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Воскреситель. Анатомія фантастичних істот
Goodreads Choice Award
Nominee for Readers' Favorite Horror (2013)Друга половина XIX століття. Часи зародження сучасної медицини. На заваді дослідженням стають гласні й негласні перепони, породжені забобонами, як-от законодавчі обмеження щодо роботи з людськими трупами. Проте лікарі все ж таки удосконалюють хірургію та анестезію, гігієну в медицині та знання про причини хвороб. У цих умовах і зростає юний геній медицини Спенсер Блек. Він рано втратив батьків, однак здобув освіту в Академії медицини, а згодом своїми успіхами підняв її престиж до неймовірних висот. Блек зосереджується на незвичайній темі — вроджених патологіях людського організму. Розділити зрослі пальці? Видалити зайву руку? Для Спенсера Блека немає нічого неможливого! Згодом наполеглива праця приносить йому визнання і гроші. У цей період він зустрічає однодумницю й кохану людину. Однак щасливе сімейне життя лікаря триває недовго. А все через його хворобливу одержимість роботою. Однією із найсуперечливіших його гіпотез є: а що, як стародавні міфи правдиві?
192 pages, Hardcover
First published May 21, 2013
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Displaying 1 - 30 of 1,252 reviews
July 31, 2023
My complete review is published at Grimdark Magazine.
The Resurrectionist is a hidden gem of dark academia by E.B. Hudspeth. The Resurrectionist describes the life and works of Dr. Spencer Black, a fictional anatomist and surgeon who worked in Philadelphia in the late 19th century. Dr. Black’s work is based on the hypothesis that mythological creatures such as sphinxes, sirens, satyrs, etc., served as evolutionary ancestors of modern human beings. Dr. Black’s studies involved surgical modifications of humans and animals to reconstruct these long-lost anatomies.
The Resurrectionist is divided into two parts. The first part is an academic biography of the life of Dr. Spencer Black. We follow Dr. Black from his formative childhood years through his early career when he first developed his hypothesis and started conducting his experiments. Of course, his work proved to be highly controversial. Dr. Black was rejected from the mainstream scientific community and instead made his career on the carnival circuit, the perfect venue for showing off his resurrected mythological beasts.
The second part of The Resurrectionist is a replica of Dr. Black’s lost volume, The Codex Extinct Animalia, which details the taxonomy and muscular-skeletal anatomies of mythological beasts, including the sphinx, siren, satyr, minotaur, pegasus, centaur, dragon, and more. Each of these species has a large set of beautifully detailed plates showing their muscular and skeletal structures, all fully labeled with taxonomic information as in a genuine anatomy book.
The Resurrectionist is the debut novel from E.B. Hudspeth, who is both an artist and a writer. This book is highly original, despite the obvious influence from The Island of Dr. Moreau by H.G. Wells. All of the illustrations are beautifully detailed. The published book mimics the experience of a real academic textbook with its oversized dimensions, high quality printing, and even an acknowledgement to the Philadelphia Museum of Medical Antiquities for financial support. The author and the publisher have paid great attention to all the small details that give this book an authentic scholarly feel.
Overall, The Resurrectionist is a four-star book. The best feature of this volume is the artwork (five stars). The biography of Dr. Black is somewhat less compelling (three stars) and suffers, perhaps, from being a bit too academic. But this book is obviously a labor of love, and the artwork alone makes it a highly worthwhile and interesting read.
If you are looking for dark academia or a beautifully illustrated volume of mythical bestial anatomies, The Resurrectionist by E.B. Hudspeth is the real deal.
The Resurrectionist is a hidden gem of dark academia by E.B. Hudspeth. The Resurrectionist describes the life and works of Dr. Spencer Black, a fictional anatomist and surgeon who worked in Philadelphia in the late 19th century. Dr. Black’s work is based on the hypothesis that mythological creatures such as sphinxes, sirens, satyrs, etc., served as evolutionary ancestors of modern human beings. Dr. Black’s studies involved surgical modifications of humans and animals to reconstruct these long-lost anatomies.
The Resurrectionist is divided into two parts. The first part is an academic biography of the life of Dr. Spencer Black. We follow Dr. Black from his formative childhood years through his early career when he first developed his hypothesis and started conducting his experiments. Of course, his work proved to be highly controversial. Dr. Black was rejected from the mainstream scientific community and instead made his career on the carnival circuit, the perfect venue for showing off his resurrected mythological beasts.
The second part of The Resurrectionist is a replica of Dr. Black’s lost volume, The Codex Extinct Animalia, which details the taxonomy and muscular-skeletal anatomies of mythological beasts, including the sphinx, siren, satyr, minotaur, pegasus, centaur, dragon, and more. Each of these species has a large set of beautifully detailed plates showing their muscular and skeletal structures, all fully labeled with taxonomic information as in a genuine anatomy book.
The Resurrectionist is the debut novel from E.B. Hudspeth, who is both an artist and a writer. This book is highly original, despite the obvious influence from The Island of Dr. Moreau by H.G. Wells. All of the illustrations are beautifully detailed. The published book mimics the experience of a real academic textbook with its oversized dimensions, high quality printing, and even an acknowledgement to the Philadelphia Museum of Medical Antiquities for financial support. The author and the publisher have paid great attention to all the small details that give this book an authentic scholarly feel.
Overall, The Resurrectionist is a four-star book. The best feature of this volume is the artwork (five stars). The biography of Dr. Black is somewhat less compelling (three stars) and suffers, perhaps, from being a bit too academic. But this book is obviously a labor of love, and the artwork alone makes it a highly worthwhile and interesting read.
If you are looking for dark academia or a beautifully illustrated volume of mythical bestial anatomies, The Resurrectionist by E.B. Hudspeth is the real deal.
November 2, 2014
It never occurred to me that I wouldn't love this book, but it just never really came together for me, the excellent anatomical illustrations of mythical beasties notwithstanding. The cover itself is riveting, depicting the skeletal structure of a harpy. This is the fictional biography of one Dr. Spenser Black. Son of a grave robber, the seed of madness was planted early. As a grown man, his hypothesis was that we have evolved from satyrs, harpies, the chimera, dragons, and the like. The ways in which he goes about proving his theory are grotesque. Had my name written all over it, but it just didn't work for me at all. It made me skim. I hate when that happens.
September 29, 2020
3.5 Stars
Written as a "true account Dr Spence, this book really felt like reading a piece of nonfiction. The narrative was very dry and factual, which made the story seem so incredibly real. I don't read a lot of historical fiction so this was not my preferred genre. So I was pleasantly surprised how much I ended up liking this one. The illustrations really enhanced the reading experience and made the book interesting. The book dealt with a lot of body horror, but managed to do so without becoming too gruesome. I would definitely recommend this horror novel to anyone looking for a very unique reading experience.
