4 miles per hour. If you fall below that pace you get a few warnings. If you don’t get back up to speed immediately, you get shot. Easier than checkers, right? Here’s the real rub: You absolutely cannot stop. All 100 boys walk until 99 of them are killed. Last one still teetering around on whatever is left of their feet then wins the ultimate prize.
On the surface you could say that this concept that could seem silly or absurd. Why would anyone volunteer for this? Answering that question turns out to be one of the best parts of the book as King moves the walkers through stages while things get progressively worse for them on the road. What King tapped into here is that realization that deep down we all think we’re special, that things will always work out for us, and this is especially true when we’re teens with no real ideas about consequences and our own mortality.
While the story focuses on one character it really becomes about all of the walkers, and we get to know them through their conversations and how they deal with the death that is literally nipping at their heels. Eventually the grim reality of their situation sets in, and we also view how the boys react to realizing the true horror they signed up for. We also learn a bit about the world they live in, and it’s an interesting minor aspect established in a few stray bits that this is essentially some kind of alternate history where World War II played out somewhat differently.
I’d read this several times back in the ‘80s and ‘90s, but hadn’t picked it up in the 21st century so it felt like there’s a dated element to the way that Long Walk functions. The boys essentially just show up in whatever clothes they have and they start walking with little fanfare. It almost seems like a contest at a county fair instead of something that captures the nation’s attention. There’s some explanation given about how they don’t want crowds or TV cameras around as distractions at the start until the walkers get settled into the routine.
However, that doesn’t seem to fit with the idea that the event is being orchestrated as a distraction and weird kind of motivational tool. If the story were told now there would be a lot more about the media coverage, and the whole thing would probably have a corporate sponsor. Plus, the walkers would have matching shoes and uniforms designed to look cool and keep them walking longer. They’d also probably have a more sophisticated method than soldiers with rifles and stopwatches dispatching the lollygaggers, too. This doesn’t hurt the story at all, though. Instead it gives the whole thing a kind of dated charm like watching a movie from the ‘70s where everyone is smoking and people have to wait by the phone.
One more note about Stephen King: The man really needs to have a spoiler warning branded on his forehead. I had to stop following him on Twitter after he spoiled major events on both Game of Thrones and Stranger Things. My friend Trudi had part of The Killer Inside Me ruined for her by King's introduction in which he described several key twists. I was listening to an audible version of this that had an intro from him talking about why he did the whole Richard Bachman thing. In it, he casually gives away the end of The Running Man novel. Fortunately for me I'd already read that one, but Uncle Stevie clearly just doesn't get the concept and why it pisses people off.
Overall, The Long Walk held up to my memories of it as one of the better King books as well as having a chilling idea at the heart of it. Sure, some might say that the idea of contest that dehumanizes people for entertainment to make things easier for a fascist ruler is far-fetched. On the other hand, this TV show will be premiering a few days after a certain orange pile of human shaped garbage takes power.
https://www.youtube.com/watch?v=OTNZr...
It’s a Richard Bachman world, people. Get ready to walk. Or maybe run.
That’s not fair because he certainly wasn't the first person to do stories about murderous games done as entertainment, and it’s not like he produced Survivor or Big Brother. However, two of the books he did under the Richard Bachman pen name before being outed are about death contests done to distract the masses in dystopian societies. So whenever I see an ad for those kinds of shows I can’t help but think that the people who make that trash read those books but saw them as great TV concepts rather than horrifying visions of the future.
The scenario here is that 100 teenage boys volunteer to be part of an annual event called The Long Walk. The rules are simple. You start walking and keep up a speed of 4 miles per hour. If you fall below that pace you get a few warnings. If you don’t get back up to speed immediately, you get shot. Easier than checkers, right? Here’s the real rub: You absolutely cannot stop. All 100 boys walk until 99 of them are killed. Last one still teetering around on whatever is left of their feet then wins the ultimate prize.
On the surface you could say that this concept that could seem silly or absurd. Why would anyone volunteer for this? Answering that question turns out to be one of the best parts of the book as King moves the walkers through stages while things get progressively worse for them on the road. What King tapped into here is that realization that deep down we all think we’re special, that things will always work out for us, and this is especially true when we’re teens with no real ideas about consequences and our own mortality.
While the story focuses on one character it really becomes about all of the walkers, and we get to know them through their conversations and how they deal with the death that is literally nipping at their heels. Eventually the grim reality of their situation sets in, and we also view how the boys react to realizing the true horror they signed up for. We also learn a bit about the world they live in, and it’s an interesting minor aspect established in a few stray bits that this is essentially some kind of alternate history where World War II played out somewhat differently.
I’d read this several times back in the ‘80s and ‘90s, but hadn’t picked it up in the 21st century so it felt like there’s a dated element to the way that Long Walk functions. The boys essentially just show up in whatever clothes they have and they start walking with little fanfare. It almost seems like a contest at a county fair instead of something that captures the nation’s attention. There’s some explanation given about how they don’t want crowds or TV cameras around as distractions at the start until the walkers get settled into the routine.
However, that doesn’t seem to fit with the idea that the event is being orchestrated as a distraction and weird kind of motivational tool. If the story were told now there would be a lot more about the media coverage, and the whole thing would probably have a corporate sponsor. Plus, the walkers would have matching shoes and uniforms designed to look cool and keep them walking longer. They’d also probably have a more sophisticated method than soldiers with rifles and stopwatches dispatching the lollygaggers, too. This doesn’t hurt the story at all, though. Instead it gives the whole thing a kind of dated charm like watching a movie from the ‘70s where everyone is smoking and people have to wait by the phone.
One more note about Stephen King: The man really needs to have a spoiler warning branded on his forehead. I had to stop following him on Twitter after he spoiled major events on both Game of Thrones and Stranger Things. My friend Trudi had part of The Killer Inside Me ruined for her by King's introduction in which he described several key twists. I was listening to an audible version of this that had an intro from him talking about why he did the whole Richard Bachman thing. In it, he casually gives away the end of The Running Man novel. Fortunately for me I'd already read that one, but Uncle Stevie clearly just doesn't get the concept and why it pisses people off.
Overall, The Long Walk held up to my memories of it as one of the better King books as well as having a chilling idea at the heart of it. Sure, some might say that the idea of contest that dehumanizes people for entertainment to make things easier for a fascist ruler is far-fetched. On the other hand, this TV show will be premiering a few days after a certain orange pile of human shaped garbage takes power.
https://www.youtube.com/watch?v=OTNZr...
It’s a Richard Bachman world, people. Get ready to walk. Or maybe run.
June 8, 2021
First time read as a stand alone. This book haunts me- it's an exceptionally horrifying read, that focuses on the 100 teenage boys competing in the Long Walk endurance race, where there can only be one winner - the sole survivor!
Remarkably written (written before Carrie!) way back in the late 1960s, Richard Bachman AKA Stephen King was so prescient about the ends reality TV would/could lead to! 10 out of 12, a thumping Five Star Read
Remarkably written (written before Carrie!) way back in the late 1960s, Richard Bachman AKA Stephen King was so prescient about the ends reality TV would/could lead to! 10 out of 12, a thumping Five Star Read
August 20, 2007
The Long Walk is simply exhausting to read. I found myself keep drifting in and out of sleep, needing to eat, drink, and use the bathroom. But most of all, my feet ached a little more after each page. This is not because the book was bad and that I was losing attention, it was simply because I was so involved in the story. I was walking WITH them.The premise is simple and I'm sure if you're reading this review you're aware of what its about. The fact that the story is so simple, allows for it to become deeper on so many different levels.
At the end of the book I found myself questioning everything, not because the ending left me unfulfilled but because it made me realise so much about life.
The Long Walk is depressing, exhausting and brutal. But ultimately it is a beautiful story that makes you aware how great it is to be alive.
