A new Jonathan Stroud book, let alone a wholly new series, is among the very best things that can happen in the world of publishing. I came to Stroud shamefully late in the game, near the tail end of the Lockwood & Co series, so I had yet to experience the feverish anticipation of this situation. So when I found out about this book, I promptly scoured the internet for a way to buy a British book in the US, thankfully found a website that offered free shipping, and dove right in.
To say that Stroud is a superlative writer is merely stating the obvious. It’s hard to say what’s more impressive: the characters that leap off the page and into our hearts, the stories that have us on the edge of our seats because we know Stroud doesn’t mess around, or the worlds that are practically begging to be obsessed over the way Westeros and Hogwarts are. Really, the most impressive part is that Stroud’s works contain all of these elements, and he makes it look effortless.
Beginning with the world-building: I really envy Stroud’s imagination. He has a gift for taking a premise (Genies! Ghosts that only kids can see! Dystopian Britain!) and truly following the implications for how society would evolve to deal with it. In this book, we are plunged into a dystopian Britain that has splintered into seven kingdoms, mostly with towns dotted among the wilderness – and it’s tough to say which is more savage, the society in the towns or the lawlessness outside them.
A really cool thing is the specificity of this being Britain. Stroud makes the most of the geography, with the story following the Thames, and its literal twists and turns informing the story in a huge way. I can’t wait to go back to the UK and explore some of the locations that inspired this book.
Stroud avoids throwing in a lot of Proper Nouns in lieu of backstory, but the implication seems to be environmental catastrophe. (In related news, can we make this book required reading in the halls of Congress?) The wildlife is huge and deadly. London is mostly underwater, with the skyscrapers jutting out of the sea. Mankind is increasingly hostile towards people’s otherness. Slavery is back in vogue, religion holds a vague authority over the feudal towns, and organized crime and banks are all still there.
In short, it’s a world ripe for storytelling, and filled with tensions that seem bound to boil over. Yet we find ourselves in a small corner of the world, following one (then two) outlaws who are just trying to get by. Scarlett and Albert are a fantastic duo of protagonists, and I am on board to go on many many adventures with them.
They are so very different. Scarlett is prickly, Albert is warm and friendly. Scarlett is world-weary and jaded, Albert is naïve and has an insatiable curiosity about the world. Both have mysterious pasts, and both are trying their damnedest to be good people in a world that’s clearly inhospitable to good people. Either one of them would be a great protagonist to carry a story – the two of them together, and their fantastic friendly chemistry, is an embarrassment of riches. Stroud doesn’t skimp on the quiet moments in this action-adventure – there are plenty of conversations, a chance for them to both banter and to open up to each other. It almost took me aback when near the end of the book, there’s a mention of “this crazy adventure I’ve been on with you for 10 days” – it felt like they’d been together forever by the end of the book! I couldn’t even imagine them without the other.
Storywise, this is pretty much the most perfect “pilot” for a series I’ve ever read. It tells a somewhat complete story regarding a villain, but first and foremost, it’s a travelogue through this world to establish it, and a way to develop Scarlett and Albert as a team whom we want to go on adventures with. As soon as I read the last page, I immediately wanted to go on further adventures with these two.
Lastly, I need to mention Chapter 20. I read it when I was having trouble falling asleep, and that was a huge mistake: I had to read for another hour just to come off of the terror that was Chapter 20. Stroud established he’s good at creepy scary stuff in the Lockwood books, but this was a whole other level. Stroud builds up the Tainted throughout the book, to the point where even though we don’t know much about them, we are viscerally petrified thanks to Scarlett and Albert. It reminded me, most of all, of the Reavers from Firefly. That entire chapter, the suspense and the action and everything… it was TERRIFYING. Genuinely one of the scariest things I’ve read in a long long time.
The Outlaws Scarlett and Browne is a book that is firing on all cylinders, and one hell of a start to a series that I will be reading the very second I can get my hands on each installment. I can’t wait for the next adventure!
ETA: Rereading it a year later, I am as awed as before by this book. Even knowing what happens, the action keeps your heart pounding. And this time, I took more notice of the writing. The choice of words, the punchy descriptions and moments of alliteration... this is a master of the language, writing at the height of his powers. It's astonishingly good.