Written as a "true account Dr Spence, this book really felt like reading a piece of nonfiction. The narrative was very dry and factual, which made the story seem so incredibly real. I don't read a lot of historical fiction so this was not my preferred genre. So I was pleasantly surprised how much I ended up liking this one. The illustrations really enhanced the reading experience and made the book interesting. The book dealt with a lot of body horror, but managed to do so without becoming too gruesome. I would definitely recommend this horror novel to anyone looking for a very unique reading experience.
August 10, 2016
The Resurrectionist: The Lost Work of Dr. Spencer Black I'm pretty unclear on the fiction to non-fiction ratio going on in this book (mythical creatures notwithstanding). However, having endured several semesters of the history of science and cranked out more than one term paper on curiosity cabinets, I can safely say that almost all of this could have been true.
Scientists, doctors, surgeons and whatnot by necessity were talented artists (if you don't believe me, check out Galen and Vesalius' circulation diagrams). "Resurrectionists" (aka grave robbers and/or body snatchers) were requisite suppliers for surgeons and medical students throughout the 19th century (see also The Italian Boy: A Tale of Murder and Body Snatching in 1830s London). And, what's more, the natural historians' "cabinets of curiosity" did branch off into the very un-P.C. "freak shows" and circuses.
Dr. Spencer Black's tale involves all of the aforementioned elements at their darkest and most horrifying. Convinced that mythological creatures were evolutionary offspurts, and that he could re-unlock the key to past lives in living creatures, Black's descent into madness took quite a few twists and turns. The book is short and full of illustrations, so I don't feel all that guilty not offering much in the way of a summary.
Sidenote: As someone who cried during the Fox and the Hound and was left catatonic after seeing White Fang (to say nothing of Old Yeller), there were definitely parts of this that I had to skim.
Scientists, doctors, surgeons and whatnot by necessity were talented artists (if you don't believe me, check out Galen and Vesalius' circulation diagrams). "Resurrectionists" (aka grave robbers and/or body snatchers) were requisite suppliers for surgeons and medical students throughout the 19th century (see also The Italian Boy: A Tale of Murder and Body Snatching in 1830s London). And, what's more, the natural historians' "cabinets of curiosity" did branch off into the very un-P.C. "freak shows" and circuses.
Dr. Spencer Black's tale involves all of the aforementioned elements at their darkest and most horrifying. Convinced that mythological creatures were evolutionary offspurts, and that he could re-unlock the key to past lives in living creatures, Black's descent into madness took quite a few twists and turns. The book is short and full of illustrations, so I don't feel all that guilty not offering much in the way of a summary.
Sidenote: As someone who cried during the Fox and the Hound and was left catatonic after seeing White Fang (to say nothing of Old Yeller), there were definitely parts of this that I had to skim.
December 31, 2022
Although the illustrations were phenomenal and the storyline behind the mad scientist-doctor was good… I didn’t like all the medical jargon that was in each sentence of every page. If you like medical books with a touch of fantasy this may be for you. As for me I push thru the book because I truly did enjoy the illustrations and certain story points behind Dr.Black’s madness.
August 20, 2016
According to Dr. Spencer Black, mythological creatures -- mermaids, fawns, minotaurs, etc. -- were the evolutionary ancestors of humankind. In attempt to prove his theory, he ventured down a dark path, cobbling together body parts in the depths of a gaslit storage shed. His progress was cataloged in a number of chilling letters written to his brother, and the result of his work was The Codex Extinct Animalia: A Study of the Lesser Known Species of the Animal Kindgom, replete with detailed anatomical illustrations. His biography, letters, and the Codex are included in this imaginative, wonderfully disturbing book.
Black speculated that perhaps the human being is not the best result of evolution; perhaps our ancestors shared traits with some of the ancient animals or, more accurately, ancient mythological animals. Black claimed that scientific evidence proving the existence of ancient mythological animals had been concealed by unnamed parties; taxonomy records were destroyed, constellation records were changed, fairy tales were altered and rewritten, all in an attempt to ignore our true history.
Black speculated that perhaps the human being is not the best result of evolution; perhaps our ancestors shared traits with some of the ancient animals or, more accurately, ancient mythological animals. Black claimed that scientific evidence proving the existence of ancient mythological animals had been concealed by unnamed parties; taxonomy records were destroyed, constellation records were changed, fairy tales were altered and rewritten, all in an attempt to ignore our true history.
February 24, 2025
Esta novedad de Minotauro me dejó sin aliento desde la primera vez que la vi y es que es innegable lo impecable que ha sido el trabajo de edición! Se llama El resurreccionista y es de E.B. Hudspeth
A pesar de todo, este libro no es lo que yo me esperaba, aunque si os soy sincera no tengo ni idea de qué esperaba. En fin, que no es una novela, sino que está dividido en dos partes.
Tenemos una primera parte en la que se nos hace una biografía ficticia del Doctor Spencer Black incluyendo fragmentes de sus diarios, recortes de periódico y demás. Y una segunda parte en la que nos encontramos con sus ilustraciones sobre criaturas mitológicas y sus descripciones y apuntes de las mismas.
Y es que lo interesante del asunto es que este médico se obsesionó por las mutaciones que sufrían algunas personas y su forma de explicarlas fue que los humanos provenimos de las criaturas mitológicas que, según él, efectivamente existieron. Creo que no hace falta que os diga que durante su biografía vamos a asistir a su caída en la locura.
El resurreccionista es una historia diferente, una edición preciosa y uno de esos libros de los que cualquier lector quiere presumir en sus estanterías!
A pesar de todo, este libro no es lo que yo me esperaba, aunque si os soy sincera no tengo ni idea de qué esperaba. En fin, que no es una novela, sino que está dividido en dos partes.
Tenemos una primera parte en la que se nos hace una biografía ficticia del Doctor Spencer Black incluyendo fragmentes de sus diarios, recortes de periódico y demás. Y una segunda parte en la que nos encontramos con sus ilustraciones sobre criaturas mitológicas y sus descripciones y apuntes de las mismas.
Y es que lo interesante del asunto es que este médico se obsesionó por las mutaciones que sufrían algunas personas y su forma de explicarlas fue que los humanos provenimos de las criaturas mitológicas que, según él, efectivamente existieron. Creo que no hace falta que os diga que durante su biografía vamos a asistir a su caída en la locura.
El resurreccionista es una historia diferente, una edición preciosa y uno de esos libros de los que cualquier lector quiere presumir en sus estanterías!
January 17, 2021
Geniale.
Grottesco e disturbante, affascinante ed fiabesco.
Weird e gotico.
Mary Shelley incontra Lovecraft e si mettono a parlare di Darwin praticamente...
La biografia di un folle scienziato che mette in discussione gli assiomi della scienza medica alla ricerca di una verità forse folle, forse incredibile ma decisamente possibile.
Letto per la ReadingTheDark Challenge per gennaio si merita 5 stelle a mani basse.
Grottesco e disturbante, affascinante ed fiabesco.
Weird e gotico.
Mary Shelley incontra Lovecraft e si mettono a parlare di Darwin praticamente...