At this time of writing this review (1st August 2007), the rights to making a film have been bought by Frank Darabont, director of the Shawshank Redemption and The Green Mile. I read The Long Walk as part of the Richard Bachman compilation of 4 novels, Rage, The Long Walk, Roadwork and The Running Man.
At the end of the book I found myself questioning everything, not because the ending left me unfulfilled but because it made me realise so much about life.
The Long Walk is depressing, exhausting and brutal. But ultimately it is a beautiful story that makes you aware how great it is to be alive.
At this time of writing this review (1st August 2007), the rights to making a film have been bought by Frank Darabont, director of the Shawshank Redemption and The Green Mile. I read The Long Walk as part of the Richard Bachman compilation of 4 novels, Rage, The Long Walk, Roadwork and The Running Man.
September 28, 2025
[5.0⭐] 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖 es una novela distópica escrita por Richard Bachman (seudónimo de Stephen King) y publicada en 1979. La historia nos presenta a Ray Garraty, un adolescente que participa en una competencia organizada por un estado policial: cien chicos deben caminar sin detenerse. El último en quedar en pie será el vencedor, el único que obtendrá fama y fortuna.
Decidí leer este libro porque iba a salir la película y quería llegar preparada para verla en el cine. Claramente, me gustó muchísimo más el libro que la película. La adaptación redujo el número de concursantes a 50, probablemente por presupuesto, y eso le quitó parte del impacto y de la sensación de masificación que transmite la novela. Además, la película se centra más en la acción, mientras que el libro es profundamente reflexivo, lleno de diálogos y pensamientos que giran en torno a la vida, la moralidad, la muerte y la resistencia. Para mí, ahí está la verdadera riqueza de 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖. Como si fuera poco, en el final la película cambia absolutamente todo: tanto el ganador como los finalistas. No diré más para no arruinar la experiencia, pero sí puedo asegurar que la novela tiene un desenlace mucho más angustiante, desesperanzador y brutal.
De lo que más me fascinó fue la constante reflexión existencial que atraviesa todo el relato. Hay diálogos que se te quedan grabados, como aquel en el que Stebbins dice: "Queremos morir, por eso estamos aquí. ¿Por qué si no, Garraty? ¿Por qué si no?".
O cuando Garraty reflexiona: "Con sopas de patatas o con buenos filetes, con mansiones o con chabolas, cuando uno muere todo se acaba: te meten en el hoyo, como a Zuck y Ewing, y eso es todo. Lo único que pretendo decir es que prefiero vivir día a día. Si la gente se preocupara sólo del día presente, viviría mucho más feliz."
Ese existencialismo atraviesa todo el libro y, como alguien que se siente muy afín a esa corriente, me encontré leyendo y pensando: “me siento representada”.
El final lo encontré increíble; angustiante, brutal y desesperanzador. Refleja a la perfección cómo la competencia termina deshumanizando por completo a los participantes: dejan de ser personas para transformarse en simples cuerpos mecánicos que avanzan y avanzan, ignorando el dolor, los gritos del público y las muertes a su alrededor. La marcha se vuelve un estado de trance, una condena donde la humanidad se va desgastando paso a paso y, en esa brutalidad, hay un mensaje potente: lo que vemos en el camino es, en gran medida, un espejo de la sociedad, del morbo, de la indiferencia y de la forma en que la multitud vitorea y aplaude mientras alguien más se derrumba.
No puedo dejar de mencionar que lloré con dos muertes en particular y no me avergüenza decirlo: King consigue que uno se encariñe con los personajes, que los sienta cercanos, adolescentes reales, con miedo, con sueños, con chistes, con calenturas y hasta con tonterías que los hacen entrañables. Yo trabajo con adolescentes y quizá por eso me resultó tan impactante lo realistas que se sienten los marchadores, mientras leía, pensaba: “estos podrían ser fácilmente mis alumnos”. Esa naturalidad es lo que hace todavía más cruel el relato: no estamos frente a héroes de acción, sino a chicos normales para un espectáculo morboso.
Otro aspecto que quiero destacar es lo adictivo que resulta el libro. Es de esas lecturas que uno empieza y simplemente no puede soltar. Yo lo terminé en dos días, con ansiedad por saber qué pasaba en la siguiente milla, quién caería y qué conversación surgiría en medio del cansancio. Tenía cosas que hacer, pero me fue imposible parar. Solo quería leer, leer y leer y ahí se nota el poder narrativo de King: incluso en una historia que, a simple vista, se reduce a “caminar y caminar”, logra mantenernos atrapados a los lectores.
La originalidad también es algo que merece ser destacada. Este libro fue escrito en 1978 y aún hoy sigue siendo brutal, vigente y perturbador. En tiempos donde la ficción distópica está de moda, 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖 se siente como un precedente, como un relato adelantado a su época. Muchos elementos que después vimos en sagas juveniles modernas (concursos de vida o muerte, adolescentes enfrentados y público morboso) ya estaban aquí, narrados con una crudeza incomparable.
Finalmente, puedo decir que 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖 me encantó. Es uno de los mejores libros que he leído este año, sin duda. Es desgarrador, inquietante, existencial y, al mismo tiempo, terriblemente humano. Me dejó con imágenes que todavía me persiguen y con reflexiones que seguirán acompañándome. Stephen King nunca decepciona y, bajo el nombre de Richard Bachman, nos regaló una obra que es tanto un retrato de la deshumanización como una reflexión sobre la vida y la muerte. Siento que no salí ilesa de esa larga caminata.
Decidí leer este libro porque iba a salir la película y quería llegar preparada para verla en el cine. Claramente, me gustó muchísimo más el libro que la película. La adaptación redujo el número de concursantes a 50, probablemente por presupuesto, y eso le quitó parte del impacto y de la sensación de masificación que transmite la novela. Además, la película se centra más en la acción, mientras que el libro es profundamente reflexivo, lleno de diálogos y pensamientos que giran en torno a la vida, la moralidad, la muerte y la resistencia. Para mí, ahí está la verdadera riqueza de 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖. Como si fuera poco, en el final la película cambia absolutamente todo: tanto el ganador como los finalistas. No diré más para no arruinar la experiencia, pero sí puedo asegurar que la novela tiene un desenlace mucho más angustiante, desesperanzador y brutal.
De lo que más me fascinó fue la constante reflexión existencial que atraviesa todo el relato. Hay diálogos que se te quedan grabados, como aquel en el que Stebbins dice: "Queremos morir, por eso estamos aquí. ¿Por qué si no, Garraty? ¿Por qué si no?".
O cuando Garraty reflexiona: "Con sopas de patatas o con buenos filetes, con mansiones o con chabolas, cuando uno muere todo se acaba: te meten en el hoyo, como a Zuck y Ewing, y eso es todo. Lo único que pretendo decir es que prefiero vivir día a día. Si la gente se preocupara sólo del día presente, viviría mucho más feliz."
Ese existencialismo atraviesa todo el libro y, como alguien que se siente muy afín a esa corriente, me encontré leyendo y pensando: “me siento representada”.
El final lo encontré increíble; angustiante, brutal y desesperanzador. Refleja a la perfección cómo la competencia termina deshumanizando por completo a los participantes: dejan de ser personas para transformarse en simples cuerpos mecánicos que avanzan y avanzan, ignorando el dolor, los gritos del público y las muertes a su alrededor. La marcha se vuelve un estado de trance, una condena donde la humanidad se va desgastando paso a paso y, en esa brutalidad, hay un mensaje potente: lo que vemos en el camino es, en gran medida, un espejo de la sociedad, del morbo, de la indiferencia y de la forma en que la multitud vitorea y aplaude mientras alguien más se derrumba.
No puedo dejar de mencionar que lloré con dos muertes en particular y no me avergüenza decirlo: King consigue que uno se encariñe con los personajes, que los sienta cercanos, adolescentes reales, con miedo, con sueños, con chistes, con calenturas y hasta con tonterías que los hacen entrañables. Yo trabajo con adolescentes y quizá por eso me resultó tan impactante lo realistas que se sienten los marchadores, mientras leía, pensaba: “estos podrían ser fácilmente mis alumnos”. Esa naturalidad es lo que hace todavía más cruel el relato: no estamos frente a héroes de acción, sino a chicos normales para un espectáculo morboso.
