On the Korean island of Man-Jae, three elderly haenyeos—sea women—spend their dying days diving into the ocean to harvest seafood. Across the globe on the island of Manhattan, a Korean-Canadian playwright, twice an immigrant, spends her days wrestling with the expectation that she write “authentic” stories about her identity. This “fascinating, audacious and deftly satirical” new play by Celine Song, directed by Sammi Cannold, questions what we inherit and challenges who dictates the terms.
“I am a hundred years old I am a century old And I have stories I am going to take to my grave About the men that died and left us alone at the beach What Ive seen under the sea Stories about the dead chicks Stories about an aching body that is pickled with time Stories I will die with Stories that will be buried with me Stories no one cares about Stories you will forget Stories you should forget And when my body is finally washed away by the waves It will be as though no one’s ever lived here And the island is just an empty lot Waiting to be sold.”
—
Would pay the NYTW to stage this again. Holy fucking shit. One of the best plays I’ve ever read.
“America is afraid that immigrants are going to change what it means to be American, and the truth is that we will. We always have. We immigrants throw into question the acceptable power structures in a society, because we are transformers.”
Celine, I’ve been one of your biggest fans since Past Lives and this play made me fall in love even more with your work.
I’d also recommend another great historical (and entertaining) depiction of the lives of haenyeos, When Life Gives You Tangerines.
“All I had to do was exist”. Immigrants, let’s keep taking up space because all we have to do is be ourselves, tell our stories, exist.
A genuinely incredible piece of writing. I can’t even begin to imagine how this would be staged (at times, it feels more screenplay than playtext), but I would love to see it someday
‘endlings’ is a beautiful honoring of haenyeos and a profound (and funny!) exploration of legacy, how we spend our lives - and for who.
pure chance that i read this only a few days after the first anniversary of my grandmother’s death, which severely deepened the impact of reading this play. celine song has composed a stunning theatrical opus with ‘endlings’. i also adore impossible theatre that simultaneously Must Only Be A Play. shoutout to the clams.
it’s beyond moving that haenyeos will become extinct in the near future and celine song wrote a play that immortalizes them.
~
i’ve been a mega fan of celine song’s films and thrilled to finally have access to her plays. (if anyone knows where to get the ‘tom&eliza’ script, please let me know!)
“i was bribed into writing this play/ i was bribed by white people’s attention/ and by white people’s real estate/ i want to sell my skin for theatre/ i want to sell my skin for a piece of real estate”
wow this was a ming boggling and incredible play. i had no idea what to expect coming into the play, i thought i might find it a little boring, but this play defied every expectation i had about it. as a korean woman and an artist/creative i completely identified with ha young. this play is unforgettable and witty and smart and hilarious and also just SO DAMN REAL. i would definitely love to see it on stage one day
You wouldn't believe it The water was deeper than I thought it would be I was supposed to reach the ocean floor But I never did So I kept going and going And in the water I saw my husband I did With my own eyes And you know The thing about my husband is He died too young And left me alone for too long He was so happy to see me He showed me his penis, big as a whale's But he'd become a prostitute So he wanted me to go and pay the turtle This five-hundred-year old turtle And so I swam over to the pimp I told him I didn't have any money I said "I work every day But I still have no money at all I don't know why I don't know why I am broke After working for fifty years every day I'm sorry It's my fault It must be my fault But please hear me out I just swam over here to say I want to fuck my husband I haven't seen him in over fifty years And he was once mine He was once my property His body was once a home to my love Fifty years ago And I want to visit it again I want to visit this home I once lived in again And I admit I am very poor And I have no money to pay you to have him again But is there any other way?" The turtle said that it's okay He had no interest in money The turtle just asked for my leg So I gave him my leg I didn't think twice Because what do I need my leg for? I don't want to swim anymore anyway I don't want to swim anymore I have never wanted to swim this well Anyway My husband and I We had sex
I just really appreciate Celine’s honest, likely uncomfortable for some, words and themes. She really gives a “IDGAF” attitude in her content which I respect. Of course, with this play centering around a dying Korean tradition, it invokes a feeling of sadness in me with the cruel contrast of a greedy American dream for real estate. She plays into contradictions in a way that’s drastic and hollowing - just like that ending in Past Lives, she’s good at making you feel that way. Big fan of Celine and go Korean women who don’t do what people expect of them and do what they want!!! 🫡
Feels a little silly to log a play? I think I tried to log Tom & Eliza when I reread it earlier this year and it wasn't here because it isn't published. But neither is this and here it is. Both great plays, would love to see either performed.
i’m obsessed with this plays relationship to the theatrical form. i would love to see this play performed because i’m not even convinced it’s possible (this is a compliment)