Hunter Shea's The Waiting is a horror story that examines the way love haunts those who have lost a beloved. In the main story arc, a newlywed falls into a coma. Her husband brings her to their new home, the one they'd been so excited to buy. When he carries her comatose body across the threshold, he has no idea the hell he delivers her into: their new home has a dark secret. This secret comprises the second arc, and examines a lost love turned malignant.
Shea ramps up the scares against the backdrop of anguish and anxiety. Things go missing in the house, disappearances blamed on the forgetfulness brought on by intense emotional stress. The life support system malfunctions multiple times, all inexplicable. And then the boy appears. Shea interleaves Hindi theories of wandering spirits to excellent effect, and what seemed a guardian angel is something different, and much more calculating. The malevolence increases, and the supernatural horror is intensified by the accurate and detailed medical descriptions of the wife's care. Like the wife's coma, the depths of darkness in this story are unrelenting and devour all physical and metaphysical comforts. In spite of the darkness, the husband never wavers in his commitment to his wife, and this love lights the apparent path to salvation. Shea, in a consummate delivery, closes The Waiting with a surprisingly creepy twist. The salvation was only apparent because there are two kinds of love: the sort that brings light, and the sort that steals the light through obsession. Love twisted by remorse and loss is as dangerous as a coma or a haunting. It is a soul-destroying void, and I hope Shea plans a sequel to let us see the aftermath of succumbing to such darkness.
Although I wish the wife's unconscious struggle was more of a focus, I feel that whatever was lacking from that perspective is more than ameliorated by the gritty, ugly reality of the husband's emotions. His despair at the situation, his determination to be strong, and his anger at his job, the world, everything - it strikes a chord because, yes, that is how people react when the world is turned upside down, but the bills and workweeks keep happening anyways. Shea shows us the painful side of love without flinching, and without treacle. The Waiting is a good ghost story, but a great portrait of a man struggling with the life-in-death of his love, his wife