I can sum up my reaction to this book by analysis of one passage that irritated me to the point of instant dislike at the realization of the meaning of the title. If you'll bear with me, I'll quote it verbatim.
"But before sleeping he remembered the paper. The Corsican paper. He had to get the paper now. He would need the silver paper. He would need the invitation to Nimrod. His invitation now. His paper. The Matlock paper."
After reading that, I heaved a huge sigh and wanted to scream in disgust. First of all, the obvious issues with the repetition of the word paper over and over. But what really annoyed me here is that the main character Matlock, was given this invitation which he insists on calling a paper, which I suppose it technically is, but nobody would call an invitation a paper. "Oh, here's my wedding paper." "Did you get a birthday paper to my party?" Beyond calling an invitation a paper, Matlock/Ludlum suddenly degenerates into a 4-year-old with his determined thoughts of how since he had the paper in his possession, it was now his. (His invitation now. His paper. The Matlock paper.) It reminds me of a little kid stealing a ball and going, "it's mine now. My ball. Billy's ball." It's so utterly ridiculous. Why on Earth did Ludlum decide to title this book "The Matlock Paper?" Matlock has the paper so now he calls it the Matlock Paper? It's so unbelievably stupid that I instantly hated the book because of it. It was so forced! It seems that the author had begun a series of books with similar sounding names ("The Osterman Weekend," "Scarlatti Inheritance," etc) in which the titles all included the surname of one of the key characters. This book was the third in that sequence of books and it just seemed so contrived. As though he had to use the name Matlock in the title and couldn't think of how else to do it. Incidentally, this paper they are on about is called the Corsican paper throughout the book. That would have been a much better title, but would not have fit with Ludlum's "surname series."
Ludlum's dialogue suffers in places as well. Many authors forget to read their dialogue aloud to determine if it works in real life. It feels as though he's hoping his book will get optioned as a movie. Almost all chapters end with some dramatic piece of dialogue meant to create suspense. A few examples of some of the gems ending chapters:
"Two weeks after I pick up that piece of engraved crap my parents want so badly, I'll be on a plane. I'm leaving this goddamn country. And I'll never come back!" (Ugh, not ever no never coming back again!)
"The hunted and the hunter were now one."(Supposedly this is Matlock's thoughts. Every time he feels uneasy or someone is following him, Ludlum goes back back to the hunter/hunted analogy. Ewww)
"Greenberg said to tell you... That the cities weren't dying, they were dead. Those were his words. The cities were dead." (At this point, I expected to hear that big blast of music they always used to play in those cop shows in the 70s. You know, like Quincy says, "it was wasn't an accident Sam. It was MURDER." And the music goes dum duhhhhh dummmmm.)
Oh and I normally like when a story written in another era includes signs of that era. But this one was just silly and so dated. Having characters say "pinky groovy" over and over again. When a group of black militants are preparing to do battle Ludlum describes "tight-fitting khakis and open shirts." It sounds like they're going to the disco rather than to an ambush. Who would wear an open necked shirt to look inconspicuous? Even in the 70s, this is ridiculous.
And then there's the obsession with race. See below. Keep in mind this is a group of all black militants. It's been established that none of them are white.
"The blacks received word from their scouts..."
"The black revolutionary in command..."
"The second black walked to the booth..."
"The Negro giant had eliminated the light..."
"'That was handled,' said the black man in command."
"Matlock looked at the uniformed Negro..."
"'Of course,' answered the black."
"The Negro motioned him inside "
"... Said the black behind the wheel."
These quotes are taken from 3 consecutive pages of one chapter. It's very unusual that Ludlum was only able to identify the black characters by their race, even when all the characters at that point of the story were black.
That about sums up, "The Matlock Paper" in a nutshell. I could go into more detail on the story, but other reviewers have already covered that. In any review, the minutiae can usually speak to the overall outcome. In this case, it's the little things that kill (as the band Bush wisely told us in the 90s). I'm just hopeful that my journey through the Ludlum catalogue improves. Or else...I may have to discontinue reading his books. Dum duhhhhhh dummmm. How's that for a suspenseful ending? Ha!