William Shakespeare: Hamlet

Literature insights

by John Lennard, C.W.R.D. Moseley (Editor)

This book approaches Shakespeare as utterly a man of the theatre, a professional actor before he was a playwright and a resident dramatist who knew intimately the actors for whom he wrote. It continues by ‘Approaching Hamlet’ in that light, and as a revenge tragedy deliberately overloaded with complications. The middle chapters look in detail at the ‘Actors and Players’ of the drama, starting with the Ghost and ending with ‘the best actors in the world’, and at Shakespeare’s favourite ‘Acts and Devices’ as deployed within it. A final chapter considers Hamlet and Twelfth Night, written and premiered in close succession, as an unexpectedly resonant pair, a surprisingly funny revenge tragedy and a surprisingly bleak revenge comedy that for the first audiences would have complemented one another. The annotated Bibliography includes the current major editions of Hamlet, the major film-adaptations, and a selection of both the best criticism and the most useful websites.

87 pages, Hardcover

First published January 1, 2007

About the author

John Lennard (born 1964) read English at New College, Oxford, took an MA at Washington University in St Louis, and a DPhil. back at New College. After teaching for the Open University and the University of London, he was Fellow and Director of Studies in English at Trinity Hall, Cambridge, from 1991-8, and Professor of British and American Literature at the University of the West Indies, Mona, Jamaica, from 2004-09. He is now an Associate Member and Director of Studies in English at Hughes Hall, Cambridge, and a freelance writer as well as the general editor of Humanities-Ebooks' Genre Fiction Sightlines and Monographs series.

Besides almost all books, he likes cats, cricket, mountains and forests, architecture, punctuation (and its peculiar history), red wine, honky-tonk piano, blues and folk, rugs, knots, jigsaws, crosswords, pottery, Golden Age Dutch fine art, and astronomy.