And Then Hell Just… Waits? 🕯️🩸
Chilling Adventures of Sabrina #9 leaves me in the most annoying place possible: fully interested, increasingly invested, and then abandoned at the edge of the Gates of Hell.
The story has grown darker, stranger and more delicious with every issue. What started as creepy retro witch horror turned into something nastier: family rot, demonic manipulation, body theft, grief, bad bargains, and Sabrina trying to save love while being quietly fed into a machine built by adults, monsters and relatives who should absolutely not be trusted.
This issue keeps that momentum too long. Sabrina is still determined to fix what happened to Harvey, Salem remains the only emotionally competent creature in Greendale, and Edward Spellman continues proving that some fathers are not people, just curses. The moral trap is great: a girl who wants to save someone now has to decide how much blood love is allowed to cost.
But then… that’s it. For now, the story simply stops. No proper conclusion, no final reckoning, no satisfying collapse of all those rotten threads. And honestly, that hurts, because I do want the ending. The Netflix series went its own way and is over, the hype may never fully return, but this comic deserves closure.
Verdict: 4 / 5. Creepy, bloody and genuinely compelling — with the cruelest horror of all: an unfinished story I actually care about.
Try next:
• Chilling Adventures of Salem by Cullen Bunn, 2022 — more Salem, because the cat deserves compensation for emotional labor.
• Afterlife with Archie, Vol. 1: Escape from Riverdale by Roberto Aguirre-Sacasa, 2014 — Archie Horror with the same nostalgia-turned-nightmare energy.
• Locke & Key, Vol. 1: Welcome to Lovecraft by Joe Hill, 2008 — cursed family legacy, children trapped in adult horrors, and actual narrative payoff.