La biografia di un folle scienziato che mette in discussione gli assiomi della scienza medica alla ricerca di una verità forse folle, forse incredibile ma decisamente possibile.
Letto per la ReadingTheDark Challenge per gennaio si merita 5 stelle a mani basse.
September 6, 2013
MAY 27, 2013
The Resurrectionist Review
Do you remember when horror, dark fantasy, and weird fiction were almost as fringe as the occult studies themselves? Unfortunately for many fans of the grotesque and horrible, the stratospheric rise of franchises like Twilight and Harry Potter have, whatever their individual merits, stripped us of our creepers and crawlers, nightmares and madness, and returned them as a sanitized, sterile, and often vapid caricatures for their former macabre beauty. It can be tough to find quality examples of twisted fiction in today's saturated market with its deluge of zombies, vampires, and dime-a-dozen serial killers, murderous vigilantes, and caped crusaders. But if, like me, you value true fright for the sake of its uncanny allure, if you like gazing over the edge of the abyss into the quivering, cannibalistic recesses of the human mind, I've got some horribl(ly) excellent news for you. The Ressurectionist, by E.B. Hudsperth, is a one-of-a-kind treasure. And it's damn beautiful, too.
Quirk Books is a publisher of books that are, well, quirky. I'd be hard pressed to describe The Resurrectionist so lightly, though. When I think "quirky," I think ironic, dryly humorous and maybe with a tinge of underground dissent or unexpected cuteness. I don't think "mad scientist," I don't think "taxidermy gone knives-to-the-wall crazy," and I most certainly don't think "alternate evolutionary theories, Darwin be damned!" But that's precisely what's the the book purports to be. A fascinating blend of fiction and art, The Resurrectionist sinks its hooks into your guts and doesn't let go as it examines with the unflinching scrutiny of an autopsy the strange life of Dr. Spencer Black and his increasingly deranged work. The first half of the book is that biographic novella, which weighs in at 63 pages; the second half is an equally long full-page anatomical study of some of the most famous creatures out of myth and legend. These include skeletal, muscular, and tissue-level renderings. Hudsperth’s fantastic art is worthy of its own coffee-table book, providing plenty of examples for all levels of horror geeks to learn and examine. Think of this as a Grey's Anatomy of cryptids, and you'd be on the right track.
But The Resurrectionist is not a one-trick pony. I might try to sell itself on the merits of the fascinating art in the back, but that doesn't mean the biography is allowed to skid by on easy heels. The study of Dr. Black's life is fully fleshed out and disturbingly believable. For fans of Lovecraft, Stephen King, or any quality horror writer, Dr. Black's archetype will be instantly recognizable: a misguided genius driven to psychopathy by the same enlightenment that elevated him in the first place. Characters like Richard Pickman, the musician in "The Music of Erich Zann," and of course the mad Arab himself would find kin in Spencer Black's spirit.
Chronicling the rise of Black from his childhood all the way to his life, Hudsperth’s fictional reconstruction of Black's psyche reveals all the tells of a true madman: early, gruesome exposure to death, a fascination with the impossible, and the deep sense of isolated understanding genius is supposed to bring. His father, a grave-robbing anatomist, often called a "Resurrectionist" because of the bodies he steals, teaches his sons to study closely and carefully the secrets of the human body. By his early twenties, Spencer Black proves himself to be a prodigy surgeon, his genius is fourishing to perform medical miracles that win him fame the world over. But like the many evil geniuses before him, he is impatient with the knife, unsatisfied with the imperfect work it does. He turns to darker, older secrets, to the lore of the old world in which he finds, eventually, an alternative theory to the pervading Darwinian explanation of biological evolution. From this new understanding, he reasons, all of the monsters of myth and legend came to evolve into the human race.
This belief drives him to the fringe, much the way of Dr. Taleyarkhan and others regarding Cold Fusion in the twentieth century. In his search for "evidence," Black's chronicler does little to discourage the reader from despising him. It reads like one would expect a textbook examination of a monster to read; the bias is clear and unshorn. This lends a further sense of credence to the tale, since it gives the illusion of a studied and long-held grudge against the man, similar to how we view Jack the Ripper nowadays with a macabre fascination and abhorrence. Indeed, Jack and Spencer share much and more.
What struck me most about The Resurrectionist is how well it is put together. The novella is well-written and precisely paced, to be sure, but it works its magic in the conjectured diagnosis of Spencer Black's motive. The included letters from various participants, scribbled nonsense, and circus-style advertisements for his godforsaken sideshows crank the verisimilitude to 11. And, it bears mentioning that the typeface, coloring, and internal layout scream care and attention.
It goes without saying, too, that a lot of love was poured into the anatomical portion of the book. Those strange taxidermist drawings are given both reason and justifications for existence by the unsettling tale that preludes them, which in turn requires the drawings to exist. The book could have been like any bargain-bin visual sell, one of the dozens perpetually resident in the Barnes &Noble clearance isles, but the production is as sleek and svelte as can be. I can't imagine this there; it belongs right in the art section, perhaps alongside the fantasy where normally your find art books dedicated to Tolkien and Lovecraft.
Part Frankenstein, part Gray's Anatomy, and seemingly sprung from the mind of a man like H.H. Holmes, The Resurrectionist makes it nearly impossible to tear your eyes away from the horror and spectacle it presents. I can think of a hundred people who would find this a terribly disagreeable book.... and a lot more who wouldn't be able to set it down.
The Resurrectionist exists with grim purpose and grotesque style, seeking to recapture our fascination with the politically-incorrect freak shows of yesteryear (we call it Reality TV today). For a fan of dark fantasy and horror, it represents the fusing of two distinct lines of interest into a peerless package of twisted genius.
September 20, 2025
Il codice delle creature estinte è un'opera d'arte dell'assurdo, su bizzarrie ed altre trucche direbbe Alex DeLarge. Ma è non solo questo, è anche un'opera horror/gotica d'atmosfera. Oppure anche come un romanzo scientifico, ma di una scienza aliena?
L'oggetto in sè è un capolavoro più unico che raro, con illustrazioni di una qualità eccelsa e di una cura editoriale maniacale. Un oggetto da collezione.
Un'opera oscura, aliena, affascinante quanto agghiacciante, aliena quanto terrena e leggendolo mi son chiesto ad ogni pagina, ma quanto è, alle volte, geniale ed immaginifica la mente umana?
Imprescindibile per chi come me è affascinato dai misteri oscuri e crepuscolari e lettore di libri horror!
L'oggetto in sè è un capolavoro più unico che raro, con illustrazioni di una qualità eccelsa e di una cura editoriale maniacale. Un oggetto da collezione.
Un'opera oscura, aliena, affascinante quanto agghiacciante, aliena quanto terrena e leggendolo mi son chiesto ad ogni pagina, ma quanto è, alle volte, geniale ed immaginifica la mente umana?
Imprescindibile per chi come me è affascinato dai misteri oscuri e crepuscolari e lettore di libri horror!
