There is no one good way to describe Patrick O'Leary's new novel, 51, just as there was no one good way for O'Leary to tell the story itself. Between Lavie Tidhar's THE ESCAPEMENT and this novel, I've had an interesting time getting my head around stories recently. 51 defies a reviewer to say "51 is this meets that". It's more like "51 is this meets that meets the other thing meets something else", and even that's simplifying the issue.
People have been fascinated for decades about Area 51. The U.S government runs an Air Force facility at Area 51, and its operations are not made public. From Wikipedia, "The base has never been declared a secret base, but all research and occurrences in Area 51 are Top Secret/Sensitive Compartmented Information". This has led the general public to believe that the government is hiding the existence of aliens and UFOs there. Which brings us to the story of 51.
In 51, O'Leary posits that the story of aliens and UFOs is itself a cover up for something more sinister and frightening. Yes, there's a conspiracy going on there, something secret and foreboding. But it's something different than we've ever seen before - at least that I've ever seen before. And the cover up has been going on for decades.
The story starts off with Nuke (Adam Pagnucco) driving home from an AA meeting in a brutal winter snowstorm. He encounters an old homeless guy on the road, and, in an act of humanitarianism, pulls over to get him out of the cold. As they talk, Nuke realizes that it's his old college buddy Winston Koop. Nuke takes him home, cleans him up, and in return Koop begins to tell him the most bizarre story about Imaginary Friends. Imaginary Friends that came through a portal called the Door to Anywhere that opened up, most likely, at the site of the Trinity nuclear bomb test back in the neighborhood of World War II.
And that's just the start of it. Koop's story is woven back and forth through time, back to the 1940s, of course, through the present day across a number of varied locations. The story is told in a non-linear fashion, jumping around in a seemingly nonsensical way but which ends up supporting the weirdness of the tale itself.
And the tale is indeed strange. Koop is hired - more like selected - by the government to erase the memories of people who have encountered IFs (Imaginary Friends) by a process that apparently was taught to him by his own IF (see what I mean about this being strange?). Every U.S. President is told about the Door to Anywhere, of course, and Koop is present at every one of these meetings (it should be pointed out that an IF is along for the ride to actually make the revelation to the President) because, after all, he needs to make the President forget about it.
No, we're not done yet.
There's something else going on here, involving Koop, Nuke, and Koop's ex-wife and getting the IFs back to where they belong and closing the portal behind them. But of course there's more to it than that, and to say any more would be spoiling it (And no, what I've written here so far doesn't even scratch the surface of what's going on, so I'm not spoiling much of anything - trust me).
O'Leary packs a lot into this relatively short novel, but it doesn't feel rushed or cramped in anyway. He also finds time to make this a story of friendship and growing old, among other things. Koop and Nuke are in their 70s at the time of the story, and yet the two of them, loyal to each other, go on one last adventure together to save humanity. We all should have someone like Koop and Nuke have each other, to tell weird stories to and have adventures with. I'd like to think that those stories and adventures would be just as weird as the tale O'Leary tells us in 51. I think I would like to live that kind of life.