**Many thanks to Edelweiss, Maudee Genao at Atria, and Will Dean for a DRC of this book in exchange for an honest review! Now available as of 7.5!**
"Twins are so practical. It's always nice to have a spare."-Billie Burke
Katie (KT) and Molly are identical twins, though like most twins, most of their similarities stop where their reflections end. Molly lives a peaceful and methodical life in London, while wild child, free-spirited, pretty and popular Katie travels and is full to bursting with crazy stories and unpredictable adventures. Despite their differences, the two have stayed as inseparable (as many identical twins do) even after Katie moves all the way to New York City.
This all comes crashing down when Katie is found dead in NYC, and Molly takes it upon herself to leave the safe confines of London to aid in the police investigation. What she uncovers is a tangled web of secrets, deceit, and sordid behavior beyond what she even knew, with a list of suspects a mile long and Katie's past still looming large in Molly's life...and putting her directly in the line of fire. Will she make it back to her parents safely...or has her investigative spirit set her up to be the next twin to fall?
Let me start by saying I wanted to love this book. I really, REALLY did.
The longer I kept reading, however, the less I liked it. What started as some minor annoyances quickly snowballed into eye-rolling and heavy sighing territory...and just got worse from there.
First of all...the giant twist that many found so shocking? Even though it makes NO sense (or at least, not really, until Dean sort of FORCES it to make sense) I saw coming pretty early on. There was so much build-up trying to point you away from what I felt was a pretty obvious conclusion that it just reinforced the point that yep, that's exactly what's going on. And if you've read any thrillers with twins in them, or even take a close look at this cover, you might be able to guess it too.
Then there's Dean's writing itself. I don't expect thrillers to feel literary or be full of long descriptive sentences by any means (okay, it's a bonus if SOMETIMES they are, if it fits in context) but I was starting to think Dean challenged himself to see how many short sentences he could write to make up this entire book. I can't even tell you how many sentences were three words long, some just two. I get that might be his 'style' but it made the whole book feel disjointed to me. Here's an example:
"When the coast is clear, I shuffle down into the bushes and I crouch low and I eat my granola bar."
(line break)
"It is sweet."
...
Okay. Not sure why that sentence needed to be there, or get its own paragraph. (and now that I'm looking back, that first sentence is a bit of a run-on. Does anyone's inner monologue actually sound like that...?) This is just one minor example, but it happens ALL throughout the book. Molly's rambling and obsessive tendencies in her 'investigative' work were hard enough to slog through without the choppy narration.
Dean also has a habit of sort of restating the same sentence or the same information twice in a paragraph. Here's a prime example:
"The thing is: money.
Money is often, in my experience, the thing."
😐
I understand this might look like an example of one-time emphasis, but I can promise you this sort of thing happened over and over in the book. I can't stand repetition like this, and his characters did the same sort of thing with their dialogue too. Some also have completely goofy names, such as Bogart DeLuca...but I digress.
There's also enough implausibility to make your head ache...or at least, mine did. So much explaining goes into every little plot point that all it did was point to the fact that NONE of this would actually happen or if some of it did, that I still felt like there were plot holes aplenty. For example, we are supposed to buy in to the fact that Molly is such a dedicated little fact-finder that she will put on an ADULT DIAPER just so she can sit and research for long periods of time.
...Ew.
There are plenty of less graphic instances that require your suspension of disbelief, but none of the other ones felt worth it either. The second half of the novel is where it apparently picked up the pace for many readers, but since I had a good idea of what was going to happen, I didn't find it too exciting. There was really only one way this book COULD end, although since Dean tacked on a little extra bit that I found incredibly unrealistic too, it also left me with more questions than answers.
The best thing I can say is that this book is a quick read, and if you aren't completed burned out on the twin trope, OTT plots, and the like, that perhaps you'll enjoy your time with these twins more than I did. Sadly for me this was more "First, Bored" than "First Born."
2.5 stars, rounded up