November 15, 2015
My rating: 2.5 of 5 stars
A copy of The Resurrectionist was provided to me by Quirk Books for review purposes.
'I have butchered many men. All are innocent and equaled when they are on the table. All are exquisite and grotesque.'
Dr. Spencer Black is a controversial surgeon in the late 1870's who has developed a fascination with the deformities of the human body. It's a gruesome and at times shocking tale of the lengths the good doctor would go to in order to continue his research.
This story definitely had potential to fascinate, especially regarding the aspects that Black believed deformities were actually 'evidence of a genetic code that was not completely eradicated'. The idea that mythological creatures were ancestors of humankind is really quite intriguing but unfortunately failed to stir any lasting interest. It all read like a Wiki page: informative yet dry and oftentimes tedious. I think it would have been much more interesting if written as an actual short story or novella rather than a biography.
The best part of this book was the amazing artwork included in Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts. The artwork was incredibly detailed and Reading this book as an ebook would hardly do it justice considering this is very much a coffee-table type book. It's also a book that could be read through quickly (considering the text amounts to approximately 65 pages) but considering the style of writing it may be more interesting to read small bits at a time.
Overall I found The Resurrectionist to be a macabre tale that will likely interest fans of Frankenstein and Dr. Moreau. The artwork is truly the most interesting part of this book and is worth checking out for that alone.
A copy of The Resurrectionist was provided to me by Quirk Books for review purposes.
'I have butchered many men. All are innocent and equaled when they are on the table. All are exquisite and grotesque.'
Dr. Spencer Black is a controversial surgeon in the late 1870's who has developed a fascination with the deformities of the human body. It's a gruesome and at times shocking tale of the lengths the good doctor would go to in order to continue his research.
This story definitely had potential to fascinate, especially regarding the aspects that Black believed deformities were actually 'evidence of a genetic code that was not completely eradicated'. The idea that mythological creatures were ancestors of humankind is really quite intriguing but unfortunately failed to stir any lasting interest. It all read like a Wiki page: informative yet dry and oftentimes tedious. I think it would have been much more interesting if written as an actual short story or novella rather than a biography.
The best part of this book was the amazing artwork included in Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts. The artwork was incredibly detailed and Reading this book as an ebook would hardly do it justice considering this is very much a coffee-table type book. It's also a book that could be read through quickly (considering the text amounts to approximately 65 pages) but considering the style of writing it may be more interesting to read small bits at a time.
Overall I found The Resurrectionist to be a macabre tale that will likely interest fans of Frankenstein and Dr. Moreau. The artwork is truly the most interesting part of this book and is worth checking out for that alone.
March 19, 2018
3.5 stars. Inventive idea to combine grave robbing, and mid-1800s medicine with carnivals and cryptids. Dr Spencer Black begins as an assistant grave robber for his father, then becomes a doctor and a gifted surgeon. He becomes fascinated by the idea that mythical creatures existed in the past, and human mutations (fused digits and other unusual bony and soft structures) are remnants of these creatures in our physiology. Spencer Black begins experimenting on animals, fusing different animals' body parts together, and eventually loses the respect of his peers for his claims and behaviours and beliefs. Spencer appears progressively crazy to others while he travels the world, first with a carnival, then on his own, searching for evidence for his hypotheses and continuing his experiments. Then he disappears.
I liked the creepiness and though the style of writing didn't feel 1800s enough, I enjoyed the writing nonetheless. The codex of anatomy studies of various cryptids following the story of Spencer Black is well done, and feels like a serious study by an early surgeon.
I liked the creepiness and though the style of writing didn't feel 1800s enough, I enjoyed the writing nonetheless. The codex of anatomy studies of various cryptids following the story of Spencer Black is well done, and feels like a serious study by an early surgeon.
June 1, 2013
This book takes a potentially fascinating premise and renders it duller than dishwater. Anatomical drawings of mythic creatures, ostensibly assembled and then dissected (huh?) by the fictional surgeon/vivisectionist/taxidermist/lunatic Dr. Spencer Black, lack explanations of the weird details while taking pains to clearly label obvious structures like the clavicle and the sacrum. The introductory biographical sketch of the aforementioned Dr. Black which begins the book could have benefited greatly from more historical research (for example, there is mention made of a "genetic code" in the late nineteenth century, decades before the establishment of "genetics" as a science and almost a century before the DNA "code" was unencrypted) and it was also, as another reviewer has said, "functional" rather than interesting. This is definitely a case where the book should not be judged by its cover.
June 11, 2017
Morbid. Macabre. Shocking. OK enough adjectives for you. I will warn any readers who are shrinking violets to avoid this book altogether. The Philadelphia's Museum of Medical Antiquities helped in the publishing of this book by providing many of the preserved notes.
It is a shocking and disturbing, depending on your mindset, biography of a deeply brilliant and shockingly disturbed Doctor. Born in Boston in 1851, Dr. Spencer Black and his older brother, Bernard, to renowned surgeon Gregory Black. Dr. Black was a respected professor of anatomy at the Medical Arts College of Boston. But he had a dark side-many of the cadavers for his research came from grave-robbing. In fact, he took his sons with him on his escapades to find "subjects". The father dies of smallpox in 1868 and this convinces both brothers to pursue medical studies. Both brothers enter the Philadelphia Academy of Medicine and while Bernard is quite a good student, it turns out that Spencer is brilliant. Bernard focus on natural history, fossils and natural sciences. Spencer in his first year begins to specialize in the studies of mutations and focuses on sharpening his illustrations skills by sketching anatomy for other Professors.
Eventually Spencer's brilliance leads him getting his own Ward-Ward C. Inside Ward C revolutionary medical procedures cement Spencer's reputation as a prodigy. His illustrative skill has also reached an exceptional level. The rest of the book-using his notes and diary entries shows the slow and steady disintegration of this brilliant mind. His fascination with vivisection and anatomy have caused him to alienate his other colleagues with his bizarre utterances about legendary creatures.
I will not ruin the rest-but it is rather shocking and graphic when you find out what Dr. Black has really been up to. The rest of the book, which is divided into two parts, finishes the downright shocking and horrifying biography of a once brilliant, but now deeply disturbed person. I will warn you that what is described, is rather graphic.
The second part of the book is the Codex Extinct Animalia- stunning reproductions of his vivisectional sketches. He thought there were real mythological creatures and spent time creating "real life" versions of these mythological beats.
Again an interesting, but disturbing look, into a brilliantly decaying mind. If you like horror, I highly recommend this. A beautiful book, well illustrated and of high quality design. This one will grace my tabletop and shock my friends for a long time.