Otro aspecto que quiero destacar es lo adictivo que resulta el libro. Es de esas lecturas que uno empieza y simplemente no puede soltar. Yo lo terminé en dos días, con ansiedad por saber qué pasaba en la siguiente milla, quién caería y qué conversación surgiría en medio del cansancio. Tenía cosas que hacer, pero me fue imposible parar. Solo quería leer, leer y leer y ahí se nota el poder narrativo de King: incluso en una historia que, a simple vista, se reduce a “caminar y caminar”, logra mantenernos atrapados a los lectores.
La originalidad también es algo que merece ser destacada. Este libro fue escrito en 1978 y aún hoy sigue siendo brutal, vigente y perturbador. En tiempos donde la ficción distópica está de moda, 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖 se siente como un precedente, como un relato adelantado a su época. Muchos elementos que después vimos en sagas juveniles modernas (concursos de vida o muerte, adolescentes enfrentados y público morboso) ya estaban aquí, narrados con una crudeza incomparable.
Finalmente, puedo decir que 𝙇𝙖 𝙡𝙖𝙧𝙜𝙖 𝙢𝙖𝙧𝙘𝙝𝙖 me encantó. Es uno de los mejores libros que he leído este año, sin duda. Es desgarrador, inquietante, existencial y, al mismo tiempo, terriblemente humano. Me dejó con imágenes que todavía me persiguen y con reflexiones que seguirán acompañándome. Stephen King nunca decepciona y, bajo el nombre de Richard Bachman, nos regaló una obra que es tanto un retrato de la deshumanización como una reflexión sobre la vida y la muerte. Siento que no salí ilesa de esa larga caminata.
December 5, 2025
The Long Walk is a Dystopian novel by Stephen King, originally published in December of 1978, under his pseudonym, Richard Bachman.
Eventually, it was included in the bind-up of The Bachman Books, along with Rage, Roadwork and The Running Man.
I read this book as a Tween, but have not visited it since. Recently, I have begun reading King's works from the beginning, in the order they were originally published according to his website.
This project will mostly be rereads for me, but I NEVER get tired of revisiting King's stories. I feel like each time I read them, depending on where I am in my life, it becomes a whole new experience. Also, the more versed you are in the Kingverse, the more connections you begin to see.
In this story we are following 16-year old, Maine native, Ray Garraty, who has been chosen to participate in the annual Long Walk, along with 99-other teen boys.
The boys start the Walk in Northern Maine, and must maintain a steady pace of 4-mph, or risk being eliminated, not just from the Walk, but from life. They are walking straight through, no rest stops, no pee breaks, no sleep, until only one remains; the winner.
The winner is awarded the big prize, said to be anything he wants for the rest of his life. In this dystopian world, that's a hell of a good offer, one these boys are willing to risk their lives to attain.
This quick little story sure manages to pack a punch. The commentary and character work are a masterclass in how to pull your audience in and make them feel invested. Even though it was only Garraty's perspective that we were given, I felt such empathy for so many of these characters.
The Long Walk feels like a precursor to more recent stories, such as The Hunger Games, inspiring many other works of fiction. I actually discovered after I started my reread there's going to be an adaptation released later this year.
I'm very excited, though nervous, to check that out.
I loved how this slowly developed and the psychological depths it went into. These waters run dark and deep. I was eating it up. I'm so glad I finally reread this one.
I would recommend this to anyone who hasn't read it yet, or to anyone who enjoys a Dystopian story. This is gripping and powerful; a timeless tale of human endurance.
Eventually, it was included in the bind-up of The Bachman Books, along with Rage, Roadwork and The Running Man.
I read this book as a Tween, but have not visited it since. Recently, I have begun reading King's works from the beginning, in the order they were originally published according to his website.
This project will mostly be rereads for me, but I NEVER get tired of revisiting King's stories. I feel like each time I read them, depending on where I am in my life, it becomes a whole new experience. Also, the more versed you are in the Kingverse, the more connections you begin to see.
In this story we are following 16-year old, Maine native, Ray Garraty, who has been chosen to participate in the annual Long Walk, along with 99-other teen boys.
The boys start the Walk in Northern Maine, and must maintain a steady pace of 4-mph, or risk being eliminated, not just from the Walk, but from life. They are walking straight through, no rest stops, no pee breaks, no sleep, until only one remains; the winner.
The winner is awarded the big prize, said to be anything he wants for the rest of his life. In this dystopian world, that's a hell of a good offer, one these boys are willing to risk their lives to attain.
This quick little story sure manages to pack a punch. The commentary and character work are a masterclass in how to pull your audience in and make them feel invested. Even though it was only Garraty's perspective that we were given, I felt such empathy for so many of these characters.
The Long Walk feels like a precursor to more recent stories, such as The Hunger Games, inspiring many other works of fiction. I actually discovered after I started my reread there's going to be an adaptation released later this year.
I'm very excited, though nervous, to check that out.
I loved how this slowly developed and the psychological depths it went into. These waters run dark and deep. I was eating it up. I'm so glad I finally reread this one.
I would recommend this to anyone who hasn't read it yet, or to anyone who enjoys a Dystopian story. This is gripping and powerful; a timeless tale of human endurance.
December 23, 2012
I love King, but this is the most disappointing novel I have EVER read. I kept waiting for the story to develop beyond the surface story of walking. Nope. I kept waiting for their world to be explained. Nope. I literally threw the book down when I was done. I should have spent the time reading the instruction manual for my DVD player. It would have been just as entertaining yet more useful.
August 5, 2019
“They're animals, all right. But why are you so goddam sure that makes us human beings?”How much do I love this book? There are too many ways to count actually, which is why no matter how many re-reads I've done of it (and there have been many over the years), The Long Walk has always left me too intimidated to review it. I managed a brief blurb of something when I listened to the audiobook a few years back, but never a "real review". So heaven help me, here's my real review.
“They walked through the rainy dark like gaunt ghosts, and Garraty didn't like to look at them. They were the walking dead.”
According to King, he wrote The Long Walk while in college in 1966-67 and it became one of those "drawer novels" that got put away to gather dust when he couldn't get it published. King wasn't a household name yet of course. First, he had to publish Carrie in 1974. Then Salem's Lot in 1975. Followed by The Shining in 1976. In three short years King became a household name. So much so that he got the idea to become Richard Bachman.
King decided he would use this pseudonym to resurrect a few of those dusty "drawer novels" and rescue them from obscurity. He believed they were good (for me, two of them are better than good, they are outstanding -- The Long Walk and The Running Man -- according to King written in a 72 hour fugue in 1971). But King wanted to know readers thought the books were good because they were good, not just because his name was on the front cover in giant letters. His publisher at the time also didn't want to flood the market with more King books when he was already churning them out one a year.* Hence, Bachman was born.
*(these were the days before James Patterson decided it was okay to publish 20 books a year and only write one of them yourself).
The Long Walk is easily, hands-down my favorite Bachman book, but it also ranks as one of my favorite King books period. Top 5 without even blinking an eye. It's lean and mean, with a white hot intensity to it. What I love about The Long Walk is what I love about King's early short stories collected in Night Shift: There is a rawness in these stories that reflects the drive and hunger of a young man consumed with his craft. For me The Long Walk has always burned bright as if King wrote it in a fever. There's a purity in these pages, a naked desire to tell the tale that still gives me chills every single time I pick up the damn book and read that opening sentence: "An old blue Ford pulled into the guarded parking lot that morning, looking like a small, tired dog after a hard run."
Clumsy? Sure. A bit of an awkward simile? Absolutely. But what a hook. And the hook only digs itself in deeper as each page is turned. Until finishing becomes a matter of have to, any choice or free will stripped away. It's one of those books that grabs you by the short hairs and doesn't let go until it's finished with you.
