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532 pages, Kindle Edition
First published January 1, 1986
Opening with a proverbial star trio in Hollywood- Jack (an actor), Howard (an agent), and Mannon (another actor)- all three of whom are as efficient at rolling in the hay as they are at their jobs, we meet quite a trail of characters in a short span of time. And their histories too. There's a newly arrived model, Jade Johnson, who's NOT set to rock the stages or anything at all- but her glamour does it. Long-time actress and queen of one-night-stands Silver Anderson is also happy to be back as the numero uno of Hollywood industry- and shameless as a hussy. In the meantime, third-rate barman Wes Money keeps getting bored, hungover, oversexed, aimless, and scraping for money. His only asset- his quick tongue and his ready body- get him to immeasurable heights. How all these get intertwined and engulfed by a thousand-dollar parties and multiple affairs is the book. This is the plot.
From the very outset, there's this big dividing line between star, actor, and model. The latter aren't supposed to be good at movies, the middle can be models and actresses at the same time, but- everybody doesn't get to be a star. Hookers, - a relatively impressive slang for prostitutes- keep flitting through every two pages, gays and lesbians feature every so often, booze is served omnipresently, faithfulness goes for a toss the minute any partner's back is turned, dinner parties tumble through the pages like rain in July, and lastly- everybody's eyes are pointed only one way, to the stuff beneath one's clothes (and underclothes, to be precise). Jackie Collins could have easily got off with a suitable subtitle saying, 'The Erotic Lives of Hollywood and its Underbelly'. Bottom line:- this indulges in all that's real, but misses nothing that's not happening.
But eventually I return to the point. Nobody is spared. Everybody's involved in whoring, cocaine, stripping, money, and parties- and all the way down to the serious-looking neighbour who plays classical music out loud. Some characters deserved less, but got way more than they should; and others didn't actually deserve good or bad, but were handed the lot of the bad. This isn't fair! Poetic justice is one thing, and adherence to realism- seeing that it's a Hollywood drama as it exists- is another. I could've bet that some characters would get the axe, by the time a perilous climax is reached. But they make it.