It is a shocking and disturbing, depending on your mindset, biography of a deeply brilliant and shockingly disturbed Doctor. Born in Boston in 1851, Dr. Spencer Black and his older brother, Bernard, to renowned surgeon Gregory Black. Dr. Black was a respected professor of anatomy at the Medical Arts College of Boston. But he had a dark side-many of the cadavers for his research came from grave-robbing. In fact, he took his sons with him on his escapades to find "subjects". The father dies of smallpox in 1868 and this convinces both brothers to pursue medical studies. Both brothers enter the Philadelphia Academy of Medicine and while Bernard is quite a good student, it turns out that Spencer is brilliant. Bernard focus on natural history, fossils and natural sciences. Spencer in his first year begins to specialize in the studies of mutations and focuses on sharpening his illustrations skills by sketching anatomy for other Professors.
Eventually Spencer's brilliance leads him getting his own Ward-Ward C. Inside Ward C revolutionary medical procedures cement Spencer's reputation as a prodigy. His illustrative skill has also reached an exceptional level. The rest of the book-using his notes and diary entries shows the slow and steady disintegration of this brilliant mind. His fascination with vivisection and anatomy have caused him to alienate his other colleagues with his bizarre utterances about legendary creatures.
I will not ruin the rest-but it is rather shocking and graphic when you find out what Dr. Black has really been up to. The rest of the book, which is divided into two parts, finishes the downright shocking and horrifying biography of a once brilliant, but now deeply disturbed person. I will warn you that what is described, is rather graphic.
The second part of the book is the Codex Extinct Animalia- stunning reproductions of his vivisectional sketches. He thought there were real mythological creatures and spent time creating "real life" versions of these mythological beats.
Again an interesting, but disturbing look, into a brilliantly decaying mind. If you like horror, I highly recommend this. A beautiful book, well illustrated and of high quality design. This one will grace my tabletop and shock my friends for a long time.
November 16, 2021
“How can the body, being designed and charged to a specific task, mutate and abandon its function without the fulfillment of another one?”
***
“He believed that the mutations were manifestations of the ancient past he had written about—evidence of a genetic code that was not completely eradicated.”
What can one say about this book and not overly spoil it? It's a classic story of science dabbling into madness and mystique. The story is divided into two parts, the first is written in what resembles to be a non-fiction biography of Doctor Spencer Black and the second is a collection of anatomical drawings that follow Dr. Spencer's scientific research, a kind of bestiary.
The main problem I had with this book is that the story part is not developed enough, it wasn't very convincing, at least not to me. The drawings and the core idea were innovative and interesting, definitely the strongest parts of this book.
Final thoughts : Creative but underdeveloped and nebulous for my taste.
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An overall mild reading experience, I was expecting a bit more creepiness (the illustrations were nice though); review to come.
January 6, 2020
A questo libro non chiedevo molto, bastava che mi intrattenesse per una o due sere con ingredienti a sua scelta tra trama curiosa, sense of wonder, atmosfere vittoriane, ambientazioni gotiche, sensibilità vecchio stampo, etc... in poche parole tutto ciò che prometteva la sinossi.
Quel che mi sono ritrovata in mano, invece, è un libretto commerciale che fa il verso a "Frankenstein" - e lo fa male - ma che non si avvicina neanche ad un decimo della sua ricchezza e maturità pur proponendo nuovi orizzonti tutti da esplorare all'interno del genere. Il fatto che pro e contro siano perfettamente bilanciati mi porta ad un voto che per i miei standard equivale ad una semplice scrollata di spalle. Meh!
Regalo un punto extra perché almeno leggerlo in lingua originale garantisce una sicura utilità...
Quel che mi sono ritrovata in mano, invece, è un libretto commerciale che fa il verso a "Frankenstein" - e lo fa male - ma che non si avvicina neanche ad un decimo della sua ricchezza e maturità pur proponendo nuovi orizzonti tutti da esplorare all'interno del genere. Il fatto che pro e contro siano perfettamente bilanciati mi porta ad un voto che per i miei standard equivale ad una semplice scrollata di spalle. Meh!
Regalo un punto extra perché almeno leggerlo in lingua originale garantisce una sicura utilità...
February 3, 2020
Born in 1851, young Spencer Black grew up without a mother, with a scientist grave robber – or “Resurrectionist” – of a father. Thus, from a young age, Spencer was well acquainted with Death.
Despite his macabre beginnings, however, Spencer’s studies and career as a doctor are bright. Quickly, he makes a name for himself as a brilliant scientific mind with a penchant for big ideas and an unparalleled success rate. He weds a woman whom he loves, and starts a family. Every possible future in Spencer’s life is bright and shining with potential.
But then, as it happens so often in the canon of the mad scientist, death and obsession possess young Spencer, twisting his idealism and passion into something tortured and dark. After losing one of his children, Spencer divers ever-deeper into his research of mutations and the human form, leading to gruesome experiments and his expulsion from the ranks of respected scientists. His theory that the supernatural creatures of myths such as satyrs and sirens are actually real and predecessors of modern humans – that mutations are a hearkening back to these forms and steps on the evolutionary ladder – is emphatically rejected by his former colleagues. His Codex Extinct Animalia is met with universal criticism, and only a scant handful of copies are printed. Reduced to a sideshow in a travelling circus, Spencer continues his crusade to beat death and correct mutation – a mission that Spencer completes, but at the ultimate cost.
Part fictional biography, part illustrated scientific field guide to monsters of legend, The Resurrectionist is, conceptually, a pretty groovy book. As a package, with its larger trim size and two-color illustrations (not to mention sketches throughout the biography section), The Resurrectionist is gorgeously, deliciously creepy in its composition. The biggest strength and draw to this series are these carefully considered and labeled illustrations of fierce mythological and fantastical creatures. In Doctor Black’s notes, he explains how the frail human bones could support the towering, disproportionate weight of an elephant head and tusks (Ganesha Orientis), how a mermaid would have evolved from an air-breathing mammal to respirating through gills while still possessing a human ribcage (Siren Oceanus), or how a horse with wings would need air sacs throughout its body to breathe and fly (Pegasus Gorgonis). Each of the creatures within Black’s Codex are drawn with care, featuring multiple pages and sketches of musculature, bones, and written scientific explanation – truly, this is a type of Grey’s Anatomy for the macabre. To me, these sketches are the heart and soul of the book and infinitely more compelling than the book’s other half…
Which brings me to The Story. In actuality, Doctor Spencer Black’s biography is shockingly brief. We’re talking 65 pages brief. Novella brief. The length isn’t really the issue, though – the problem with the biography section is how frankly mundane it is. Spencer Black’s story is one that we’ve heard before; it’s the story of Victor Frankenstein, of Doctor Moreau, Faustus, and Rotwang. It is a trope that I love when it is done correctly – see Rick Yancey’s masterful Monstrumologist books, or Kenneth Oppel’s This Dark Endeavor – but The Resurrectionist, unfortunately isn’t quite in the same league. Narrated in a decidedly modern voice reflecting and piecing together Spencer’s story with letters and journal entries from Doctor Black (and his older brother Bernard), the biography itself feels scattered and inconsistent. The voice of Spencer in his letters and journals feels slightly too contemporary for the late 19th century (made all the more glaring with the modern voice of the biographer) and the familiar progression of Doctor Black’s demise by hubris is predictable and lacking the necessary elegance and uniqueness to make this part of the book truly memorable.
