Where were you in June of 1962? We know where Spider-Man was: Making his historic debut in Amazing Fantasy #15. But that wasn't the only thing going on in that all-important month in Marvel history: Thor first held aloft the hammer Mjolnir. Hank Pym donned his cybernetic helmet, becoming Ant-Man. The FF squared off against Namor and Doctor Doom. Kid Colt mixed it up with the Circus of Crime. Millie the Model got mixed up in more Hanover hijinks. Patsy and Hedy worked on their frenemy-ship. Star-crossed lovers dealt with the ups and downs of romance, all while tales of horror and fantasy stories crept from the pages of titles like Strange Tales. Marvel: June 1962 Omnibus collects every comic from this month of Marvel milestones! Collecting JOURNEY INTO MYSTERY (1952) #83; AMAZING FANTASY (1962) #15; TALES TO ASTONISH (1959) #35; KATHY #18; LIFE WITH MILLIE #18; PATSY WALKER #102; KID COLT, OUTLAW #106; FANTASTIC FOUR (1961) #6; LINDA CARTER, STUDENT NURSE #7; MILLIE THE MODEL #110; STRANGE TALES (1951) #100; TALES OF SUSPENSE (1959) #33; LOVE ROMANCES #101; INCREDIBLE HULK (1962) #3; GUNSMOKE WESTERN #72; PATSY AND HEDY #84 and RAWHIDE KID (1955) #30.
Stan Lee (born Stanley Martin Lieber) was an American writer, editor, creator of comic book superheroes, and the former president and chairman of Marvel Comics.
With several artist co-creators, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, Thor as a superhero, the X-Men, Iron Man, the Hulk, Daredevil, the Silver Surfer, Dr. Strange, Ant-Man and the Wasp, Scarlet Witch, The Inhumans, and many other characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. He subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
The second of Marvel's omnibus volumes featuring all the comics published in a specific period, this time in 1962 during the months that introduced Thor, Ant-Man, and that teenager in a spider costume. Like the 1961 edition, this collection showcases Marvel when it was still figuring out its new approach to superhero comics. Although the creators' intense interest in their new creations is evident here, the other material is more revealing. In this one, I was especially struck by how unpleasant some of the characters in the teen and romance comics are, especially in the issues of PATSY WALKER and PATSY AND HEDY reprinted here. While Stan was figuring out how to make his superheroes more like real people, the women in these comics are depressing stereotypes, obsessed with material things, clothes, and catty rivalries. The boys aren't much better. Still, it's a reminder of how diverse comic book subject matter was in the 60s and of how much things changed in the ensuing years.
This book contains multiple issues published by Marvel that went to press in June 1962. What is amazing is the amount of genres they were addressing with two writers and eight artists (including pencillers and inkers). Jack Kirby was deftly handling super heroes, science fiction and fantasy, suspense, western, and love stories in the same time period. Stan Lee and Larry Lieber were plotting and scripting all 17 issues.
What is fascinating as pointed out in the introduction is that you can see that this is the true changeover to super heroes at Marvel with the introduction of Thor, Spider-Man, and garbing Hank Pym in an Ant Man costume all while Fantastic Four and Hulk were chugging along.
Not all the stories were great nor the art. Some of the stories and art can make you wince.
However, it is a great time capsule showing Marvel shifting into high gear. By 1963 you get an explosion of super heroes taking over existing titles or in new titles.
Covered: AMAZING FANTASY (1962) #15: 5 stars. FANTASTIC FOUR (1961) #6: 5 stars.
Yet to Be Covered: JOURNEY INTO MYSTERY (1952) #83; TALES TO ASTONISH (1959) #35; KATHY #18; LIFE WITH MILLIE #18; PATSY WALKER #102; KID COLT, OUTLAW #106; LINDA CARTER, STUDENT NURSE #7; MILLIE THE MODEL #110; STRANGE TALES (1951) #100; TALES OF SUSPENSE (1959) #33; LOVE ROMANCES #101; INCREDIBLE HULK (1962) #3; GUNSMOKE WESTERN #72; PATSY AND HEDY #84 and RAWHIDE KID (1955) #30.