I do feel a trifle curmudgeonly and also somewhat guilty considering only a low three star rating for The Christmas Book Flood (2022), and indeed, if I were in fact ONLY to be considering Emily Kilgore's featured text, my rating for The Christmas Book Flood would certainly, would most definitely be solidly four stars.
For yes, I both enjoy and also majorly appreciate in The Christmas Book Flood Kilgore's expressive free form poetical celebration of a lovely and wonderful Icelandic Yuletide tradition (the book flood of the title, the Jólabókaflóðið in Icelandic), lyrically delightful both form and contents wise (and that the Jólabókaflóðið is also something that should unilaterally appeal to book lovers both young and old, not to mention this also being something that deserves and even needs to be emulated on a global scale), with my only (rather mild) textual criticisms for The Christmas Book Flood being that there is (at least for me personally speaking) a bit too much of a negative textual focus on winter as being oh so potentially dark and depressing in Iceland with regard to weather and shorter and shorter days emanating from Emily Kilgore's pen, that the otherwise excellent author's note for The Christmas Book Flood should in my opinion also contain a few websites with further information on both Iceland and on the Jólabókaflóðið, and that perhaps within the text proper of The Christmas Book Flood, some added Icelandic words would add an increased and more authentic sense of geographic place.
But as much as I have for the most part textually majorly liked (and even adored) what Emily Kilgore has written in The Christmas Book Flood, the lack of visual realism regarding Kitty Moss' accompanying artwork (well, at least for two very essential and important aspects thereof) leaves me not only rather disappointed but also somewhat annoyed. For one, considering how justifiably proud Icelanders are of their hardy and unique horses (and that other horse breeds are not even allowed to be imported to Iceland), well, that NONE of Moss' depicted equines in The Christmas Book Flood in any way even remotely resemble Icelandic Horses, this does kind of rub me the wrong proverbial aesthetic way and also makes me kind of wonder if Kitty Moss even knows what bona fide Icelandic Horses are supposed to look like.
And for two, although the ethnic diversity of Kitty Moss' illustrations for The Christmas Book Flood is a nice touch in and of itself (or rather could be), considering that Iceland is even today one of the most ethnically homogenous countries of Europe (with over seventy-five percent of Icelanders being of Scandinavian origin and with most immigrants hailing from continental Europe), sorry, but that in Moss' illustrations for The Christmas Book Flood, ethnic diversity is kind of front and centre, with very many dark skinned people and also quite a number of bi-racial couples presented, this just is not all that realistic (in my opinion) and it would actually and thus make a lot more sense if Kitty Moss would depict considerably less ethnic diversity in The Christmas Book Flood (as that would indeed show and represent Icelandic reality), and that even though Moss' general illustrative feel regarding The Christmas Book Flood is nicely visually celebratory and also does a good and colourful job mirroring Emily Kilgore's words, the rather fictitious and basically erroneous depictions of Icelandic Horses and that there is too much pictured ethnic diversity for Iceland, this does most definitely gratingly bother and frustrate me (since yes, The Christmas Book Flood is supposed to represent actual Iceland and an actual Icelandic Christmas, and some parts of Kitty Moss' pictures just for and to me fail to do this).