These criticisms said, The Resurrectionist is much more than just a 70 page fictitious biography – it is a work of art and a gorgeously composed package, and for that reason The Resurrectionist is certainly worth the read. And, while I’m giving the novella portion a hard time, at least it is a quick and absorbing enough read which lends important perspective to the drawings that dominate the page count (each of which are far more compelling than the writing). Especially that last drawing, Spencer Black’s piece de resistance: The Harpy. Oh, trust me – the Harpy is GOOD.
In other words: come for the killer premise, stay for the Codex Extinct Animalia. Recommended, albeit with some reservations.
Despite his macabre beginnings, however, Spencer’s studies and career as a doctor are bright. Quickly, he makes a name for himself as a brilliant scientific mind with a penchant for big ideas and an unparalleled success rate. He weds a woman whom he loves, and starts a family. Every possible future in Spencer’s life is bright and shining with potential.
But then, as it happens so often in the canon of the mad scientist, death and obsession possess young Spencer, twisting his idealism and passion into something tortured and dark. After losing one of his children, Spencer divers ever-deeper into his research of mutations and the human form, leading to gruesome experiments and his expulsion from the ranks of respected scientists. His theory that the supernatural creatures of myths such as satyrs and sirens are actually real and predecessors of modern humans – that mutations are a hearkening back to these forms and steps on the evolutionary ladder – is emphatically rejected by his former colleagues. His Codex Extinct Animalia is met with universal criticism, and only a scant handful of copies are printed. Reduced to a sideshow in a travelling circus, Spencer continues his crusade to beat death and correct mutation – a mission that Spencer completes, but at the ultimate cost.
Part fictional biography, part illustrated scientific field guide to monsters of legend, The Resurrectionist is, conceptually, a pretty groovy book. As a package, with its larger trim size and two-color illustrations (not to mention sketches throughout the biography section), The Resurrectionist is gorgeously, deliciously creepy in its composition. The biggest strength and draw to this series are these carefully considered and labeled illustrations of fierce mythological and fantastical creatures. In Doctor Black’s notes, he explains how the frail human bones could support the towering, disproportionate weight of an elephant head and tusks (Ganesha Orientis), how a mermaid would have evolved from an air-breathing mammal to respirating through gills while still possessing a human ribcage (Siren Oceanus), or how a horse with wings would need air sacs throughout its body to breathe and fly (Pegasus Gorgonis). Each of the creatures within Black’s Codex are drawn with care, featuring multiple pages and sketches of musculature, bones, and written scientific explanation – truly, this is a type of Grey’s Anatomy for the macabre. To me, these sketches are the heart and soul of the book and infinitely more compelling than the book’s other half…
Which brings me to The Story. In actuality, Doctor Spencer Black’s biography is shockingly brief. We’re talking 65 pages brief. Novella brief. The length isn’t really the issue, though – the problem with the biography section is how frankly mundane it is. Spencer Black’s story is one that we’ve heard before; it’s the story of Victor Frankenstein, of Doctor Moreau, Faustus, and Rotwang. It is a trope that I love when it is done correctly – see Rick Yancey’s masterful Monstrumologist books, or Kenneth Oppel’s This Dark Endeavor – but The Resurrectionist, unfortunately isn’t quite in the same league. Narrated in a decidedly modern voice reflecting and piecing together Spencer’s story with letters and journal entries from Doctor Black (and his older brother Bernard), the biography itself feels scattered and inconsistent. The voice of Spencer in his letters and journals feels slightly too contemporary for the late 19th century (made all the more glaring with the modern voice of the biographer) and the familiar progression of Doctor Black’s demise by hubris is predictable and lacking the necessary elegance and uniqueness to make this part of the book truly memorable.
These criticisms said, The Resurrectionist is much more than just a 70 page fictitious biography – it is a work of art and a gorgeously composed package, and for that reason The Resurrectionist is certainly worth the read. And, while I’m giving the novella portion a hard time, at least it is a quick and absorbing enough read which lends important perspective to the drawings that dominate the page count (each of which are far more compelling than the writing). Especially that last drawing, Spencer Black’s piece de resistance: The Harpy. Oh, trust me – the Harpy is GOOD.
In other words: come for the killer premise, stay for the Codex Extinct Animalia. Recommended, albeit with some reservations.
February 13, 2020
3.5 stars
October 30, 2024
reading this as a med graduate is so fun and interesting because i caught on to the medical jargon, which is why i get why it's not for everyone. i just wish this book is longer and we get a better resolution to the story
June 15, 2013
Hybrid Art Forms in Man: At what point does “man” begin and “animal” end?
The Resurrectionist: The Lost Work of Dr. Spencer Black opens with a dense, interesting narrative: the biography of the dark protagonist. Readers tend to get bored with extended narratives, so this introduction is appropriately short. It is a compelling setup, of course, for the illustrations (the latter 2/3rds of book). The author sets the horrific tenor here, enticing the reader to share the excitement that Spencer feels for defining the human condition. Only sensitive readers will cringe at the horror since author E.B. Hudspeth is tactful in his delivery of the macabre. He, like his character Spencer, merely wants to set the readers “free.” True to the role of speculative fiction, he presents art that appears real…then lets the reader ponder the boundary between fact/fiction. The below quote from Spencer seems to echo Hudspeth’s motivation:
The setting is ideal for redefining the nature of “man.” The turn of the 19th century was rich with advances in evolutionary theory, science, and even speculative fiction. Anatomists, philosophers, and scientists ruminated on how far to extrapolate Darwin’s assertions. Most understood that all vertebrates shared a common skeletal structure; but if animals and man were connected in their development, was it not reasonable to reconsider the existence of creatures termed mythological? Were centaurs real? Harpies? Demons? Spencer Black needed to know. Hudspeth uses him to lure us on this quest.
There are real life analogues to the fictitious Spencer. Ernst Haeckel (1834–1919) comes to mind. A dedicated, philosophical scientist with outstanding artistic skills, he documented thousands of life forms and published his beautiful plates in “Art Forms in Nature” (translated from German: Kunstforman der Natur). But then his fascination with Art-Nature caused an uproar when he tweaked his drawings of embryos in 1874. Haeckel envisioned familiarities across the embryos of fish, salamanders, turtles, pigs, rabbits, and humans; then he represented these in an evocative table. At a time when photography was not practiced, data was art…and vice versa. Some still claim his drawings were legitimate, but in any case, his artistic embellishments stirred a controversy. That controversy is the same the Hudspeth delivers:
At what point does “man” begin and “animal” end?
The fictional Spencer Black is more corrupt than the real Ernest Haeckel, but now their books share space on my bookshelf. I recommend the hardcopy so you can use it as coffee table book. The anatomical drawings of mythological creatures will certainly entertain and inspire. Preview his artwork at his website: http://ebhudspeth.com/blog/artwork/ .
