A Questionable Indigenous People's Day Offering, But It's Interesting and Scary
!!!Spoilers!!!
Chindi appealed to me because it has an outstanding setting and premise. The era after the American Civil War, with the gold rush and westward expansion, is a fascinating period and the unusual choice of Lt. George Crook as the central character interested me. Timothy Bryan has grounded his novel in a well-researched historical background, but some liberties taken bothered me.
Though I'm not an authority on Native American culture, I feel certain that if Native American beliefs are represented, it's vital to understand that they aren't monolithic. Since the tribes concerned are indigenous to the American northwest, I think that the word 'Chindi' is used inappropriately. It may be a more commonly recognizable word, but the novel's basic concept is good enough without dragging Navajo beliefs all the way up to northern California!
Though Pit River tribes weren't likely to call a supernatural entity a 'chindi,' it's more than likely that they have their own words and traditions relating to the spirit world. 'Chindi' is the Navajo word for a spirit made up of everything bad a person leaves behind if they die under certain circumstances. Navajos even abandon a house altogether if a person has died inside it. Furthermore, describing a character as being like a chindi would have been acceptable, but using the word as a proper noun is altogether misleading and aggravating. It's as child-like as calling another kind of horror character 'Werewolf' as a given name. ("Chindi, this is Werewolf." "Nice to meet you.")
I was further disappointed by the quick development of a romantic attraction between the Crook and the Chief's daughter. I don't know enough to say whether the actual Crook did more to advocate for Natives compared to others of his time, but socio-political differences aside, instant romances are cheap ways to fill gaps in a less-than-satisfying story. Though they may sell books, they're more likely to ruin them for my taste.
It was an uncomfortable development because no seasoned Army officer would be likely to go moon-eyed in front of his men, particularly during that era. And they were running and hiding for their lives, having seen children, women, and men alike, people they knew, 'killed' in horrifying ways!
The writing was unevenly polished, with minor annoyances, like the overuse of the word 'mortified,' distracting from the plot. The combined flaws whittled away at the story's suspense while raising the amount of effort required to remain immersed in it. Sadly, this blunted the fairly good conclusion's impact.
With 'Chindi', Bryan shows good writing skill, uses well-prepared ingredients, and has selected an interesting recipe. I just don't think this cake is quite ready to take out of the oven. I hope he'll do some revision to make the next edition of "Chindi" into a five star book. It would also make a great movie! It was worth reading all the way to the end, which earns it three stars: an "okay" in my rating scheme.
I'd like to thank Mr. Bryan for the free ARC I received via BookSirens. I hate to withhold a more enthusiastic endorsement, but I'm obliged to give my honest opinion. If readers enjoy stories about the period when the cavalry came to the rescue of settlers and tried to keep peace with Native Americans, and horror stories about malevolent supernatural beings, you may enjoy Chindi just as it is.