5★
“ ‘He’s gonna be sick. You know that, don’tcha?’ The old man fixed him with a stern look and pressed the billfold back into the bib of his overalls.
‘I seen him sick before.’
‘Not like this.’
‘I can deal with it.’
‘Gonna have to. Don’t expect it to be pretty.’
‘“Never is. Still, he’s my dad.’
The old man shook his head and bent to retrieve the bucket and when he stood again he looked the kid square. ‘Call him what you like. Just be careful. He lies when he’s sick.’
‘Lies when he ain’t.’ ”
The kid has lived with the old man, known as Bunky, all his life. He has met his father only a handful of times and always been disappointed. His dad is a drunk, and the old man has hated seeing the kid get his hopes up over the years only to have them flattened when the dad doesn’t even remember he’s coming.
Wagamese describes young Franklin Starlight.
“He was big for his age, raw-boned and angular, and he had a serious look that seemed culled from sullenness, and he was quiet, so that some called him moody, pensive, and deep. He was none of those. Instead, he’d grown comfortable with aloneness and he bore an economy with words that was blunt, direct, more a man’s talk than a kid’s. So that people found his silence odd and they avoided him, the obdurate Indian look of him unnerving even for a sixteen-year-old. The old man had taught him the value of work early and he was content to labour, finding his satisfaction in farm work and his joy in horses and the untrammelled open of the high country. He’d left school as soon as he was legal.”
Now he has been summoned to his father’s bedside, such as it is, because Eldon has things he needs to say, to share, to explain, but not here. Not in the hovel he’s living in and not in front of the woman who is currently in his bed.
“His father’s face was slack, the skin hanging off the bones like a loose tent, and there were lines and creases deep with shadow.
. . .
the hand large with long, splayed fingers that told of the size he once owned, gone now to a desiccated boniness.
. . .
His father slid out of bed and the kid could see the gauntness of him, his buttocks like small lumps of dough and the rest of him all juts and pokes and seams of bone under sallow skin.”
Eldon asks his son to take him cross-country, through the mountains to the place he wants to be buried, warrior-style, sitting up, facing East. In spite of the kid’s resistance, he claims he was a warrior once and promises to tell the kid more about their background along the way.
Franklin feels obliged, somehow, and the hard trek begins, with Eldon often tied onto the only horse as the kid walks with the pack and does everything that needs doing to camp, hunt, fish, cook, and care for the dying man.
As they travel and Eldon is reminded of his past, his stories emerge. The narrative outside of his storytelling reveals more of their origins and how the men crossed paths. Eldon’s childhood was horrific but his young adult life was something like the kid’s - hard work and little money.
Eldon and his best pal, Jimmy, worked in the logging camps and rode the logs down the river, dancing atop them and fooling around like the kids they were.
The wars – WWII and Korea – affected lives in ways that left men shell-shocked with little or no understanding or help. In Eldon’s case, he had more than a war or two to deal with.
On the trek, his father tells Franklin something about what he was taught.
“ ‘Our people just followed the work but most places wouldn’t hire a skin or a breed. Not regular, least ways. Get a day here, a day there sometimes, but there was never nothing fixed. So I scavenged wood. It’s all I learned to hunt when I was kid.’
His father shook a smoke out of the pack and lit up and smoked a moment. ‘Your grandparents were both halfbreeds. We weren’t Metis like the French Indians are called. We were just half-breeds. Ojibway. Mixed with Scot. Mcjibs. That’s what they called us. No one wanted us around.’ ”
When the kid shows that he has a lot of skills, his father asks if the old man taught him. Yes, says Franklin. Everything Franklin knows, which is considerable, is from the old man.
“‘At first he brung me out all the time when I was small. Showed me plants and how to gather them. Everything a guy would need is here if you want it and know how to look for it, he said. You gotta spend time gatherin’ what you need. What you need to keep you strong. He called it a medicine walk.’ ”
His dad understands, but he was not taught these things.
“ ‘All’s I’m tryin’ to say is that we never had the time for learnin’ about how to get by out here. None of us did. White man things was what we needed to learn if we was gonna eat regular. Indian stuff just kinda got left behind on accounta we were busy gettin’ by in that world.’ ”
It’s a long time before Eldon can get the courage to unburden himself of guilt and reveal the real story of who their people are and why the kid has grown up with the old man.
This is harsh and unforgiving but tender and poignant. There are no right answers. Just because something is understandable doesn’t make it acceptable.
This takes place in the Canadian wilderness of British Columbia, but the essence of this story of heritage lost and somewhat reclaimed is echoed in First Nations around the world. I hope more can be saved.
Ojibway author Wagamese died in 2017, too young, but he left a good body of work for me to catch up on.
I listened to some - the audio by Tom Stechschulte is excellent. It is a haunting story.