I have always loved things too much. Whether it be The Sound of Music when I was a toddler, Harry Potter when I was eleven, emo music when I was thirteen, or books... always... I've been obsessing since I was young. BBC's Sherlock was no exception to my unadulterated obsession when I discovered it. I had Sherlock t-shirts, a Sherlock phone case, a Sherlock tumblr blog, Sherlock mugs, Sherlock totebags, and even a Sherlock charm bracelet at one point. Everyone at school knew me as the Sherlock/Benedict Cumberbatch/weird walking-tumblr girl. When I was fourteen, for my birthday, I met Benedict Cumberbatch and I stopped breathing for longer than is healthy when I saw his hair.
All this to say, when I saw this book and read the synopsis, I knew I needed to read it, despite not being a big fan of nonfiction. And I was not disappointed.
Carvan details the experience, the particularly feminine experience, of losing ourselves as we grow older. Of shedding the things we love so as to not be looked down upon by society - "you're an adult now, no need for the boyband posters" - "aren't you too old for children's books?" - "you must have a lot of free time if that's your hobby". And her dissection of this, paired with her own hilarious and witty anecdotes about her love of Benedict Cumberbatch, made for a book I devoured almost in one sitting.
This book tackles all the things you're afraid of, or at least, I was - being out and proud about something "embarrassing" that you love, a "guilty pleasure", is hard. Carvan explores this with painstaking accuracy, the fear and self-loathing of loving something but not wanting to be the "crazy fangirl", or the "weird woman" who likes something peculiar. The sheer joy of finding your "thing", but then realising the world has far too many opinions. As Carvan says, "when you're a girl who really loves a thing, it's never just about you and your thing. Everyone else makes it their problem".
I think there's something for everyone in this book because everyone knows what it's like to really love something. Like, how you felt when you were thirteen and saw One Direction live, or the way waiting outside the bookstore for the next Shadowhunters instalment to release was the most exciting thing in the world. And Carvan is right - we, especially women, have this habit of being convinced to grow out of our passions because they're not something that fits with society's idea of a grown-up woman. The exploration of how gender affects our interaction with things we love hit incredibly close to home, and I felt I understood myself and the world better as a consequence after reading this book.
I felt this especially when I started university (yes welcome to an anecdote hi nice to have you). I studied creative writing, hoping to find a home where I could safely geek out about my favourite books and my true passion, young adult fiction. I loved reading it, I loved writing it, and I couldn't wait to express that. But slowly I realised that I was in academia now - that genres like YA and romance and fantasy were lowbrow, and instead I should be reading - strangely - a lot of Gabriel García Márquez. A lot of this judgement came from male classmates (who are always, funnily enough, the loudest), as well as male lecturers - but it also came from other women around me, who so effortlessly tore down the - female-dominated - genres and industries I loved. And so I too scorned my own favourite books, laughed and said "hahah isn't it so funny I used to read so much YA fiction lol now I'm reading Truman Capote LOVE ME PLEASE". I read just eight books in my first year of uni, as opposed to the 100 I read when I was 15.
Since, I actually managed to follow a similar journey to that which Carvan follows in her book - I slowly reintegrated YA fiction back into my life (but of course on the downlow - Virginia Woolf in my tote bag at uni, but Cassandra Clare in my bedside table draw). When the pandemic hit, and everything was stripped away, I started reading. A lot. And suddenly, I wanted to talk about it, and I found people wanting to listen, and lo and behold, I started my bookstagram page, which is now one of the great joys of my life.
And Carvan is entirely right - loving something is the best thing in the world. Being passionate, being invested, gives your life a whole new light. Now, when people ask what I read, I'm not ashamed or embarrassed to admit what I love. I'm not alone, and even more importantly, I'm happier. I carry my historical romances with raunchy covers to the office, I read my YA fantasies on the bus without a care. I like to think that someone will see, and will realise that it's okay for them to do the same.
I think this book is akin to a big hug that tells you it's okay to be you and be you out loud, but also explains WHY that's the case. In fact, it's more than okay - it's actually the best way to be. It reminded me, in a way I sorely needed, that I don't need to laugh off my interests when I feel embarrassed by them (which, unfortunately, I still sometimes do). I'm allowed to love them! And you are too! I think back to the fourteen-year-old girl who wore an "Obsessive Cumberbatch Disorder" t-shirt and hugged Benedict Cumberbatch and then splashed the picture all over every social media page I had, and now, I'm in awe of her bravery.
If there are two things I learned from this book, the first one is that it is beautiful and necessary to follow the things that bring you joy and pursue them out loud. The second is that Benedict Cumberbatch can truly transform lives (which I already knew - ask fourteen-year-old Lily).