Six Faces is a very clever meta-analysis of the western Globalization debate, examining the main stories we tell about it, and how they have evolved in the face of turmoil over inequality, competition, climate and so on. Six Faces is the kind of stocktake book we all regularly need, but a form which, outside of textbooks is so rarely provided, and rarely with such insightful analysis.
The closest analogue for this book I can think of is the ‘schools of thought’ work you find in fields such as Foreign Policy or parts of Philosophy. Rather than get bogged down in identifying specific actors or trying to tease out how the paradigms function, this work concentrates on ‘narratives’, the stories we tell about globalization. Six are identified and explored with a fair minded chapter on each: Establishment Narrative, Left wing, Right Wing, Corporate Power, Geoeconomic and finally Global Threat narratives.
The concentration on the narratives rather than the political groupings allows the authors to explore three useful further themes. First, a chapter on how actors pick up and modify these narratives to serve other strategic goals. Second, a series of chapters exploring how the narratives have evolved, in relation to new issues (such as covid or climate change) and may evolve in terms of overlaps and alliances. Finally, there is a fascinating and valuable chapter on the need for scholars and officials to think about issues in multi-faceted ways, able to both deeply understand and ideally synthetise the issues in purposeful ways.
One of the charms of this book is that I found myself compelled by several of these narratives. I respect and generally embrace the logic and results of the establishment narrative. I also value the way the left and right wing narratives highlight important problems that need urgent address. In my preference for competitive markets I readily accept the logic that too much corporate power is dangerous. Strangely it was the geoeconomics and global threat, those views perhaps closest to my own field of study that I find the least compelling, especially the latter.
That persuasiveness is a deliberate effort by the authors, who stress the need for a form of ‘cognitive empathy’ as a foundation for understanding. To carry this out, they manage an impressive scholarly sense of distance. Normally I prefer those who muck in and argue a specific case, but such an insertion of personal views would have run counter to the purpose and goal of this book. It would have been very easy for the authors to have said ‘here are six faces and in our last chapter we show why our 7th is the best and only right answer’. This book is quietly radical in refusing to take such an easy path.
I hope that more authors do seek to pursue similar such works. If they do, the last chapter offers an important first step in thinking through the nature and value of such work. It raised for me two questions that seemed somewhat implicit in this work.
First, the book ends with an endorsement of ‘foxes’ over ‘hedgehogs’ (following Isiah Berlin’s famous schema), as well as a call for ‘synthesizing mind[s]’ which seek to ‘knit together information from disparate sources into a coherent whole’. I do however wonder if there is an implicit tension here between these two positions. It seems that the knitting together of details is the core skill of hedgehogs. True, their combinations tend to subsume rather than regenerate the materials they are working with, yet they do better than any at establishing those complementary relationships between elements. More so, hedgehogs inherently assume that such a synthesis exists and can be found. This fox isn’t always so sure. Certainly some issues are, but maybe others by their nature will remain patchworks. And can foxes also knit together? Or are they best placed to tease apart, recognising key distinctions?
Second, the search for a synthesis seems to be based on the assumption that a relatively unified global consensus about narrative is beneficial. The book notes that such a consensus existed in the 1990s and early 2000s (the establishment narrative) and it’s form reflect an attempt to explore the breakdown of that consensus. Yet, should we assume that having a dominant narrative was beneficial, or that we are harmed by the obvious disunity and debate we see today? There’s obviously a spectrum here, no one wants global conformism, nor bitter breakdowns where the gaps are too big to even talk to one another. Yet what is the right place to be on that spectrum? The book seems to imply the movement back to a consensus is the healthier state, again I think that’s worth thinking through.
I sometimes describe books I review here as ‘Citizenship’ books. That is, the kind of book I think we should just buy a copy of for every adult and say ‘read this so you can participate in your society’. This is one such book. It doesn’t tell you how to think about globalization but is sure to improve the quality of your thinking about it. Not only by helping you learn a lot about globalization and its discontents, but also about how we need to try and see these issues in multi-faceted ways if we are to genuinely grapple with them.
Recommended.