Three unconnected stories featuring the Ninth Doctor before he meets Rose. All take place on Earth, with two in the present day, and one in the past.
Station to Station – The first episode is a creepy ghost story set at an unstaffed train station in the middle of nowhere at the dead of night. The Doctor and companion stand-in Saffron find themselves unable to leave as something apparently supernatural is stalking them, slowly discovering that others may also be trapped here. For people of a certain age, it’s hard to avoid parallels with “Serial 2” of Sapphire and Steel, although that is good company to be in – and this, of course, is much shorter. However, while that was about unjust death, here the theme of the story is being in transit, whether physically or emotionally, for which the station is an obvious metaphor.
The mood and the way the characters are portrayed work well, and Saffron’s backstory adds to the emotional backdrop.
If there’s a weakness, however, it’s that it’s often difficult to work out what’s going on when characters aren’t simply talking. The layout of the railway station is obvious because we’re very familiar with those and the fact that we’re on audio is no limitation there. But what exactly are people seeing when they see the ‘monster’ and what is it doing? These points are unclear, although the former is at least on the cover; it’s the kind of thing that would be irrelevant on TV, but that needs more explanatory dialogue when you lack the visuals. Still, this isn’t enough to seriously detract from the wider tale. 4 stars.
The False Dimitri – The historical story is based loosely on the real events surrounding the eponymous False Dimitri, a pretender who seized the Russian throne in 1605 by claiming to be the late son of Ivan the Terrible. However, the real story has been twisted almost out of recognition, and not just because here, it turns out to have something to do with aliens. Most notably, the historical eleven-month reign is reduced to less than 48 hours, replacing a considerable period of disruption with a brief hiccup.
More seriously, the story lacks credibility, with the Doctor easily able to interrupt major affairs of state without guards making more than a token effort to stop him and walking into invading armies as if there are no more than two or three people present. This, as with the contraction of historical events, makes the whole thing move along more quickly. Yes, this means it can fit into the allotted hour of the episode without stretching things out to a four-part Hartnell historical... but it also makes it hard to suspend disbelief. On the plus side, the way that the aliens are able to pass themselves off as Polish does work well and is potentially interesting, even if the story doesn't do much with it. 3 stars.
Auld Lang Syne – An extended family rents out a country house for one night on New Year’s Eve 1989 unaware of its reputation for being haunted. Superficially, this is similar to the first story in the collection, but the tone and focus are both very different. There are some creepy moments, certainly, but the story is mainly about the family, in particular the relationship between the young woman renting the house and her acerbic great-aunt.
The Doctor pops in and out of the story seemingly at random, an almost magical figure seen here through the eyes of others rather than being the central protagonist. He’s present too much for this to be a “Doctor-lite” story, however, and time travel plays a central role, albeit not in the usual way. Like some of the stories from Eccleston’s TV run, this contrasts an ordinary mundane life with something special, strange, and occasionally scary, taking place at one particular time of year. There are some strong emotional beats along the way in a low-key low-stakes story that’s nonetheless both enjoyable and relatable. 5 stars.