Passport Photos

by Amitava Kumar

Passport Photos , a self-conscious act of artistic and intellectual forgery, is a report on the immigrant condition. A multigenre book combining theory, poetry, cultural criticism, and photography, it explores the complexities of the immigration experience, intervening in the impersonal language of the state. Passport Photos joins books by writers like Edward Said and Trinh T. Minh-ha in the search for a new poetics and politics of diaspora.

Organized as a passport, Passport Photos is a unique work, taking as its object of analysis and engagement the lived experience of post-coloniality--especially in the United States and India. The book is a collage, moving back and forth between places, historical moments, voices, and levels of analysis. Seeking to link cultural, political, and aesthetic critiques, it weaves together issues as diverse as Indian fiction written in English, signs put up by the border patrol at the U.S.-Tijuana border, ethnic restaurants in New York City, the history of Indian indenture in Trinidad, Native Americans at the Superbowl, and much more.

The borders this book crosses again and again are those where critical theory meets popular journalism, and where political poetry encounters the work of documentary photography. The argument for such border crossings lies in the reality of people's lives. This thought-provoking book explores that reality, as it brings postcolonial theory to a personal level and investigates global influences on local lives of immigrants.

Genres: Poetry, Academic, India

292 pages, Paperback

First published January 1, 2000

About the author

Amitava Kumar is a novelist, poet, journalist, and Professor of English at Vassar College. He was born in Bihar, India; he grew up in the town of Patna, famous for its corruption, crushing poverty, and delicious mangoes.

He is the author of Nobody Does the Right Thing; A Foreigner Carrying in the Crook of His Arm a Tiny Bomb; Husband of a Fanatic: A Personal Journey through India, Pakistan, Love, and Hate, a New York Times “Editors’ Choice” selection; Bombay—London—New York, a New Statesman (UK) “Book of the Year” selection; and Passport Photos. He is the editor of several books, including Away: The Indian Writer as an Expatriate, The Humour and the Pity: Essays on V. S. Naipaul, and World Bank Literature. He is also an editor of the online journal Politics and Culture and the screenwriter and narrator of the prize-winning documentary film Pure Chutney.

Kumar’s writing has appeared in The Nation, Harper’s, Vanity Fair, The American Prospect, The Chronicle of Higher Education, The Hindu, and other publications in North America and India.

Reviews

[Stephen · Rating 5 out of 5]

This book is fantastic. Using the sections of an actual passport book as a structural device, this book explores numerous aspects of the immigrant experience. Burning with a fiery moral passion, this book still manages to be filled with sentences of precision. It is emotional, analytical and informed. The book finally manages to be both local and cosmopolitan...to take seriously the precise issues of Bihar, India and the experiences of migrants from all over. I really loved this book and would give it more than 5 stars if I could. Essential reading for those interested in postcolonialism. I intend to use some of his sentences in my postcolonial studies course. Read it!

[Parag · Rating 4 out of 5]

One of the first books of South Asian American cultural criticism that moves beyond just one form (i.e. literature, film).