Before the dystopian craze spawned by The Hunger Games trilogy, before the rise of reality TV with shows like Survivor, King imagined an alternate history American landscape where an annual walking competition would become the nation's obsession. One hundred boys between the ages 16-18 start out walking, and continue to walk at 4mph until there's only one remaining -- the winner. Boys falling below speed for any reason get a Warning. Three Warnings get you your Ticket, taking you out of the race. Permanently. It's walk or die. And as someone who's done her fair share of walking, the idea of that much walking without ever stopping makes my feet and back ache just thinking about it.
But King will make you do more than think about it, he will make you walk that road with those boys, to experience every twinge of discomfort, to feel the rising pain and suffocating fear, to suffer with the boys in sweat, and cold, and hunger, and confusion, as they walk towards Death and consider their own mortality. You will hear the sharp cracks of the carbine rifles and your heart will jump and skip beats.
One theme that King has revisited over the years is writing about the human body under brutalizing physical duress, at the body in extremis and what humans are hardwired to do to survive and go on living another day. Excruciating physical peril undeniably comes with a psychological component and no one writes that better than King. We see it in books like Misery, Gerald's Game and the short story "Survivor Type". King uncovers all the nitty-gritty minutia of human physical suffering and asks the question: How far is any one person willing to go to keep on taking his or her next breath? Stephen King knows pretty damn far. Just ask Paul Sheldon or Ray Garraty. Or the castaway in "Survivor Type" -- him most of all. King also knows that the human body has an amazing capacity for trauma. It can withstand a lot -- so much so that the mind often breaks first.
Each chapter heading of The Long Walk quotes a line from a game show host, but the one that really sticks out (and presumably gave King his idea in the first place) is this one by Chuck Barris, creator of the The Gong Show -- "The ultimate game show would be one where the losing contestant would be killed." And isn't that the truth? Certainly, the Romans knew this as they cheered for Gladiators to be mauled to death by wild animals (or other Gladiators). Just ask the French who cheered and jeered as thousands were led to their deaths by guillotine. There is an insatiable blood lust that lingers in humans that I don't think we'll ever shake completely, no matter how "civilized" we think we've become.
Violence as entertainment is part of the norm, so I have no problems believing that under the right (terrifying) conditions, death as entertainment could become just as normalized. Outwit, Oulast, Outplay on Survivor suddenly takes on a whole new meaning.
One of the things I've always loved about this book is how King handles the audience as spectators, complicit in this cold-blooded murder of its young boys. When the novel first starts, the spectators are individuals, with faces and genders and ages. As the story progresses, spectators increase in number to "the crowd", loud and cheering, holding signs. By the novel's climax, spectators filled with blood lust have morphed into a raging body of Crowd (with a capital C). It is an amorphous and frightening entity that moves and seethes with singular purpose obsessed with the spectacle, and baying for blood like a hound on the scent. It's chilling because there's such a ring of truth to all of it. Were it to ever happen, this is how it would happen. When King is writing at his best, the devil is always in the details.
Another aspect of the story that has always engaged me is the boys’ compulsion to join the Walk and be complicit in their own execution. I've always wanted to ask King if he meant this story to be an allegory for young boys signing up to die in Vietnam (considering he wrote it as Vietnam was heating up and on the nightly news). I think naivety and ignorance got a lot of the boys to The Walk, including Garraty. I think young people (especially young men) believe themselves to be invincible, that death is not something that can happen to them no matter the odds or circumstances. I'm sure no boy went to Vietnam thinking he would come home in a body bag, though many of them did.
If it's not obvious by now, I could talk about this book until the sun burns itself out, or the zombies rise up. And I haven't even touched upon its possible links to the Dark Tower! Which I will do now under a spoiler tag. If you haven't yet, read this book. If you have a reluctant teen reader in your life, give them this book. If it's been a long time since you've read this book, don't you think it's time to read it again?
The Long Walk and possible links to the DT Universe:
November 5, 2025
Welcome to the short walk (a.k.a. my review).
Don’t worry, I’m not here to kill you—and I don’t grant wishes either.
By the way, would you join Squid Game? Because The Long Walk is quite a similar type of game—though, to be honest, I might be one of the few people who’s only watched one episode of Squid Game, so maybe my comparison is off.
Sudden topic shift.
I’ve heard that Stephen King always starts a book with a single question in mind, one that becomes encoded into the whole story. That’s why whenever I read King, I try to figure out what that original question was. If you’re expecting me to share a guess… I don’t have one. :D
Another sudden topic shift.
Would you participate in The Long Walk?
It might sound strange, but if you read the novel, you’ll probably end up answering that for yourself.
This time, Stephen King plunges us into a dystopian world where young boys compete in a deadly contest called The Long Walk. The rules are simple: walk at six miles per hour or die. The last one standing wins. The prize? Any wish of yours will be granted.
Wait—doesn’t sound that exciting? Just people walking?
Well, yes. But King manages to make us feel every single mile of it. And since it’s a King novel, no one has plot armor. The moment you start sympathizing with a character, he could die the next page.
Throughout the story, the participants confront countless questions—about the people around them, and most of all, themselves. The most frequent one being: Why am I here? Is there really any desire that justifies this torment?
This is a novel about the journey versus the destination. How sometimes the smallest things are what we truly long for. After days of walking, most participants dream only of being able to sit for a few minutes.
Something we—those not in the walk—can do any time we want.
So what could truly drive these young men to join such a horrific challenge, when their whole lives lie ahead of them?
The answer lies within the wish itself:
“Because they want to die.”
Pre-read
I've been wanting to read this book for years, and it's finally in my hands after all those recommendations.
Don’t worry, I’m not here to kill you—and I don’t grant wishes either.
By the way, would you join Squid Game? Because The Long Walk is quite a similar type of game—though, to be honest, I might be one of the few people who’s only watched one episode of Squid Game, so maybe my comparison is off.
Sudden topic shift.
I’ve heard that Stephen King always starts a book with a single question in mind, one that becomes encoded into the whole story. That’s why whenever I read King, I try to figure out what that original question was. If you’re expecting me to share a guess… I don’t have one. :D
Another sudden topic shift.
Would you participate in The Long Walk?
It might sound strange, but if you read the novel, you’ll probably end up answering that for yourself.
This time, Stephen King plunges us into a dystopian world where young boys compete in a deadly contest called The Long Walk. The rules are simple: walk at six miles per hour or die. The last one standing wins. The prize? Any wish of yours will be granted.
Wait—doesn’t sound that exciting? Just people walking?
Well, yes. But King manages to make us feel every single mile of it. And since it’s a King novel, no one has plot armor. The moment you start sympathizing with a character, he could die the next page.
Throughout the story, the participants confront countless questions—about the people around them, and most of all, themselves. The most frequent one being: Why am I here? Is there really any desire that justifies this torment?
This is a novel about the journey versus the destination. How sometimes the smallest things are what we truly long for. After days of walking, most participants dream only of being able to sit for a few minutes.
Something we—those not in the walk—can do any time we want.
So what could truly drive these young men to join such a horrific challenge, when their whole lives lie ahead of them?
The answer lies within the wish itself:
“Because they want to die.”
Pre-read
I've been wanting to read this book for years, and it's finally in my hands after all those recommendations.
September 11, 2025
This is one of those stories that will burrow itself into the deepest regions of your mind and refuse to leave. I bet I’ll think about this ten years from now, when I least suspect it, and it will haunt me as much as it did today when I finished it. I loved every aspect of this novel, from the characters who I equally loved, hated and sympathized with, to the terror-inducing, body-crushing way I felt every step they were taking. Such beautiful characters and relationships developed in such a short amount of time. This feels like a King creation through and through, even if he didn’t realize it himself at the time as he was still finding his footing as a writer. I thought this was brilliant all around.
