“Writing feels like a portal to a dangerous truth.”
Faith, desire, control, abuse of power… I devoured The Last Days, an incisive takedown of an exploitative, destructive organisation via a personal story.
Millar’s writing about music, sex, and desire was fantastic. I think mainstream rhetoric (both religious and secular) around women’s desire is (still) terrible, but Millar really nailed it, and this cracking line is my favourite: "Kurt Cobain is dead when we teach each other how to fuck." (I won’t say too much, but one of the most difficult, and so absurd it’s almost comical if it wasn’t so disturbing, is the ‘rate your pleasure’ scene towards the end of the book).
Millar’s description of an eating disorder as a means to gain some control is brilliant and unflinching. She writes about her body eating itself, and being on the verge of dying, but also writes about what it’s doing for her, why she needs it; not condoning it, but not moralising either, not shying away from hard truths. This is an utterly chilling line: "I tell myself I've got six months to disappear. I like deadlines."
While my own religious upbringing was very different and less fire and brimstone, I identified with some of Ali’s story, especially the freedom found in music and the struggle to forge your own identity, exemplified in this powerful line: "One day I'll have a house full of books I want to read and music I want to listen to." I don’t think people who didn’t have an upbringing like ours would really quite understand how important that is.
One of the main things I appreciate (however much I wish it wasn’t the truth) is how the denouement isn’t an easy ‘wrapped in a bow’ ending; Millar could have offered up easy platitudes, but she doesn’t turn away from the devastating loss that comes with her autonomy.
I’d love to see an adaptation; as I was reading, I was reminded of Lynne Ramsay’s Morvern Callar. This book really is as iconic, but with a Nirvana soundtrack as Millar seeks her freedom from “a trick”, a religion that “is nothing more than a business masquerading as a religion.” It’s a coming of age that’s messy, brutal, beautiful, and – in the end – fearless: “If it’s my blood, can I do what I want with it?” The Last Days looks to be the beginning of a very exciting career.