Where to begin. I guess first it's important to note that this book is about creative entrepreneurship and the creative process. It isn't a manual to get unblocked (see The Artist's Way for that), although there are a few good suggestions for what to do when you do feel blocked. The primary focus, though is on developing a career that depends on creative thinking.
I was leery of the beginning of the introduction, which dives in with the stock generalizations about people not believing they can be creative, which I thought we'd grown past as a society? IDK. But then Brito turns left into an amazing story about her grandfather in Venezuela that grabbed both my attention and my emotional investment, and boom! Didn't want to put it down.
I took notes, friends. I rarely ever take notes on books like this, but maybe I really should.
Another important point is Brito's background is adjacent to painters and art history, rather than creative writing or other fine arts, so the vast number of examples she draws on are of painters and sculptors, mostly European, and may or may not transfer well to other types of artistic business ventures...or ordinary business ventures that require creative problem solving and/or artistic sensibility. She does make a strong case for consuming art, and especially learning to carefully observe its fine details, as a means to increase one's creative problem solving skills. I hadn't known examining paintings was a required medical school course (to draw conclusions based on infinitesimal detail) but it absolutely makes sense.
I feel more validated in filling my Instagram with art, archaeology, and cats, rather than celebrity influencers. It has been feeding my brain in exactly the way Brito recommends people nourish themselves with museum and gallery visits (in person or virtual: you can see the Met and the Louvre's collections online, after all).
I did not (yet) do the "alchemy lab" workshop questions at the end of each chapter because I'm traveling and don't have the quiet time to devote to them, but they seem extremely well-directed for manifesting ideas, implementing business plans, and recovering from failures.
She says, "Failing is hitting the creative limit of an idea," or something to that effect, which is not a way I've ever seen failure framed before. It's fascinating to recast failure as a thing that happens to an idea rather than to a person. Srsly, mind blown.
I would have liked to see this book delve into other art forms, especially writing fiction and film-making, tbh. I'm also not sure how the magical networking connections that allow artists to become working artists happen. Networking is hell, basically, and also a mystery to me. I realize that How-to-Network is its own book, but it does seem like there would have been room for it here, because as much as creative art can happen in a vacuum, getting it out of the studio and into other people's eyeballs is a crucial step.
ARC