May 24, 2020
Wow, what a brutal novel! This was my very first Stephen King novel that I picked up during my time in high school but I never got around to finishing it. Now, years later, I decided to pick it up and actually finish and boy was this novel wild. Who knew that you can have such an engaging story with such a simple plot?
Fun fact: this novel inspired a sports event similar to the one in the novel in Sweden with the only difference being you don’t get a bullet to the head for losing. That and you also get 20 minutes of bathroom time.
Fun fact: this novel inspired a sports event similar to the one in the novel in Sweden with the only difference being you don’t get a bullet to the head for losing. That and you also get 20 minutes of bathroom time.
July 17, 2025
Me gustó más la primera vez que lo leí, hace muchísimos años, sobre todo porque no vi lo machistas que eran los personajes y, aún así, me ha fascinado y repugnado a partes iguales.
December 2, 2025
I read this one a very long time ago in a collection of the shorter works that Stephen King produced under the pen name Richard Bachman. I forget the circumstances that led to this pen name, but whether it was the motivation or merely a byproduct I do recall that King mused about the effort in terms of a re-run that would show whether it was skill or mere circumstance that had elevated his works to such bestselling status.
The Bachman books (IIRC) sold well, better than most writers do, but not in the staggering numbers King sells. And when he later claimed them, they sold a lot more.
One important factor in the success of any book - and one that King did not acknowledge, as far as I remember, is the marketing budget.
I know for a fact that my publishers can put any good book at #1 on the Sunday Times Bestseller lists for a week or two. Whether it stays there will depend on quite how commercial a book it is.
And I am pretty damn sure that whilst the Bachman books may not have got the Supermax Plus fanfare, a bunch of money was spent putting them in good spots in bookshops.
............ ANYWAY ..............
I'm a fan of Stephen King (apart from his endings, god love him), and I was a fan of the 5 Bachman books in my single volume collection Thinner (5*), The Running Man (4*), Road Works (3*), Fury (3*) and The Long Walk (5*).
The Long Walk is a very simple and fairly short tale. It does what it says on the tin/cover. It's a long walk. A death march in which several dozen volunteers (all young men) set off walking in a televised national event. Anyone who slows below 4 miles an hour gets 3 warnings and then is shot in the head. The last person walking wins some big prize. It's got a lot of The Hunger Games in it - young people contesting to the death on TV for political reasons. But all the killing is done by soldiers and only if you slow down/leave the course.
The real story is about the lads who volunteered to take part, their backstories, their experience and interactions on the walk, and their deaths. We see it all through the eyes of one competitor, who - and this really isn't a spoiler - lasts a long time in the contest.
It's great character writing in a small space. The source of tension is obvious and relentless. We see the characters under increasing stress as they start to realise they're going to die and their strength fails them.
This is the sort of thing King does best. And the ending is basically written in stone from the start, so it's a rare occasion where S.K sticks the landing pretty well.
Give it a shot.
Join my Patreon
Join my 3-emails-a-year newsletter #prizes
...
The Bachman books (IIRC) sold well, better than most writers do, but not in the staggering numbers King sells. And when he later claimed them, they sold a lot more.
One important factor in the success of any book - and one that King did not acknowledge, as far as I remember, is the marketing budget.
I know for a fact that my publishers can put any good book at #1 on the Sunday Times Bestseller lists for a week or two. Whether it stays there will depend on quite how commercial a book it is.
And I am pretty damn sure that whilst the Bachman books may not have got the Supermax Plus fanfare, a bunch of money was spent putting them in good spots in bookshops.
............ ANYWAY ..............
I'm a fan of Stephen King (apart from his endings, god love him), and I was a fan of the 5 Bachman books in my single volume collection Thinner (5*), The Running Man (4*), Road Works (3*), Fury (3*) and The Long Walk (5*).
The Long Walk is a very simple and fairly short tale. It does what it says on the tin/cover. It's a long walk. A death march in which several dozen volunteers (all young men) set off walking in a televised national event. Anyone who slows below 4 miles an hour gets 3 warnings and then is shot in the head. The last person walking wins some big prize. It's got a lot of The Hunger Games in it - young people contesting to the death on TV for political reasons. But all the killing is done by soldiers and only if you slow down/leave the course.
The real story is about the lads who volunteered to take part, their backstories, their experience and interactions on the walk, and their deaths. We see it all through the eyes of one competitor, who - and this really isn't a spoiler - lasts a long time in the contest.
It's great character writing in a small space. The source of tension is obvious and relentless. We see the characters under increasing stress as they start to realise they're going to die and their strength fails them.
This is the sort of thing King does best. And the ending is basically written in stone from the start, so it's a rare occasion where S.K sticks the landing pretty well.
Give it a shot.
Join my Patreon
Join my 3-emails-a-year newsletter #prizes
...
February 7, 2017
I thought about doing some clever riff on this, maybe describing how it feels to swim 500 yards in a competition (so stuck in my head), or, in light of events this week, how it feels to have a migraine on and off for the last four days. I felt like I could tap into the structure of the telling rather easily, but honestly, it sounded tedious to write.
And that's about where I am with "The Long Walk." Technically, it is written well although it goes to obvious lengths in the beginning to conceal the consequences of the Walk. Written from the perspective of a rather naive teenager, it basically taps into a window of teen life. Garraty's thoughts range back and forth through his history, speculates momentarily on the future, but mostly concentrates on getting through the present with the group of young men he finds are accompanying him.
It's a microcosm of a whole life within the story, so I can understand why some people think it's genius. Honestly, though, I was mostly bored, partially because it centered around so much of what I had already read, themes done rather ad nauseaum by King himself, along with Robert McCannon. I get it guys, I really do. The magical time you got to feel a girl's underwear as you had your hand around her butt. That time you wanted to ostracize the funny-looking skinny kid but didn't, and the time you saw the All-American football boy brought low. The time your mom was overprotective, but you wanted to protect her, and what it was like when your dad wasn't there. How it felt to come up against uncaring authority.
Yeah, yeah, parallels and allusions.
The most interesting thing about this was the 1996 Introduction by Stephen King in which he shares his feelings about his Bachman alter ego and what it was like to have it exposed. Bachman was his chance to play with negative outcomes, the darker, depressing side of humanity. It's pretty clear when you contrast the experience behind this to "Stand By Me," a more hopeful interpretation of older boys on a walk meeting Death. I felt like I would have enjoyed this more when I was fifteen, but I'm reasonably sure I read it then, back when I was in a King phase. He's just not my type.
And that's about where I am with "The Long Walk." Technically, it is written well although it goes to obvious lengths in the beginning to conceal the consequences of the Walk. Written from the perspective of a rather naive teenager, it basically taps into a window of teen life. Garraty's thoughts range back and forth through his history, speculates momentarily on the future, but mostly concentrates on getting through the present with the group of young men he finds are accompanying him.
It's a microcosm of a whole life within the story, so I can understand why some people think it's genius. Honestly, though, I was mostly bored, partially because it centered around so much of what I had already read, themes done rather ad nauseaum by King himself, along with Robert McCannon. I get it guys, I really do. The magical time you got to feel a girl's underwear as you had your hand around her butt. That time you wanted to ostracize the funny-looking skinny kid but didn't, and the time you saw the All-American football boy brought low. The time your mom was overprotective, but you wanted to protect her, and what it was like when your dad wasn't there. How it felt to come up against uncaring authority.
Yeah, yeah, parallels and allusions.
The most interesting thing about this was the 1996 Introduction by Stephen King in which he shares his feelings about his Bachman alter ego and what it was like to have it exposed. Bachman was his chance to play with negative outcomes, the darker, depressing side of humanity. It's pretty clear when you contrast the experience behind this to "Stand By Me," a more hopeful interpretation of older boys on a walk meeting Death. I felt like I would have enjoyed this more when I was fifteen, but I'm reasonably sure I read it then, back when I was in a King phase. He's just not my type.