The Resurrectionist: The Lost Work of Dr. Spencer Black opens with a dense, interesting narrative: the biography of the dark protagonist. Readers tend to get bored with extended narratives, so this introduction is appropriately short. It is a compelling setup, of course, for the illustrations (the latter 2/3rds of book). The author sets the horrific tenor here, enticing the reader to share the excitement that Spencer feels for defining the human condition. Only sensitive readers will cringe at the horror since author E.B. Hudspeth is tactful in his delivery of the macabre. He, like his character Spencer, merely wants to set the readers “free.” True to the role of speculative fiction, he presents art that appears real…then lets the reader ponder the boundary between fact/fiction. The below quote from Spencer seems to echo Hudspeth’s motivation:
I hear them marvel at my work—my indignant science. I hear them call out in fear of what they see. And there are some gentlemen who doubt what I will tell them. They call me a liar and a charlatan or a quack. But in time the methods of science that I now employ to convince people will surely set them free—alas, this I cannot explain to the angry fools.
The setting is ideal for redefining the nature of “man.” The turn of the 19th century was rich with advances in evolutionary theory, science, and even speculative fiction. Anatomists, philosophers, and scientists ruminated on how far to extrapolate Darwin’s assertions. Most understood that all vertebrates shared a common skeletal structure; but if animals and man were connected in their development, was it not reasonable to reconsider the existence of creatures termed mythological? Were centaurs real? Harpies? Demons? Spencer Black needed to know. Hudspeth uses him to lure us on this quest.
There are real life analogues to the fictitious Spencer. Ernst Haeckel (1834–1919) comes to mind. A dedicated, philosophical scientist with outstanding artistic skills, he documented thousands of life forms and published his beautiful plates in “Art Forms in Nature” (translated from German: Kunstforman der Natur). But then his fascination with Art-Nature caused an uproar when he tweaked his drawings of embryos in 1874. Haeckel envisioned familiarities across the embryos of fish, salamanders, turtles, pigs, rabbits, and humans; then he represented these in an evocative table. At a time when photography was not practiced, data was art…and vice versa. Some still claim his drawings were legitimate, but in any case, his artistic embellishments stirred a controversy. That controversy is the same the Hudspeth delivers:
At what point does “man” begin and “animal” end?
The fictional Spencer Black is more corrupt than the real Ernest Haeckel, but now their books share space on my bookshelf. I recommend the hardcopy so you can use it as coffee table book. The anatomical drawings of mythological creatures will certainly entertain and inspire. Preview his artwork at his website: http://ebhudspeth.com/blog/artwork/ .
October 22, 2024
.25 stars.. so bad. Just… No. No. No. No. Hard No. This may be the worst “book” I’ve read yet, if you can even call it a book. Wtf even was this??
It’s a fake biography of a weirdo “doctor” and it’s not at all scary. Most of the book is illustrations and I finished the whole thing in a couple hours. I want my money back. Don’t waste your time or money. I want those two hours of my life back! 😑
It’s a fake biography of a weirdo “doctor” and it’s not at all scary. Most of the book is illustrations and I finished the whole thing in a couple hours. I want my money back. Don’t waste your time or money. I want those two hours of my life back! 😑
May 13, 2025
Paradossalmente la parte che mi è piaciuta di più è quella che inizialmente non mi andava molto di leggere (cioè la finta biografia), mentre la parte che non vedevo l'ora di scoprire non mi ha pienamente soddisfatto. Nel complesso lettura molto "piacevole"
May 3, 2013
**This book was received as an ARC from Quirk Books.
The Resurrectionist: The Lost Work of Dr. Spencer Black is essentially two books in one, the first being The Life of Dr Spencer Black. Believing that mythological creatures are our (human) ancestors, Dr Black proceeds to embark on a journey of scientific discovery. A journey that seems to slowly drive him into madness and ruins any credibility he may have had within his field of study. I will give word of warning, this section is most definitely not for someone with a weak stomach. It is very descriptive and there is a good portion dealing with vivisection, which is essentially surgery/dissection of a living creature. While it is very descriptive and gruesome, I found it also very intriguing and actually wish this section was longer.
The second section is The Codex Extinct Anamalia in which Dr Black documents and illustrates his findings of the lesser known species of the animal kingdom. This section is mostly illustrations of various species muscular and skeletal structure done very similarly to Gray's Anatomy. It is well done artwork and for those with great interest in the structure and anatomy of mythological species this is a wonderfully detailed and well done section. I could even see tattoo artists using this as inspiration for pieces.
The Resurrectionist: The Lost Work of Dr. Spencer Black is a very unique piece of work that would fit very well as a coffee table book in the right household. Filled with highly imaginative and detailed illustrations and a disturbing view into the psyche of what I view as a highly intelligent doctor turned mad by his obsession.
The Resurrectionist: The Lost Work of Dr. Spencer Black is essentially two books in one, the first being The Life of Dr Spencer Black. Believing that mythological creatures are our (human) ancestors, Dr Black proceeds to embark on a journey of scientific discovery. A journey that seems to slowly drive him into madness and ruins any credibility he may have had within his field of study. I will give word of warning, this section is most definitely not for someone with a weak stomach. It is very descriptive and there is a good portion dealing with vivisection, which is essentially surgery/dissection of a living creature. While it is very descriptive and gruesome, I found it also very intriguing and actually wish this section was longer.
The second section is The Codex Extinct Anamalia in which Dr Black documents and illustrates his findings of the lesser known species of the animal kingdom. This section is mostly illustrations of various species muscular and skeletal structure done very similarly to Gray's Anatomy. It is well done artwork and for those with great interest in the structure and anatomy of mythological species this is a wonderfully detailed and well done section. I could even see tattoo artists using this as inspiration for pieces.
The Resurrectionist: The Lost Work of Dr. Spencer Black is a very unique piece of work that would fit very well as a coffee table book in the right household. Filled with highly imaginative and detailed illustrations and a disturbing view into the psyche of what I view as a highly intelligent doctor turned mad by his obsession.
April 19, 2023
کتاب جالبی بود.
دوستش داشتم.
ایده ی کلی نویسنده که اومده بود یه کتاب کاملن فیکشنال رو به صورت علمی نوشته بود و گزارشی و خبری رو دوست داشتم. (هر کتابی تو این مدل میشناسید بسیار سپاسگزار خواهم شد اگه معرفی کنین بهم.)
نیمه اول کتاب حرف های جالبی داشت.
از یه جا به بعد هم دیگه بلک مغزش همون دوتا فیوزی که انسان نگهش داشته بود رو زد سوزوند.
اخرای کتاب، قسمت مثلن اضافه شده ای که کارای خود بلک بود هم خیلی زیبا بود. تو کیفیت ایپابی که داشتم نوتشه های کنار این آناتومی های عجیب غریب جذابش خونده نمیشدن اکثرن. ولی ظرافت و دقت بسیار خوب و کافی ای به ما. گرفته بود برا تصویر کردن آناتومی ها.
