Bauhaus, a graphic novel, tells a compelling story about the movement's birth, life, death, and afterlife. Grande makes a unique decision in assigning the narrator's role to the spirit of Bauhaus. I must admit that it was not until halfway through my initial read of the book that I realized this, and I spent quite a bit of time both fascinated and confused. However, my frustration did not cause me to give up reading, due to Grande's unique voice paired with Varbella's stunning illustrations. Upon finishing the book, I set it down for a week, and as I could not stop thinking about it, I read it again. If you are able to keep an open mind when it comes to explaining something as abstract as an artistic movement, I highly recommend this book.
Grande provides Bauhaus with an alluring and rolling tone. Lines such as "...and the silence becomes a refuge for memories. In the beauty and the pain of having been and now no longer being" (page 10) lull the reader into the sorrowful yet poetic environment of post-World War I Germany. The character of Bauhaus develops and matures throughout the story, often referencing its age and other personifying attributes. However, practical principles are presented in a very straightforward tone, such as on page 43 where Walter remarks on how students would be taught by two masters, "one will teach them the manual practice, and the other the beauty of form." The dialogue combined with Marbella's witty Bauhaus-esque illustrations provide a deeper understanding of the artistic movement's roots.
Varbella's illustrations demonstrate a true mastery of color with her ability to go from muted tones to explosive hues. Both the abstract and literal interpretations put the viewer in the visual mindset of the Bauhaus. Her range of styles reflects the change in Bauhaus' identity over time as well as its reaction to the confining walls built to restrain it.
While the story may not be the best for someone unfamiliar with Bauhaus, an unfamiliar reader is able to use the book as a guideline for future study with its references to dates, times, and people and their relations to each other.
Brief introductions to different members and influential figures of the movement at a rather fast rate but still manage to communicate the soul of each individual introduced. For example, page 80 features the painter Wassily Kandinsky, and attributes the movement's associations of colors with shapes, and shapes with weight and sound to him and then goes on to continue to question the very ideas Kandinsky is proposing. Interactions like this between the movement and its founders show the maturing of the artistic style as it learns and grows.
The attention given to the shaping of Bauhaus takes one in contact with a variety of artists and ideas. One of my favorites was Weimar student and Dessau instructor Herbert Bayer's desire for democratization leading him to propose the elimination of capital letters, with the rather convincing line of dialogue "Why write in capital letters when you cannot speak in capital letters?" (page 87).
Grande references the rise of the Nazi party as a blindside to the movement, even though Bauhaus already experienced the effects of Germany's growing conservatism leading up to WWII. On page 94, Bauhaus notes that "it's the repetition of the farce that leads to tragedy. This ultimate showdown between abstractions and reality provides a halting look at the movement in relation to real-world politics.
In terms of its summarization of Bauhaus' lessons? Grande's quick quips of dialogues summarize it in a convenient and poetic way. On page 56, Bauhaus remarks on its departure from Weimar in 1925 with the line "...your freedom is frightening for them."