May 18, 2025
This was my second time reading this book—and after watching the trailer for the upcoming movie, I just had to revisit it. I wanted to reconnect with Garrethy, McVries, and the 98 other boys on The Long Walk.
This story runs deep. It’s packed with emotion, psychological tension, and moments that stay with you long after you finish. Honestly, it’s brilliant.
I’m so glad it’s getting the attention it deserves again. A powerful read that’s definitely worth the comeback.
This story runs deep. It’s packed with emotion, psychological tension, and moments that stay with you long after you finish. Honestly, it’s brilliant.
I’m so glad it’s getting the attention it deserves again. A powerful read that’s definitely worth the comeback.
January 28, 2020
I loved this story when I read it. It was compelling. It's one of two novellas that was written by Richard Bachman that I like. This one gets it right.
It's brutal, but it was a foreshadowing of where our culture was heading. Not that we do things to the death yet, but these extreme competitions or reality shows are like this. I didn't have it in my GR and now I do.
It's brutal, but it was a foreshadowing of where our culture was heading. Not that we do things to the death yet, but these extreme competitions or reality shows are like this. I didn't have it in my GR and now I do.
May 2, 2021
I had a difficult time enjoying this one. It started out good but then it fizzled out for me. The story could have been shorter by 100 pages and paced along slowly. After Stephen King filled in the plot, the rules of the 'walk', and began to introduce the characters the story lagged. I have enjoyed other Stephen King stories tremendously but this one fell short. Thanks!
August 10, 2021
4.5 Stars ⭐️ Buddy read with my dear friend, Vickie! 💕
This book killed my plantar fasciitis!
Chapter 8 has this old children’s rhyme we used to sing
This book was not what I was expecting and it broke my damn heart. I still don’t know the reason behind all of this craziness!
I loved the majority of these boys and damn it to hell, someone explain that ending!!
Mel 🖤🐶🐺🐾
This book killed my plantar fasciitis!
Chapter 8 has this old children’s rhyme we used to sing
"Three-six-nine, the goose drank wine
The monkey chewed tobacco on the streetcar line
The line broke
The monkey got choked
And they all went to Heaven in a little rowboat….
—Children’s rhyme
This book was not what I was expecting and it broke my damn heart. I still don’t know the reason behind all of this craziness!
I loved the majority of these boys and damn it to hell, someone explain that ending!!
Mel 🖤🐶🐺🐾
November 19, 2025
Брутална антиутопия, повечето книги в жанра са като детски залъгалки в сравнение с нея!
Шапки долу пред Краля!
Шапки долу пред Краля!
March 8, 2020
The first published novel by Stephen King was Carrie in 1974, but the first he wrote was The Long Walk, begun his freshman year at the University of Maine in 1966 and sneaked onto the mass paperback market in 1979 under the pseudonym of "Richard Bachman." Outed at the apex of his fame, King had this novella and three others he'd released under his alias republished in 1985 as The Bachman Books. Like much of King's early work, The Long Walk lacks finishing, as if the story was filed by a reporter racing against a deadline, but is compulsively readable and appropriately nihilistic for a young man writing as the U.S. war machine began chewing up and spitting out boys in Southeast Asia.
Set in an unspecified future, the story introduces 16-year-old Ray Garraty, a local boy from Pownal whose mother drops him off at a guarded parking lot near the Maine/Canada border in the early morning hours of May 1. Garraty joins ninety-nine other boys assembling to participate in an annual event known as the Walk. He quickly befriends a walker named Peter McVries, who later tells Garraty that he joined the contest in a post-breakup funk. Their group expands to include Art Baker, a Louisiana boy from a family of morticians and Hank Olson, who's cocky and full of information about the Walk.
The object of the Walk is to maintain a pace of 4 miles an hour. Walkers who fall under that speed or stop walking for more than 30 seconds are given a verbal warning, which they can repeal by walking one hour without another warning. Three warnings results in "buying a ticket." As the event gets under way, it becomes clear to the reader that "buying a ticket" means death by hail of gunfire from the soldiers who monitor the event from aboard halftracks, and a revered national figure known as The Major who often joins the event to supervise. The Walk continues until there is only one walker alive. The reward is The Prize, anything that walker wants for the rest of his life.
"I have no idea what I'll want if I do win this," McVries said. "There's nothing I really need. I mean, I don't have a sick old mother sitting at home or a father on a kidney machine, or anything. I don't even have a little brother dying gamely of leukemia." He laughed and unstrapped his canteen.
"You've got a point there," Garraty agreed.
"You mean I don't have a point there. The whole thing is pointless."
"You don't really mean that," Garraty said confidently. "If you had to do it all over again--"
"Yeah, yeah, I'd still do it, but--"
"Hey!" The boy ahead of them, Pearson, pointed. "Sidewalks!"
They were finally coming into the town proper. Handsome houses set back from the road looked down at them from the vantage of ascending green lawns. The lawns were crowded with people, waving and cheering. It seemed to Garraty that almost all of them were sitting down. Sitting on the ground, on lawn chairs like the old men back at the gas station, sitting on picnic tables. Even sitting on swings and porch gliders. He felt a touch of jealous anger.
Go ahead and wave your asses off. I'll be damned if I'll wave back anymore. Hint 13. Conserve energy whenever possible.
But finally he decided he was being foolish. People might decide he was getting snotty. He was, after all, "Maine's Own." He decided he would wave to all the people with GARRATY signs. And to all the pretty girls.
Other contestants slip in and out of Garraty's circle. Stebbins is a skinny boy wearing a bright green sweater and purple pants who keeps to himself but seems to have the most information on how to survive the Walk. Barkovitch is a loudmouth ostracized by the others after he instigates a fight with another walker that results in that boy buying a ticket. Scramm is much more likable despite being the Vegas favorite to win the Walk due to his athletic stamina but draws the bemusement of his peers when he reveals that he has a young wife at home. Spectators come from all over the nation to watch from the roadside.
Garraty is determined to stay in the walk to reach his hometown, where his girlfriend Jan and his mother will be waiting to cheer him on. Thirsty walkers can ask the soldiers for a fresh canteen of water, but once they eat the lunches they started with and finish the concentrates they're provided, go without food. Only four boys are shot in the first eight and a half hours and as darkness falls, most of the contestants figure out how to half-walk and half-doze. One of the boys develops an unfortunate case of diarrhea. A steep grade in the road 12 hours into the Walk earns three boys a ticket. Soles of shoes come off. Then walkers start to lose their minds.
"I can't walk much further," Olson croaked. His face was a white blur in the darkness. No one answered him.
The darkness. Goddam the darkness. It seemed to Garraty they had been buried alive in it. Immured in it. Dawn was a century away. Many of them would never see the dawn. Or the sun. They were buried six feet deep in the darkness. All they needed was the monotonous chanting of the priest, his voice muffled but not entirely obscured by the new-packed darkness, above which the mourners stood. The mourners were not even aware that they were here, they werealive, they were screaming, and scratching and clawing at the coffin-lid darkness, the air was flaking and rusting away, the air was turning into poison gas, hope fading until hope itself was a darkness, and above all of it the nodding, chapel-bell voice of the priest and the impatient, shuffling feet of mourners anxious to be off into the warm May sunshine. Then, overmastering that, the sighing, shuffling chorus of the bugs and beetles, squirming their way through the earth, come for the feast.
I could go crazy, Garraty thought. I could go right the fuck off my rocker.
My first reaction, as I found myself up late totally absorbed in the storytelling, is that The Long Walk is a tremendous work of white-knuckled suspense. There's not a boring page in it. King has a natural ability to make his characters instantly relatable as human beings. Their thoughts and fears are a real boy's thoughts and fears, not characters acting out a plot. He also has a gift for throwing his reader into the cogs of whatever nightmare he's constructed, one from which there's no escape. The world is reduced to very stark terms. Stop walking, you die. Leave the road, you die.
