[Thanks to Kodansha and Netgalley for an ARC of this book in exchange for an unbiased review.]
Honatsu’s father died in an accident six years ago and the then-eleven-year-old girl was stricken with the loss of her memories. Now, her friend Toma protects her and looks after her, but the mysterious Tachibana has come to school and has some connection to her as well…
Did I just describe a suspense thriller or a shojo repurposed from a suspense thriller? Clearly the latter because pretty boys are all over the place and Tachibana is a jerk but still somehow attractive and we have the most obvious case of convenient plot amnesia ever.
So, due to the prolific output of these reviews I have a few crutches I like to rely on and one of those is the word ‘crux’. Thus, the crux of this volume, to say nothing of the thrust of the translated title, is the way that Honatsu is falling for Tachibana yet also drowning in affection from Toma.
It’s interesting enough, except that even with the seeded clues and implication that Tachibana is a lot more connected to Honatsu’s past than he’s letting on, you can clearly see the rails that this book is riding on.
Tachibana has some connection to the death of Honatsu’s father, spoiler, I suppose, but there’s no way in hell that he killed the guy and undoubtedly blames himself for some action or inaction, which is just waiting to be revealed later on at some moment of maximum romance interruptus and leads to Honatsu giving him the absolution he needs while conveniently explaining the times he’s been a butt to her (he runs very mercurial and too grabby at times the whole book)
Individual moments are great - minus his aforementioned mercurial temperament, which should have Honatsu falling upward in my opinion, Tachibana and Honatsu have a fantastic scene that repurposes the ‘storage closet mishap’ trope into a fantastic bit of motivation and triumph for Honatsu (and a great joke about how they seem to fall on each other a lot).
This is a standout moment that really sells Honatsu for me and cements what this volume can be when it’s at its best. Honatsu herself is determined to move forward and she’s a really solid character in her own right, uncertain about love but interested in figuring it out.
I’m being especially picky because the elements are here for a good book and this is, with reservations, a good book and I’ll continue on with the series for sure. It’s got a lot to like and if you’re not as steeped in these clichés as, say, myself, this is an easy recommend.
I do like the different approaches - Toma clearly wants to be more to our lead and has been there for every step of Honatsu’s rehabilitation, but drowning is also tantamount to smothering and the clear downside to his way is that he’s wrapping her in emotional bubble wrap.
Conversely, her time spent with the grumpier, edgier Tachibana carries a hint of uncertainty (I mean, edgier is a rather generous term, although, as I said, he does get a little grabbier than he should) and pushes Honatsu in a far more freeing sense to overcome what holds her back.
That’s some good crux. Still, it’s already fraying towards the end, with Toma and Tachibana having a pretty pointed conversation that implies that, yet again, the long-standing childhood friend is the one about to get clobbered.
In a way, the story of the story is almost eclipsing the book. I love the mangaka’s description of how this came about and what happened to make it a shojo, plus I love the way they do their author’s notes. It’s an interesting peek behind the curtain.
3.5 stars - I think I’ll let this one have the rounded up 4 stars because I was intrigued, even as it has some real obvious tells about where it’s headed, and I think Honatsu is great, coming to life even with a very cliche backstory.