I’ve so enjoyed reading this novel by Kelly Florentia. It is, by turns, entertaining, gripping, psychologically slippery (ideal for the genre), and has a shocking final twist beyond the principal twist near the end.
I’ve enjoyed this author’s other books, and Mine shows she is at home with the psychological thriller as she is with romance and short fiction. What an admirable versatility to have.
Lucy is an engaging and sympathetic central character, and I appreciate how she takes the reader into her confidence and reveals all sides and layers of herself. It’s the closest we can get to actually knowing another person, as who does this as fully in real life? We get to see and know her both from the inside and outside. I’ve noticed this as a great skill in all of Kelly’s stories, this ability to create a relationship between the central character and the reader. You are pulled in, become complicit in the drama, and thereby feel for the character, almost as though you were them – it’s an uncanny feeling at times – and not dependent on gender either.
Teddy Fallon is also very well drawn, as are Lucy’s friends Alison and Karen. Minor characters are sketched in really well, and do just enough. Lucy’s inner life, as well as her history is convincing and makes you care about her – her back story makes absolute sense for where she currently finds herself in life, her strengths and vulnerabilities.
I enjoyed the sense of London in this novel, whether on a busy inner-city street, or in one of the many other Londons of the suburbs – where neighbourliness still has some value and meaning. As with her other novels, Kelly is excellent at scene-setting and with deftness creates a busy bar or restaurant where the main action is convincingly surrounded by people either doing their own thing, or sometimes glancing into the action from the peripheries – it gives an overall feeling of connectedness, and social reality, rather than individual characters moving in a world of their own, or simply in their heads.
Many of the chapters have their own inherent momentum – and are their own mini white-knuckle rides of tension and drama before the hook of the ending lines of revelation or further enticement. Dialogue is natural, up to the minute in its argot, and technology – mobile phones, computers, cameras – all play a part in developing the mystery and tension throughout.
The psychological slipperiness in the story was very enjoyable and tantalising. It turns you, the reader, into a detective or amateur psychologist over the time spent reading it – as well as between bouts of reading, because the story and characters stay in your head, as you mull over them, trying to work out what the truth is – and who might be behind the torment of poor Lucy. The prologue sets up this sense of menace very powerfully and instantly.
In Mine you get a cast of characters that are both ordinary yet highly individuated, and none seem superfluous to the plot or the texture of the novel.
I think this novel would be ideal for adaptation – either into a film or two-part TV drama, and was wondering about Billie Piper to play Lucy and Paddy Considine to play Teddy Fallon. Each reader will probably have their own cast list in mind, during or after reading.
As intimated at the beginning of this review, the final reveal in this novel is certainly something to look forward to, and is genuinely shocking and surprising. I did not see it coming.
I highly recommend all three of Kelly Florentia’s other novels, as well as her collection of short stories. I’ve read them all, and am very keen to see what she will give us next. Whatever genre it is in, and wherever it is set, I will certainly be reading it!