There were no warnings. Percy had forfeited his right to them when his right foot passed over the verge of the shoulder. Percy had left the road, and the soldiers had known all along. Old Percy What's-His-Name hadn't been fooling anybody. There was one sharp, clean report, and Garraty jerked his eyes from Percy to the soldier standing on the back deck of the halftrack. The soldier was a sculpture in clean, angular lines, the rifle nestled into the hollow of his shoulder, his head half-cocked along the barrel.
Then his head swiveled back to Percy again. Percy was a real show, wasn't he? Percy was standing with both his feet on the weedy border of the pine forest now. He was as frozen and has sculpted as the man who had shot him. The two of them together would have been a subject for Michaelangelo, Garraty thought. Percy stood utterly still under a blue springtime sky. One hand was pressed to his chest, like a poet about to speak. His eyes were wide, and somehow ecstatic.
A bright seepage of blood ran through his fingers, shining in the sunlight. Old Percy What's-Your-Name. Hey Percy, your mother's calling. Hey Percy, does your mother know you're out? Hey Percy, what kind of silly sissy name is that, Percy. Percy, aren't you cute? Percy transformed into a bright, sunlit Adonis counterpointed by the savage, duncolored huntsman. And one, two, three coin-shaped splatters of blood fell on Percy's travel-dusty black shoes, and all of it happened in a space of only three seconds. Garraty did not even take two full steps and he was not warned, and oh Percy, what is your mother going to say? Do you, tell me, do you really have the nerve to die?
I saw this story as a parable for Vietnam through and through, with the sheer pointlessness of what the boys had signed up for not dawning on them until it was too late. There's a recurrent desire in many of the young men to take on the world, to sign up and join a cause bigger than themselves or the towns they come from. The bonds they form in the foxhole felt like a war story. My criticism of The Long Walk is that there's too much talking to make this a believable war story, given the grueling nature of the walk once it gets going. I don't know if an internalized version of this story would've been any better, though, considering how gripping the final product turned out.
Length: 84,610 words
Set in an unspecified future, the story introduces 16-year-old Ray Garraty, a local boy from Pownal whose mother drops him off at a guarded parking lot near the Maine/Canada border in the early morning hours of May 1. Garraty joins ninety-nine other boys assembling to participate in an annual event known as the Walk. He quickly befriends a walker named Peter McVries, who later tells Garraty that he joined the contest in a post-breakup funk. Their group expands to include Art Baker, a Louisiana boy from a family of morticians and Hank Olson, who's cocky and full of information about the Walk.
The object of the Walk is to maintain a pace of 4 miles an hour. Walkers who fall under that speed or stop walking for more than 30 seconds are given a verbal warning, which they can repeal by walking one hour without another warning. Three warnings results in "buying a ticket." As the event gets under way, it becomes clear to the reader that "buying a ticket" means death by hail of gunfire from the soldiers who monitor the event from aboard halftracks, and a revered national figure known as The Major who often joins the event to supervise. The Walk continues until there is only one walker alive. The reward is The Prize, anything that walker wants for the rest of his life.
"I have no idea what I'll want if I do win this," McVries said. "There's nothing I really need. I mean, I don't have a sick old mother sitting at home or a father on a kidney machine, or anything. I don't even have a little brother dying gamely of leukemia." He laughed and unstrapped his canteen.
"You've got a point there," Garraty agreed.
"You mean I don't have a point there. The whole thing is pointless."
"You don't really mean that," Garraty said confidently. "If you had to do it all over again--"
"Yeah, yeah, I'd still do it, but--"
"Hey!" The boy ahead of them, Pearson, pointed. "Sidewalks!"
They were finally coming into the town proper. Handsome houses set back from the road looked down at them from the vantage of ascending green lawns. The lawns were crowded with people, waving and cheering. It seemed to Garraty that almost all of them were sitting down. Sitting on the ground, on lawn chairs like the old men back at the gas station, sitting on picnic tables. Even sitting on swings and porch gliders. He felt a touch of jealous anger.
Go ahead and wave your asses off. I'll be damned if I'll wave back anymore. Hint 13. Conserve energy whenever possible.
But finally he decided he was being foolish. People might decide he was getting snotty. He was, after all, "Maine's Own." He decided he would wave to all the people with GARRATY signs. And to all the pretty girls.
Other contestants slip in and out of Garraty's circle. Stebbins is a skinny boy wearing a bright green sweater and purple pants who keeps to himself but seems to have the most information on how to survive the Walk. Barkovitch is a loudmouth ostracized by the others after he instigates a fight with another walker that results in that boy buying a ticket. Scramm is much more likable despite being the Vegas favorite to win the Walk due to his athletic stamina but draws the bemusement of his peers when he reveals that he has a young wife at home. Spectators come from all over the nation to watch from the roadside.
Garraty is determined to stay in the walk to reach his hometown, where his girlfriend Jan and his mother will be waiting to cheer him on. Thirsty walkers can ask the soldiers for a fresh canteen of water, but once they eat the lunches they started with and finish the concentrates they're provided, go without food. Only four boys are shot in the first eight and a half hours and as darkness falls, most of the contestants figure out how to half-walk and half-doze. One of the boys develops an unfortunate case of diarrhea. A steep grade in the road 12 hours into the Walk earns three boys a ticket. Soles of shoes come off. Then walkers start to lose their minds.
"I can't walk much further," Olson croaked. His face was a white blur in the darkness. No one answered him.
The darkness. Goddam the darkness. It seemed to Garraty they had been buried alive in it. Immured in it. Dawn was a century away. Many of them would never see the dawn. Or the sun. They were buried six feet deep in the darkness. All they needed was the monotonous chanting of the priest, his voice muffled but not entirely obscured by the new-packed darkness, above which the mourners stood. The mourners were not even aware that they were here, they werealive, they were screaming, and scratching and clawing at the coffin-lid darkness, the air was flaking and rusting away, the air was turning into poison gas, hope fading until hope itself was a darkness, and above all of it the nodding, chapel-bell voice of the priest and the impatient, shuffling feet of mourners anxious to be off into the warm May sunshine. Then, overmastering that, the sighing, shuffling chorus of the bugs and beetles, squirming their way through the earth, come for the feast.
I could go crazy, Garraty thought. I could go right the fuck off my rocker.
My first reaction, as I found myself up late totally absorbed in the storytelling, is that The Long Walk is a tremendous work of white-knuckled suspense. There's not a boring page in it. King has a natural ability to make his characters instantly relatable as human beings. Their thoughts and fears are a real boy's thoughts and fears, not characters acting out a plot. He also has a gift for throwing his reader into the cogs of whatever nightmare he's constructed, one from which there's no escape. The world is reduced to very stark terms. Stop walking, you die. Leave the road, you die.
There were no warnings. Percy had forfeited his right to them when his right foot passed over the verge of the shoulder. Percy had left the road, and the soldiers had known all along. Old Percy What's-His-Name hadn't been fooling anybody. There was one sharp, clean report, and Garraty jerked his eyes from Percy to the soldier standing on the back deck of the halftrack. The soldier was a sculpture in clean, angular lines, the rifle nestled into the hollow of his shoulder, his head half-cocked along the barrel.
Then his head swiveled back to Percy again. Percy was a real show, wasn't he? Percy was standing with both his feet on the weedy border of the pine forest now. He was as frozen and has sculpted as the man who had shot him. The two of them together would have been a subject for Michaelangelo, Garraty thought. Percy stood utterly still under a blue springtime sky. One hand was pressed to his chest, like a poet about to speak. His eyes were wide, and somehow ecstatic.
A bright seepage of blood ran through his fingers, shining in the sunlight. Old Percy What's-Your-Name. Hey Percy, your mother's calling. Hey Percy, does your mother know you're out? Hey Percy, what kind of silly sissy name is that, Percy. Percy, aren't you cute? Percy transformed into a bright, sunlit Adonis counterpointed by the savage, duncolored huntsman. And one, two, three coin-shaped splatters of blood fell on Percy's travel-dusty black shoes, and all of it happened in a space of only three seconds. Garraty did not even take two full steps and he was not warned, and oh Percy, what is your mother going to say? Do you, tell me, do you really have the nerve to die?
