Remy Lai's 2020 middle grade graphic novel hybrid Pie in the Sky follows twelve year old Jingwen (and his younger brother Yanghao) as they move with their mother from an unnamed Asian country to Australia (with their father having died two years previously in a horrible accident and that the pain of this is still pretty raw for Jingwen).
And Lai's text as well as her artwork for Pie in the Sky, it beautifully, expressively but often also heartbreakingly demonstrates how Jingwen upon arriving in Australia hugely misses his father (whose idea it seems to have actually been to move to Australia) and notices that pretty much everything is quite majorly different from home, from what he is used to, with Jingwen thus kind of feeling like he has landed on Mars, that everyone is speaking Martian and how he does not generally understand what people are saying most if not actually all of the time. Well and actually, we are of course talking about Australian English in Pie in the Sky, but for Jingwen, Australian English might as well be Martian, and which is also totally and absolutely personally relatable for me, as when my family immigrated to Canada from Germany in 1976, on the first day of school, and ten year old I knowing absolutely no English at all except perhaps a few select curse words, I actually kind of thought that my classmates and teachers were all speaking either backwards or gibberish as I really and truly understood absolutely nothing that was being said, that was being written, that I was asked to read (and not to mention that for my younger brother and sister, moving to Canada was somehow much easier and less traumatic than for me, and how this is also mirrored in Pie in the Sky regarding Jingwen and Yanghao, since Yanghao is having a much easier time adjusting to Australia and learning English than his brother).
But just to also point out that in Pie in the Sky, the majority of Australians of course look different from Jingwen and his family as well (since they are Asian) and that through Remy Lai’s illustrations and Jingwen’s very much age appropriate insights and first person narrative, Lai totally and brilliantly with Pie in the Sky both textually and visually captures the feelings and the perspective of an immigrant tween boy who has to adapt to a new place where everything is different and unfamiliar, with Jingwen’s young and sometimes downright goofy tone being totally delightful, and that especially immigrant kids as well as adults who went through an immigration experience similar to Jingwe's (like myself) should in my opinion easily relate to Jingwen in Pie in the Sky and to his experiences as young, as a twelve year old immigrant to Australia.
However and wonderfully so, with Pie in the Sky, Remy Lai's artwork and text, they actually do considerably more than just show how Jingwen as an immigrant is experiencing the newness and the unfamiliarity of Australia. For as the the story of Pie in the Sky develops and moves forward, Jingwen’s perspective also changes from seeing Australians as aliens (as Martians) to seeing himself as this, that it is in fact he who is different from everyone else and not vice versa so to speak. And indeed, this change of perspective I also experienced myself, since when we moved to Canada from Germany, while I originally considered everyone (at school but actually pretty much everywhere) as being apart from me, I soon realised that I was actually the alien and not they, and that this would not really change no matter how much I attempted to fit in. So indeed, I (both adult I but in particular my inner ten year old immigrant self) hugely and totally understand and can relate to Jingwen’s attempts in Pie in the Sky to try and fit in by being more silent, to avoid others from catching on that he is the "Martian" and how Pie in the Sky poignantly illustrates the emotional challenges of moving to a new country and particularly one where the main language spoken and much of the culture are completely different.
Finally, Pie in the Sky is (and thankfully so) not just an immigration story, as what Remy Lai presents with her text and with her artwork is also about coping with the loss of a parent, since throughout the story, Jingwen describes feeling immense grief when thinking of his deceased father as well as some heavy responsibility and guilt towards especially his mother. For in order to cope with the loneliness and the pain of moving to a new country, of moving to Australia, Jingwen (and Yanghao) decide to bake every cake from their late father’s intended menu of the café he was going to open in Australia. And while for Jingwen, baking the twelve cakes on the menu is not just about finding a method to productively and enjoyably deal with loneliness and his immigration based and themed woes, but also a way to connect with his father and to preserve his memory (as well as both physically and emotionally doing something fun and meaningful with his younger brother with whom he often has squabbles and disagreements), Jingwen is of course also quite deliberately disobeying is mother who has told her sons that they are not to use the oven while she is out of the house and at work. But while I guess I am as an adult reader kind of glad that Pie in the Sky does have Jingwen and Yanghao get in trouble for using the oven against their mother's rule, I also at the same time have huge issues with reviewers who rate Pie in the Sky low and consider that Remy Lai presents bad messages, as yes and for me, this totally shows a huge lack of understanding for what Lai is presenting, for her story and for why Jingwen and Yanghao decide to bake their late father's cakes in the first place.
Five stars for Pie in the Sky and although Lai's pictures sometimes tends to distract me a bit from her printed words, text and images do work really well together in Pie in the Sky and present an absolutely wonderful story about immigration, loss, cake and family love that is highly recommended for both young and old, for both middle grade as well as teenaged and even adult readers (and in particular for those of us who have experienced or are currently experiencing the kind of problematic and difficult immigration scenarios depicted and described both verbally and equally visually by Remy Lai).