Improbable Press has knocked it out of the park again and earned five full stars from this cryptid. Thanks to editor Atlin Merrick for a review copy in addition to the gorgeous paperback I pre-ordered.
Part of the joy of these collections is the warm feeling of familiarity with many of the cryptids, paired with an excitement at the ones I end up pursuing down a Wikipedia rabbit hole. These stories have largely happy endings with optimistic if mysterious vibes, exactly what I'm looking for right now. I found this installment themed with more "the monster is more scared of you" and vulnerability tropes, and I loved it. As always it's tricky to lavish praise on the FORTY individual stories within this volume, but I'll do my best to highlight standouts.
This collection opens with a banger of a Frankenstein retelling, The Monster by Simon Kewin. It hit all the right notes for me in a retelling of that story - unreliable narration that tricks the reader in the best way, some spooky arctic atmosphere, and well-deserved sympathy for its titular being.
Chicken Monster Motel by Keyan Bowes was amazing, whimsical and hilarious. It was a fresh take on Howl's Moving Castle and Baba Yaga concepts, with a unique linguistic twist.
Old Friend by Jeffrey Davis was a scintillating fusion of Shintoist beliefs and film noir. I wasn't sure where it was going, but I loved it when we got there.
The Grundylow by Julie Ann Rees had impeccable sapphic, monsterfucky vibes, lined with the power of compassion and empathy.
What a story Love Song of the Wendigo by Brian Trent was. It was filled with unpredictability, unique Wendigo lore, and the ending was a wholly satisfying turn on its head.
I found The Development by Alison Akiko McBain a quiet, somber piece that really resonated in my heart. It's a tale speaking on what we often lose to "gain" progress in urban civilization and it stuck with me.
I'm not sure what was scarier in When Death Comes to Find You by Yvette Lisa Ndlovu, the new-to-me Grootslang creature or the horrific blood diamond industry its existence was expertly woven into.
One of my favorite lines comes in From the Ashes by Merinda Brayfield, a soothing tale about healing featuring a cryptid from my own neck of the woods: "Head hurt is still hurt". Two different species face the fallout of the Mt. St.Helens eruption together and find out they're not incompatible at all, in a touching piece about recovery and acceptance.
Grim Up North by Parker Foye was another favorite, a hilarious meetcute. There is nothing like meeting a tall, dark stranger on a dark, stormy night - except that stranger might portent your death.
I'm especially appreciative of the stories that were fun Bigfoot romps. We went along for the ride with Bigfoot in Road Trip by Carter Lappin, contemplated their civil rights in Original Activist by Frances Pauli, and stumbled through a riotous comedy of errors in Pics or it Didn't Happen by Elizabeth Walker.
I've only mentioned a quarter of the awesome stories in this collection here - I highly recommend picking up a copy this spring for a memorable escape from the mundane.