I saw this story as a parable for Vietnam through and through, with the sheer pointlessness of what the boys had signed up for not dawning on them until it was too late. There's a recurrent desire in many of the young men to take on the world, to sign up and join a cause bigger than themselves or the towns they come from. The bonds they form in the foxhole felt like a war story. My criticism of The Long Walk is that there's too much talking to make this a believable war story, given the grueling nature of the walk once it gets going. I don't know if an internalized version of this story would've been any better, though, considering how gripping the final product turned out.
Length: 84,610 words
October 16, 2017
Direct and relentless, like the best of Poe’s work.
Edgar Allan Poe’s work was characterized by one simple concept and a brutal and undeviating delivery. The “Cask of Amontillado” was an inevitable march to the bricking up of the victim. “The Tell-Tale Heart” was unescapable towards its conclusion. Foreshadowing and an inexorable conclusion marked the horrific legend of the “Fall of the House of Usher”.
Like Poe, King took a devilishly simple idea and delivered one of his strongest works, but lean and muscular in its vibrancy.
The Long Walk was one of King’s earliest writings, put together long before its 1979 publication. The word on the Bachman pseudonym was that early publishers did not want him putting out too many at a time so he created the alter ego to be able to sell more books. Interestingly, King noted that the books he had slated for publication under the Bachman name took a different, darker tone. Such a statement from Stephen King is marked with ominous forebodings.
Set in an alternate history, near future dystopian society ruled by an autocratic leader called “The Major”, 100 contestants, all young men, begin a walk in Maine. The rules are simple: walk and maintain a pace or the walker is given a warning. Thirty seconds later, he is given a second warning. Thirty seconds later he is given a third warning. If he has not returned to his pace after this last warning – he is shot. They keep walking until only one is left.
The Hunger Games was published in 2008. This idea of young people being ritualistically killed in a game like setting has been a popular concept for some time and in many genres. In an oblique way, readers could also compare this to William Goldings’ masterful 1954 novel Lord of the Flies. King is on to a primal notion. Young people dying for an obscure and artificial context could be a metaphor for war, or for any obsequious and unquestioning submission to government power.
King also creates a nebulous and faceless character of The Crowd. Lining the road throughout the miles and days of the walk are hundreds, thousands, of well-wishers and fans. King depicts a culture where the Long Walk is the national pass time, where contestants are cheered and honored, like gladiators in Rome. This faceless personification is reminiscent of David Lean’s excellent portrayal of the same phenomena in his 1948 film Oliver Twist.
Most of the dialogue in the novel is made between the walkers. As they walk, and die, and grow fatigued, and die, and continue walking, their conversations reveal a microcosm of life and of philosophy and of what is important to each of them in this final journey for all but one.
Shocking in its ruthless exactitude, provocative in its composition, this very early work displays King’s vast talent.
Edgar Allan Poe’s work was characterized by one simple concept and a brutal and undeviating delivery. The “Cask of Amontillado” was an inevitable march to the bricking up of the victim. “The Tell-Tale Heart” was unescapable towards its conclusion. Foreshadowing and an inexorable conclusion marked the horrific legend of the “Fall of the House of Usher”.
Like Poe, King took a devilishly simple idea and delivered one of his strongest works, but lean and muscular in its vibrancy.
The Long Walk was one of King’s earliest writings, put together long before its 1979 publication. The word on the Bachman pseudonym was that early publishers did not want him putting out too many at a time so he created the alter ego to be able to sell more books. Interestingly, King noted that the books he had slated for publication under the Bachman name took a different, darker tone. Such a statement from Stephen King is marked with ominous forebodings.
Set in an alternate history, near future dystopian society ruled by an autocratic leader called “The Major”, 100 contestants, all young men, begin a walk in Maine. The rules are simple: walk and maintain a pace or the walker is given a warning. Thirty seconds later, he is given a second warning. Thirty seconds later he is given a third warning. If he has not returned to his pace after this last warning – he is shot. They keep walking until only one is left.
The Hunger Games was published in 2008. This idea of young people being ritualistically killed in a game like setting has been a popular concept for some time and in many genres. In an oblique way, readers could also compare this to William Goldings’ masterful 1954 novel Lord of the Flies. King is on to a primal notion. Young people dying for an obscure and artificial context could be a metaphor for war, or for any obsequious and unquestioning submission to government power.
King also creates a nebulous and faceless character of The Crowd. Lining the road throughout the miles and days of the walk are hundreds, thousands, of well-wishers and fans. King depicts a culture where the Long Walk is the national pass time, where contestants are cheered and honored, like gladiators in Rome. This faceless personification is reminiscent of David Lean’s excellent portrayal of the same phenomena in his 1948 film Oliver Twist.
Most of the dialogue in the novel is made between the walkers. As they walk, and die, and grow fatigued, and die, and continue walking, their conversations reveal a microcosm of life and of philosophy and of what is important to each of them in this final journey for all but one.
Shocking in its ruthless exactitude, provocative in its composition, this very early work displays King’s vast talent.
December 9, 2013
Every year, 100 boys take part in a nightmarish pilgrimage called The Long Walk, the winner receiving The Prize and a ton of cash. Ray Garraty is one of the contestants. Will he win The Prize or be one of the ninety-nine dead boys on the road?
Wow. And I thought the six mile hike I went on in October was rough. Imagine walking non-stop, day and night, and getting shot if you stop too long? That's the horror of The Long Walk.
The Long Walk takes place in a slightly different reality, where Germany had a nuclear reactor in Santiago in 1953, and where the Major runs a spectacle ever year, The Long Walk. The Long Walk seems like an ancestor of The Hunger Games in some ways, although the Long Walk seems to be voluntary.
Unlike the Hunger Games, this book is pretty brutal. Imagine having to go to the bathroom in front of a crowd of spectators while continuously walking. And never being able to sleep. And seeing people gunned down in front of you after they've been warned three times. Like I said, pretty brutal.
As usual, Stephen King crafts an interesting cast. Garraty, McVries, Stebbins, Barkovitch, Scramm, the list is pretty long for a short book. Part of the brutality is that you don't know whose ticket is going to get punched next.
I really wanted to give this a five but I couldn't. My lone problem with this one was the dialogue. So many of the boys sounded like they were in their twenties or thirties rather than being teenagers. Usually, I find King's dialogue a lot more realistic but it pulled me out of the story a few times.
4.5 out of 5. I'm going to track down more of these Bachman books of King's now.
Wow. And I thought the six mile hike I went on in October was rough. Imagine walking non-stop, day and night, and getting shot if you stop too long? That's the horror of The Long Walk.
The Long Walk takes place in a slightly different reality, where Germany had a nuclear reactor in Santiago in 1953, and where the Major runs a spectacle ever year, The Long Walk. The Long Walk seems like an ancestor of The Hunger Games in some ways, although the Long Walk seems to be voluntary.
Unlike the Hunger Games, this book is pretty brutal. Imagine having to go to the bathroom in front of a crowd of spectators while continuously walking. And never being able to sleep. And seeing people gunned down in front of you after they've been warned three times. Like I said, pretty brutal.
As usual, Stephen King crafts an interesting cast. Garraty, McVries, Stebbins, Barkovitch, Scramm, the list is pretty long for a short book. Part of the brutality is that you don't know whose ticket is going to get punched next.
I really wanted to give this a five but I couldn't. My lone problem with this one was the dialogue. So many of the boys sounded like they were in their twenties or thirties rather than being teenagers. Usually, I find King's dialogue a lot more realistic but it pulled me out of the story a few times.
4.5 out of 5. I'm going to track down more of these Bachman books of King's now.
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