یه سری کوچولو هم ریفر داده بود به اسطوره های مربوط به هر موجود.
کلن مد ساینتیست جالبی بود.
متن کتاب اولاش چیزای باحالی داشت
یکم اینجا سیو کنم:
دوستش داشتم.
ایده ی کلی نویسنده که اومده بود یه کتاب کاملن فیکشنال رو به صورت علمی نوشته بود و گزارشی و خبری رو دوست داشتم. (هر کتابی تو این مدل میشناسید بسیار سپاسگزار خواهم شد اگه معرفی کنین بهم.)
نیمه اول کتاب حرف های جالبی داشت.
از یه جا به بعد هم دیگه بلک مغزش همون دوتا فیوزی که انسان نگهش داشته بود رو زد سوزوند.
اخرای کتاب، قسمت مثلن اضافه شده ای که کارای خود بلک بود هم خیلی زیبا بود. تو کیفیت ایپابی که داشتم نوتشه های کنار این آناتومی های عجیب غریب جذابش خونده نمیشدن اکثرن. ولی ظرافت و دقت بسیار خوب و کافی ای به ما. گرفته بود برا تصویر کردن آناتومی ها.
یه سری کوچولو هم ریفر داده بود به اسطوره های مربوط به هر موجود.
کلن مد ساینتیست جالبی بود.
متن کتاب اولاش چیزای باحالی داشت
یکم اینجا سیو کنم:
The truth is a commodity that is rarely distributed
in these empirical times. What evidence can be given
that the sun is bright on both of its sides? I cannot
prove this, so is it thusly untrue?
When death arrives, the very life inside of you knows its own fate; it writhes and claws with a ferocity that has no equal. Then in a quick moment, there is no more pain and you can hear the sound of death.
When one dies they neither ascend to the heavens nor descend to hell, they instead become cured—freed from an illness and healed from the suffering of mortality.
August 2, 2020
Holy cow.
(yes, im sure that was one of his creations as well)
What an absolutely haunting, macabre, disturbingly intriguing tale of a doctors decent into a place of untold mysteries, madness and the venture of death.
The letters and story of Dr. Black and his family's lives and the progression of their tale was fascinating and utterly horrifying.
The ravings of a mad man.
The mysteries of his life and creations.
The horrors created for the journey of discovery and answers hidden in life.
What an absolutely riveting story, filled with beautiful anatomical pictures of creatures that fill you with a sense of wonder and unease.
5 The last stone I unturned in my quest was the tombstone... Come quickly.
-S. Black.
Stars☆☆☆☆☆
(yes, im sure that was one of his creations as well)
What an absolutely haunting, macabre, disturbingly intriguing tale of a doctors decent into a place of untold mysteries, madness and the venture of death.
The letters and story of Dr. Black and his family's lives and the progression of their tale was fascinating and utterly horrifying.
The ravings of a mad man.
The mysteries of his life and creations.
The horrors created for the journey of discovery and answers hidden in life.
What an absolutely riveting story, filled with beautiful anatomical pictures of creatures that fill you with a sense of wonder and unease.
5 The last stone I unturned in my quest was the tombstone... Come quickly.
-S. Black.
Stars☆☆☆☆☆
December 7, 2021
Я б сказала, що потенціал цієї історії недорозкритий.
Фанатичний хірург другої половини ХІХ сторіччя, відкинутий наукової спільнотою, моторошні експерименти, сімейна трагедія, мандрівки з цирком, загадкове відкриття і смерть, що може й не бути смертю - повний готичний набір, Франкенштейнівський дух у поєднанні з образом вченого-безумця, і звісно, крутезні ілюстрації... Але наскільки це було би крутіше, якби розгорнулося у повноцінний текст, а не лише коротку біо на 65 сторінок. Та й коментарів до анатомічного атласу дуже не вистачає - пояснення, які фізіологічні процеси стоять за поєднання істот різних видів, родів та сімейств.
Крім того, з сумом констатую, що український переклад не найвищої якості.
Фанатичний хірург другої половини ХІХ сторіччя, відкинутий наукової спільнотою, моторошні експерименти, сімейна трагедія, мандрівки з цирком, загадкове відкриття і смерть, що може й не бути смертю - повний готичний набір, Франкенштейнівський дух у поєднанні з образом вченого-безумця, і звісно, крутезні ілюстрації... Але наскільки це було би крутіше, якби розгорнулося у повноцінний текст, а не лише коротку біо на 65 сторінок. Та й коментарів до анатомічного атласу дуже не вистачає - пояснення, які фізіологічні процеси стоять за поєднання істот різних видів, родів та сімейств.
Крім того, з сумом констатую, що український переклад не найвищої якості.
December 9, 2022
Історія про лікаря була дуже кріпова і по-вікторіанськи божевільна. Не хочу думати про його досліди і вівісекцію. Але от сам атлас вимерлих істот цікавий, особливо розділ про гарпію, бо гарпії схожі на моїх птахів :) і було цікаво побачити внутрішню будову
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January 8, 2016
This kind of book has long been needed and I hope more mythical and folklore creatures get the same treatment.
April 27, 2024
bro read frankenstein and thought it was an instruction manual
May 1, 2013
The illustrations and plates in this book are wonderful, and the book is aesthetically lovely. However, the short “biography” of the fictitious Dr. Spencer Black was more than I could handle. At only 65 pages, you'd think I could manage it, but I threw up my hands (and almost my lunch) around page 46.
I'm usually game for something fairly grisly, and didn't have a problem (or so I thought) reading about grave robbers, “resurrectionists,” of the 19th century. Smelly old corpses being exhumed and stolen in the middle of the night – hey, no problem.
But I absolutely cannot read about vivisection. When I got to the part about crazy Dr. Black's experiments in that arena, I couldn't go on. Yes, I know it is fiction, this particular tale, but it is so very deeply disturbing to me that I am going to have trouble washing the images out of my mind. And this is with not finishing the book. Perhaps people with stronger stomachs than mine will do better with it, but I can't imagine anyone short of a serial killer in training actually enjoying it.
Five stars for the creativity and artistry of the illustrations, but all the good is negated by the writing.
I'm usually game for something fairly grisly, and didn't have a problem (or so I thought) reading about grave robbers, “resurrectionists,” of the 19th century. Smelly old corpses being exhumed and stolen in the middle of the night – hey, no problem.
But I absolutely cannot read about vivisection. When I got to the part about crazy Dr. Black's experiments in that arena, I couldn't go on. Yes, I know it is fiction, this particular tale, but it is so very deeply disturbing to me that I am going to have trouble washing the images out of my mind. And this is with not finishing the book. Perhaps people with stronger stomachs than mine will do better with it, but I can't imagine anyone short of a serial killer in training actually enjoying it.
Five stars for the creativity and artistry of the illustrations, but all the good is negated by the writing.
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