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The Year: 2020
This anthology seeks to provide a service. Our world moves at an increasingly rapid pace; words and memories become disposable, and we often find ourselves stopping to ask, “How did we get here?”
This book serves as a record of our world as it changed. 2020 was a notable year in many aspects. From politics to environmental concerns, the world was irrevocably altered. This book contains poetry and prose dedicated to these vast, sweeping topics, alongside tales of personal struggles and triumphs.
The overall tone of this collection is a reminder that changes never occur in a vacuum. The details of our daily lives are affected by the broad societal changes around us, and vice versa. Even where cause and effect may be veiled, there is always connection.
This book serves as a record of our world as it changed. 2020 was a notable year in many aspects. From politics to environmental concerns, the world was irrevocably altered. This book contains poetry and prose dedicated to these vast, sweeping topics, alongside tales of personal struggles and triumphs.
The overall tone of this collection is a reminder that changes never occur in a vacuum. The details of our daily lives are affected by the broad societal changes around us, and vice versa. Even where cause and effect may be veiled, there is always connection.
168 pages, Paperback
First published July 20, 2021
4 people want to read
About the author
Kerri Farrell Foley
23 books19 followersKerri writes for the same reason that she picks scabs and rearranges furniture at midnight.
There. That’s the compulsory smart-ass writer bio that everyone seems to have in their arsenal these days. Someday I’ll figure out why these evasive and cryptic statements have become so popular. If I had to dig down into the dark depths of my seldom-used psych degree to search for an answer, I’d guess that we keep it vague because writers like to keep readers at arm’s length. Tell them something intriguing, but not personal, right? Because God forbid we get personal. Follow up this tell-little, confess-less quip with a quick list of publication credits and ‘poof!’ I’ve got myself a bio.
But since you’ve clearly stumbled into my shadowy little corner of the internet, perhaps you’re entitled to a bit more information in return for your bravery. So here goes…
I write fiction, poetry, and drama because those have been the driving forces of my emotional life. I find solace in poetry, sense in drama, and escape in fiction. I read simply in order to survive a world that I find increasingly perplexing. I write in the hopes to add to the discourse that seeks to solve the puzzles. So that’s what I do. I read, I write, and repeat.
I also edit. In 2011, I founded Crack the Spine Literary Magazine because I discovered that when it comes to the lit world, I have precisely one talent. I’m not the best writer… not by any stretch. I’m not the most concise reviewer or the flawless proofreader. What I am, the one thing I can do, is identify what people want to read, and more often than not, what people need to read. So that’s how CTS started. A forum to find and publish poetry, fiction, and essays that were necessary. To give a home to lost words. This project has become my life’s work and my constant obsession.
There. That’s the compulsory smart-ass writer bio that everyone seems to have in their arsenal these days. Someday I’ll figure out why these evasive and cryptic statements have become so popular. If I had to dig down into the dark depths of my seldom-used psych degree to search for an answer, I’d guess that we keep it vague because writers like to keep readers at arm’s length. Tell them something intriguing, but not personal, right? Because God forbid we get personal. Follow up this tell-little, confess-less quip with a quick list of publication credits and ‘poof!’ I’ve got myself a bio.
But since you’ve clearly stumbled into my shadowy little corner of the internet, perhaps you’re entitled to a bit more information in return for your bravery. So here goes…
I write fiction, poetry, and drama because those have been the driving forces of my emotional life. I find solace in poetry, sense in drama, and escape in fiction. I read simply in order to survive a world that I find increasingly perplexing. I write in the hopes to add to the discourse that seeks to solve the puzzles. So that’s what I do. I read, I write, and repeat.
I also edit. In 2011, I founded Crack the Spine Literary Magazine because I discovered that when it comes to the lit world, I have precisely one talent. I’m not the best writer… not by any stretch. I’m not the most concise reviewer or the flawless proofreader. What I am, the one thing I can do, is identify what people want to read, and more often than not, what people need to read. So that’s how CTS started. A forum to find and publish poetry, fiction, and essays that were necessary. To give a home to lost words. This project has become my life’s work and my constant obsession.
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